Theatre Research International: Volume 17 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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< Back to all issues

Volume 17 - Autumn 1992

Contents

Page 3 of 6

Reviews

Turn Up The Contrast: CBC Television Drama Since 1952. By Mary-Jane Miller. Vancouver: University of British Columbia Press, 1987. Pp. 429.
Richard Collins
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23 January 2009, pp. 251-253
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The First German Theatre: Schiller, Goethe, Kleist and Buchner in Performance. By Michael Patterson. London: Routledge, 1990. Pp. xiv + 208. £35.00
Julian Hilton
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23 January 2009, pp. 59-60
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The Making of Victorian Drama. By Anthony Jenkins. Cambridge: Cambridge University Press, 1991. Pp. 301 + illus. £30.
Jan McDonald
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23 January 2009, pp. 60-61
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The Neptune Story. By Richard Perkyns. Hantsport: Lancelot Press, 1989. Pp. 207 + illus.
David R. Overton
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23 January 2009, p. 253
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Shakespeare: The Living Record. By Irvin Leigh Matus. New York: St. Martin's Press, 1991. Pp. xii + 174. $39.95.
Cary M. Mazer
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23 January 2009, p. 160
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Harriet Bosse: Strindberg's Muse and Interpreter. By Carla Waal. Carbondale and Edwards ville: Southern Illinois University Press, 1990. pp. xii + 298.
Simon Williams
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23 January 2009, pp. 61-62
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The Arts Of Performance in Elizabethan and Early Stuart Drama: Essays for G. K. Hunter. Edited by Murray Biggs, Philip Edwards, Inga-Stina Ewbank and Eugene M. Waith. Edinburgh: Edinburgh University Press, 1991. Pp. 227. £30.00.
Mark Thornton Burnett
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23 January 2009, pp. 160-161
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A Public Nuisance: A History of The Mummers Troupe. By Chris Brookes. St. Johns: Memorial University of Newfoundland, 1988. Pp. 246 + illus.
Bruce A. Mcconachie
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23 January 2009, pp. 253-254
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Shakespeare On The German Stage: Volume I: 1586–1914. By Simon Williams. Cambridge: University Press, 1991. Pp. xiii + 245 + illus. £27.50.
Willem Schrickx
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23 January 2009, pp. 161-162
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Behind the Scenes: Yeats, Horniman, and the Struggle for the Abbey Theatre. By Adrian Frazier. University of California Press: Berkeley, Los Angeles, and London, 1990. Pp xxv + 258.
Simon Williams
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23 January 2009, pp. 62-63
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Up The Mainstream: The Rise of Toronto's Alternative Theatres. By Denis W. Johnston. Toronto: University of Toronto Press, 1991. Pp. 336 + illus. $17.95 in Canada.
Paul Thompson
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23 January 2009, pp. 254-255
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Canada On Stage: 1982–1986. By Pact Communications Centre, Professional Association of Canadian Theatres. Toronto: Professional Association of Canadian Theatres, 1989. Pp. xlvi, 672 + illus.
Patrick B. O'Neill
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23 January 2009, p. 255
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Annie Horniman: A Pioneer in the Theatre. By Sheila Gooddie. London: Methuen. 1990. Pp. vii + 216. £16.99
Nicholas Grene
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23 January 2009, pp. 63-64
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The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. By Shearer West. New York: St. Martin's Press, 1991. Pp. 191 + illus. $39.93.
Leigh Woods
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23 January 2009, pp. 162-163
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Actresses as Working Women: Their Social Identity in Victorian Culture. Tracy C. Davis. London and New York: Routledge, 1991. Pp. 200 + illus. £35.00; £9.99
Linda Fitzsimmons
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23 January 2009, pp. 163-164
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Russian Theatre in the age of Modernism. Edited by Robert Russell and Andrew Barratt. New York: St. Martin's Press, 1990. Pp. 269. $39.95.
Don Stowell, Jr
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23 January 2009, pp. 64-65
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Fair Play—12 Women Speak: Conversations With Canadian Playwrights. Edited by Judith Rudakoff and Rita Much. Toronto: Simon & Pierre, 1990. Pp. 220. $22.95.
Leanore Lieblein
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23 January 2009, pp. 255-256
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The Eugene O'Neill Review, Vol 14, Nos. 1–2 (1990). Ed. by Frederick C. Wilkins.
Margaret Loftus Ranald
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23 January 2009, p. 65
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The Moscow Art Theatre Letters. Selected, edited and translated with a commentary by Jean Benedetti. London: Methuen Drama, 1991. Pp. 377 + illus. £20.00
Nick Worrall
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23 January 2009, pp. 164-165
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Theatre History in Canada/Histoire Du Théâtre Au Canada, Vol. IX, no. 1 (Spring 1988) to Vol. XI, no. 1 (Spring 1990). Edited by L. E. Doucette and Richard Plant. Toronto: University of Toronto Graduate Centre for the Study of Drama and Department of Drama, Queen's University in Kingston. Can$22 (Institution), Can$15 (Individual), Can$12 (Student), Can$2.50 additional outside Canada.
Ronald Vince
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23 January 2009, pp. 256-258
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Page 3 of 6

Theatre Research International

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Volume 17 - Autumn 1992

Reviews

Turn Up The Contrast: CBC Television Drama Since 1952. By Mary-Jane Miller. Vancouver: University of British Columbia Press, 1987. Pp. 429.

The First German Theatre: Schiller, Goethe, Kleist and Buchner in Performance. By Michael Patterson. London: Routledge, 1990. Pp. xiv + 208. £35.00

The Making of Victorian Drama. By Anthony Jenkins. Cambridge: Cambridge University Press, 1991. Pp. 301 + illus. £30.

The Neptune Story. By Richard Perkyns. Hantsport: Lancelot Press, 1989. Pp. 207 + illus.

Shakespeare: The Living Record. By Irvin Leigh Matus. New York: St. Martin's Press, 1991. Pp. xii + 174. $39.95.

Harriet Bosse: Strindberg's Muse and Interpreter. By Carla Waal. Carbondale and Edwards ville: Southern Illinois University Press, 1990. pp. xii + 298.

The Arts Of Performance in Elizabethan and Early Stuart Drama: Essays for G. K. Hunter. Edited by Murray Biggs, Philip Edwards, Inga-Stina Ewbank and Eugene M. Waith. Edinburgh: Edinburgh University Press, 1991. Pp. 227. £30.00.

A Public Nuisance: A History of The Mummers Troupe. By Chris Brookes. St. Johns: Memorial University of Newfoundland, 1988. Pp. 246 + illus.

Shakespeare On The German Stage: Volume I: 1586–1914. By Simon Williams. Cambridge: University Press, 1991. Pp. xiii + 245 + illus. £27.50.

Behind the Scenes: Yeats, Horniman, and the Struggle for the Abbey Theatre. By Adrian Frazier. University of California Press: Berkeley, Los Angeles, and London, 1990. Pp xxv + 258.

Up The Mainstream: The Rise of Toronto's Alternative Theatres. By Denis W. Johnston. Toronto: University of Toronto Press, 1991. Pp. 336 + illus. $17.95 in Canada.

Canada On Stage: 1982–1986. By Pact Communications Centre, Professional Association of Canadian Theatres. Toronto: Professional Association of Canadian Theatres, 1989. Pp. xlvi, 672 + illus.

Annie Horniman: A Pioneer in the Theatre. By Sheila Gooddie. London: Methuen. 1990. Pp. vii + 216. £16.99

The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. By Shearer West. New York: St. Martin's Press, 1991. Pp. 191 + illus. $39.93.

Actresses as Working Women: Their Social Identity in Victorian Culture. Tracy C. Davis. London and New York: Routledge, 1991. Pp. 200 + illus. £35.00; £9.99

Russian Theatre in the age of Modernism. Edited by Robert Russell and Andrew Barratt. New York: St. Martin's Press, 1990. Pp. 269. $39.95.

Fair Play—12 Women Speak: Conversations With Canadian Playwrights. Edited by Judith Rudakoff and Rita Much. Toronto: Simon & Pierre, 1990. Pp. 220. $22.95.

The Eugene O'Neill Review, Vol 14, Nos. 1–2 (1990). Ed. by Frederick C. Wilkins.

The Moscow Art Theatre Letters. Selected, edited and translated with a commentary by Jean Benedetti. London: Methuen Drama, 1991. Pp. 377 + illus. £20.00

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Volume 17 - Autumn 1992

Reviews