Theatre Research International: Volume 25 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 25 - Autumn 2000

Contents

Page 3 of 5

Reviews

Engendering A Nation: A Feminist Account of Shakespeare's English History. By Jean E. Howard & Phyllis Rackin. London: Routledge, 1997. Pp. xviii + 248. $24.99 Pb. - Roman Shakespeare: Warriors, Wounds and Women. By Coppélia Kahn. London: Routledge, 1997. Pp. xviii + 190. $24.99 Pb.
Barbara Sebek
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23 January 2009, pp. 194-195
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Comedies Useful: Southern Theatre History, 1775–1812. By Susanne K. Sherman. Edited by Lucy B. Pilkinton. Williamsburg, VA: Celest Press, 1998. Pp. xiii + 242 + illus. $21.95Pb.
Stanley Richardson
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23 January 2009, p. 299
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Discovering the Subject in Renaissance England. By Elizabeth Hanson. Cambridge: Cambridge University Press, 1998. Pp. xii + 190. £35; $54.95 Hb.
Mark Thornton Burnett
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23 January 2009, p. 196
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‘A Wind Is Rising’: The Correspondence of Agnes Boulton and Eugene O'Neill. Edited by William Davies King. Cranbury, NJ: Fairleigh Dickinson University Press, 2000. Pp. 328 + illus. $49.50 Hb.
James Fisher
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23 January 2009, pp. 299-300
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Ibsen, Strindberg and the Intimate Theatre: Studies in Television Presentation. By Egil Törnqvist. Amsterdam: Amsterdam University Press, 1999. Pp. 240 + illus. £24.50 Hb; £14.95 Pb.
Kirsten Shepherd-Barr
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23 January 2009, p. 91
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Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television. By Brenda Murphy. Cambridge: Cambridge University Press, 1999. Pp. xiii + 310 + illus. $59.95. Hb. - Performing America: Cultural Nationalism in American Theater. Edited by Jeffrey D. Mason & J. Ellen Gainor. Ann Arbor: University of Michigan Press, 1999. Pp. vi + 250 + illus. $44.50. Hb.
Ronald Wainscott
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23 January 2009, pp. 300-301
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Luigi Pirandello: Contemporary Perspectives. Edited by Gian-Paolo Biasin & Manuela Gieri. Toronto, Buffalo & London: University of Toronto Press, 1999. Pp. 231. $45; £33 Hb.
Susan Bassnett
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23 January 2009, pp. 91-92
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Eroticism on the Renaissance Stage: Transcendence, Desire and the Limits of the Visible. By Celia R. Daileader. Cambridge: Cambridge University Press, 1998. Pp. xi + 194 + illus. £35; $54.95 Hb.
Mark Thornton Burnett
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23 January 2009, pp. 196-197
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The Rhetorical Feminine: Gender and Orient on the German Stage, 1647–1742. By Sarah Colvin. Oxford: Clarendon Press, 1999. Pp. x + 332. £42 Hb.
Marian R. Sperberg-McQueen
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23 January 2009, pp. 197-198
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Brecht Sourcebook. Edited by Carol Martin & Henry Bial. London & New York: Routledge, 2000. Pp. ix + 242. £14.99 Pb.
Meg Mumford
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23 January 2009, pp. 301-302
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Political Theatre During the Spanish Civil War. By Jim McCarthy. Cardiff: University of Wales Press, 1999. Pp. xix + 251. £35 Hb.
Mike Gonzalez
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23 January 2009, p. 92
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Twentieth-Century Actor Training. Edited by Alison Hodge. London: Routledge, 2000. Pp. xvii + 251 + illus. £13.99 Pb.
Andrew McKinnon
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23 January 2009, p. 302
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Schauspielerinnen im Europa des 18. Jahrhunderts: Ihr Leben, Ihre Schriften und Ihr Publikum. By Ruth B. Emde. Amsterdam & Atlanta: Rodopi, 1997. Pp. xv + 368. £49.50/$84 Hb; £17/$42 Pb.
Meg Mumford
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23 January 2009, pp. 198-199
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Samuel Beckett Today/ Aujourd'hui 7: Beckett Versus Beckett. Edited by Marius Buning, Danielle de Ruyter, Matthijs Engelberts & Sjef Houppermans. Amsterdam & Atlanta GA: Editions Rodopi, 1998. Pp. 437. $33 Pb.
Anna McMullan
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23 January 2009, pp. 92-93
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Women and Playwriting in Nineteenth-Century Britain. Edited by Tracy C. Davis & Ellen Donkin. Cambridge: Cambridge University Press, 1999. Pp. xvi + 295. £37.50 Hb; £13.95 Pb.
Jan McDonald
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23 January 2009, pp. 199-200
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Staging Femininities: Performance and Performativity. By Geraldine Harris. Manchester: Manchester University Press, 1999. Pp. vii + 200 + illus. £12.99 Pb.
Deirdre E. Heddon
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23 January 2009, pp. 302-303
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Samuel Beckett and the Arts: Music, Visual Arts and Non-Print Media. Edited by Lois Oppenheim. New York & London: Garland Publishing, 1999. Pp. xxi + 389. £54 Hb.
Anna McMullan
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23 January 2009, pp. 93-94
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Drama and Ideology in Modern Israeli. By Glenda Abramson. Cambridge: Cambridge University Press, 1998. Pp. 265 + illus. £40; $64.95 Hb.
Gad Kaynar
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23 January 2009, pp. 94-95
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Civilising the Colonies: Pioneering Opera in Australia. By Alison Gyger. Sydney: Pellinor, 1999. Pp. 285 + illus. AUS$49.95 Hb.
Mimi Colligan
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23 January 2009, p. 200
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The Radical in Performance: Between Brecht and Baudrillard. By Baz Kershaw. London: Routledge, 1999. Pp. xiv + 252, illus. £16.99; $24.99 Pb.
Dean Wilcox
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23 January 2009, pp. 303-304
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Page 3 of 5

Theatre Research International

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Volume 25 - Autumn 2000

Reviews

Engendering A Nation: A Feminist Account of Shakespeare's English History. By Jean E. Howard & Phyllis Rackin. London: Routledge, 1997. Pp. xviii + 248. $24.99 Pb. - Roman Shakespeare: Warriors, Wounds and Women. By Coppélia Kahn. London: Routledge, 1997. Pp. xviii + 190. $24.99 Pb.

Comedies Useful: Southern Theatre History, 1775–1812. By Susanne K. Sherman. Edited by Lucy B. Pilkinton. Williamsburg, VA: Celest Press, 1998. Pp. xiii + 242 + illus. $21.95Pb.

Discovering the Subject in Renaissance England. By Elizabeth Hanson. Cambridge: Cambridge University Press, 1998. Pp. xii + 190. £35; $54.95 Hb.

‘A Wind Is Rising’: The Correspondence of Agnes Boulton and Eugene O'Neill. Edited by William Davies King. Cranbury, NJ: Fairleigh Dickinson University Press, 2000. Pp. 328 + illus. $49.50 Hb.

Ibsen, Strindberg and the Intimate Theatre: Studies in Television Presentation. By Egil Törnqvist. Amsterdam: Amsterdam University Press, 1999. Pp. 240 + illus. £24.50 Hb; £14.95 Pb.

Luigi Pirandello: Contemporary Perspectives. Edited by Gian-Paolo Biasin & Manuela Gieri. Toronto, Buffalo & London: University of Toronto Press, 1999. Pp. 231. $45; £33 Hb.

Eroticism on the Renaissance Stage: Transcendence, Desire and the Limits of the Visible. By Celia R. Daileader. Cambridge: Cambridge University Press, 1998. Pp. xi + 194 + illus. £35; $54.95 Hb.

The Rhetorical Feminine: Gender and Orient on the German Stage, 1647–1742. By Sarah Colvin. Oxford: Clarendon Press, 1999. Pp. x + 332. £42 Hb.

Brecht Sourcebook. Edited by Carol Martin & Henry Bial. London & New York: Routledge, 2000. Pp. ix + 242. £14.99 Pb.

Political Theatre During the Spanish Civil War. By Jim McCarthy. Cardiff: University of Wales Press, 1999. Pp. xix + 251. £35 Hb.

Twentieth-Century Actor Training. Edited by Alison Hodge. London: Routledge, 2000. Pp. xvii + 251 + illus. £13.99 Pb.

Schauspielerinnen im Europa des 18. Jahrhunderts: Ihr Leben, Ihre Schriften und Ihr Publikum. By Ruth B. Emde. Amsterdam & Atlanta: Rodopi, 1997. Pp. xv + 368. £49.50/$84 Hb; £17/$42 Pb.

Samuel Beckett Today/ Aujourd'hui 7: Beckett Versus Beckett. Edited by Marius Buning, Danielle de Ruyter, Matthijs Engelberts & Sjef Houppermans. Amsterdam & Atlanta GA: Editions Rodopi, 1998. Pp. 437. $33 Pb.

Women and Playwriting in Nineteenth-Century Britain. Edited by Tracy C. Davis & Ellen Donkin. Cambridge: Cambridge University Press, 1999. Pp. xvi + 295. £37.50 Hb; £13.95 Pb.

Staging Femininities: Performance and Performativity. By Geraldine Harris. Manchester: Manchester University Press, 1999. Pp. vii + 200 + illus. £12.99 Pb.

Samuel Beckett and the Arts: Music, Visual Arts and Non-Print Media. Edited by Lois Oppenheim. New York & London: Garland Publishing, 1999. Pp. xxi + 389. £54 Hb.

Drama and Ideology in Modern Israeli. By Glenda Abramson. Cambridge: Cambridge University Press, 1998. Pp. 265 + illus. £40; $64.95 Hb.

Civilising the Colonies: Pioneering Opera in Australia. By Alison Gyger. Sydney: Pellinor, 1999. Pp. 285 + illus. AUS$49.95 Hb.

The Radical in Performance: Between Brecht and Baudrillard. By Baz Kershaw. London: Routledge, 1999. Pp. xiv + 252, illus. £16.99; $24.99 Pb.

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Volume 25 - Autumn 2000

Reviews