Theatre Research International: Volume 17 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 17 - Autumn 1992

Contents

Page 4 of 6

Reviews

The Playwrighting Self Of Bernard Shaw. By John A. Bertolini. Carbondale: Southern Illinois University Press. Pp. 206.
J. Ellen Gainor
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23 January 2009, pp. 165-166
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Brenton: The Playwright. By Richard Boon. London: Methuen, 1991. Pp. xviii + 355 + illus. £9.99
Richard Knapp
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23 January 2009, pp. 65-67
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Canadian Theatre Review. Edited by Alan Filewod, Associate Editors Natalie Rewa, Ann Wilson. Nos. 61–64, Winter 1989–Fall 1990.
David Bradby
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23 January 2009, p. 258
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On Directing Shakespeare, By Ralph Berry. London: Penguin, 1989. Pp. 227 + illus. $21.95.
Jim Volz
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23 January 2009, p. 67
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Eugene O'Neill 1988. Ulrich Halfmann, ed. Tübingen: Gunter Narr Verlag, 1990. Pp. 273.
Yvonne Shafer
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23 January 2009, p. 166
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The Masks of Menander: Sign and Meaning in Greek and Roman Performance. By David Wiles. Cambridge: Cambridge University Press, 1991. pp. xv + 261. £35.
Simon Goldhill
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23 January 2009, pp. 258-259
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Bühnenprobleme der Jahrhundertwende im Spiegel des Rechts. By Richard Treitel. Theaterrechtliche Aufsätze, hg. von Manfred Rehbinder. Berlin: Gesellschaft für Theatergeschichte e.V., 1990. Pp. 152.
Michael Patterson
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23 January 2009, pp. 166-167
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The Chronicle of Western Costume: From the Ancient World to the late Twentieth Century. By John Peacock. London: Thames and Hudson, 1991. Pp. 224 + illus £16.95.
Jill Piercy
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23 January 2009, pp. 67-68
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The Roman Theatre and its Audience. By Richard C. Beacham. London: Routledge, 1991. Pp. xii + 267. £35.00.
Susan H. Braund
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23 January 2009, p. 259
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Inszenierung der Antike: Das Griechische Drama auf der Buhne der Neuzeit 1585–1990. By Hellmut Flashar. München: C. H. Beck, 1991. Pp. 407 + illus.
Fiona Macintosh
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23 January 2009, pp. 259-260
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The Function of Song in Contemporary British Drama. By Elizabeth Hale Winkler. London and Toronto: Associated University Presses/University of Delaware, 1990. Pp. 368. £35.
David Ian Rabey
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23 January 2009, pp. 68-69
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The National: A Dream Made Concrete. By Peter Lewis. London: Methuen, 1990. Pp. 245 + illus. £17.50.
Richard Boon
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23 January 2009, pp. 167-168
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Voice in Modern Theatre. By Jacqueline Martin. London and New York: Routledge, 1991. Pp. 235 + illus. £35.00; £9.99
Lis Hughes Jones
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23 January 2009, p. 69
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Shakespeare Survey, Volume 44: Shakespeare and Politics. Edited by Stanley Wells. Cambridge: Cambridge University Press, 1992. Pp. viii + 268 + illus. £35/ $54.95.
David Ian Rabey
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23 January 2009, pp. 260-261
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Inside the Royal Court Theatre, 1956–1981: Artists Talk. Edited by Gresdna A. Doty and Billy J. Harbin. Baton Rouge and London: Louisiana State University Press, 1990. Pp. 241 + illus.
Richard Boon
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23 January 2009, pp. 167-168
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Painting and Performance: Chinese Picture Recitation and its Indian Genesis. By Victor H. Mair. Honolulu, University of Hawaii Press, 1988, Pp. 278 + illus.
William Dolby
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23 January 2009, pp. 69-70
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Racine: Theatre et Poesie. Edited by Christine M. Hill. Leeds: Francis Cairns, 1991. Pp. 222.
James J. Supple
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23 January 2009, pp. 261-262
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Transposing Drama: Studies in Representation. By Egil Törnqvist. New York: St Martin's Press, 1991. Pp. 216. $35.
Laurence Senelick
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23 January 2009, p. 168
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Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution. By Richard Stites. Oxford: Oxford University Press, 1989.
Spencer Golub
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23 January 2009, pp. 169-170
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Actors and Onlookers: Theater and Twentieth-Century Scientific Views of Nature. By Natalie Crohn Schmitt Evanston. Northwestern Univ. Press. 1990. Pp + illus. $10.95.
Michael L. Quinn
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23 January 2009, pp. 70-72
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Page 4 of 6

Theatre Research International

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Volume 17 - Autumn 1992

Reviews

The Playwrighting Self Of Bernard Shaw. By John A. Bertolini. Carbondale: Southern Illinois University Press. Pp. 206.

Brenton: The Playwright. By Richard Boon. London: Methuen, 1991. Pp. xviii + 355 + illus. £9.99

Canadian Theatre Review. Edited by Alan Filewod, Associate Editors Natalie Rewa, Ann Wilson. Nos. 61–64, Winter 1989–Fall 1990.

On Directing Shakespeare, By Ralph Berry. London: Penguin, 1989. Pp. 227 + illus. $21.95.

Eugene O'Neill 1988. Ulrich Halfmann, ed. Tübingen: Gunter Narr Verlag, 1990. Pp. 273.

The Masks of Menander: Sign and Meaning in Greek and Roman Performance. By David Wiles. Cambridge: Cambridge University Press, 1991. pp. xv + 261. £35.

Bühnenprobleme der Jahrhundertwende im Spiegel des Rechts. By Richard Treitel. Theaterrechtliche Aufsätze, hg. von Manfred Rehbinder. Berlin: Gesellschaft für Theatergeschichte e.V., 1990. Pp. 152.

The Chronicle of Western Costume: From the Ancient World to the late Twentieth Century. By John Peacock. London: Thames and Hudson, 1991. Pp. 224 + illus £16.95.

The Roman Theatre and its Audience. By Richard C. Beacham. London: Routledge, 1991. Pp. xii + 267. £35.00.

Inszenierung der Antike: Das Griechische Drama auf der Buhne der Neuzeit 1585–1990. By Hellmut Flashar. München: C. H. Beck, 1991. Pp. 407 + illus.

The Function of Song in Contemporary British Drama. By Elizabeth Hale Winkler. London and Toronto: Associated University Presses/University of Delaware, 1990. Pp. 368. £35.

The National: A Dream Made Concrete. By Peter Lewis. London: Methuen, 1990. Pp. 245 + illus. £17.50.

Voice in Modern Theatre. By Jacqueline Martin. London and New York: Routledge, 1991. Pp. 235 + illus. £35.00; £9.99

Shakespeare Survey, Volume 44: Shakespeare and Politics. Edited by Stanley Wells. Cambridge: Cambridge University Press, 1992. Pp. viii + 268 + illus. £35/ $54.95.

Inside the Royal Court Theatre, 1956–1981: Artists Talk. Edited by Gresdna A. Doty and Billy J. Harbin. Baton Rouge and London: Louisiana State University Press, 1990. Pp. 241 + illus.

Painting and Performance: Chinese Picture Recitation and its Indian Genesis. By Victor H. Mair. Honolulu, University of Hawaii Press, 1988, Pp. 278 + illus.

Racine: Theatre et Poesie. Edited by Christine M. Hill. Leeds: Francis Cairns, 1991. Pp. 222.

Transposing Drama: Studies in Representation. By Egil Törnqvist. New York: St Martin's Press, 1991. Pp. 216. $35.

Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution. By Richard Stites. Oxford: Oxford University Press, 1989.

Actors and Onlookers: Theater and Twentieth-Century Scientific Views of Nature. By Natalie Crohn Schmitt Evanston. Northwestern Univ. Press. 1990. Pp + illus. $10.95.

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Volume 17 - Autumn 1992

Reviews