Articles
The Radical Negativity and Paradoxical Performativity of Postmodern Iconoclasm: Marcel Duchamp and Antonin Artaud
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- 23 January 2009, pp. 276-283
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The Defamiliarization of a Significant Phenomenon
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- 23 January 2009, pp. 74-85
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On Being a Shakespearian Dramatist: An Approach to The Back of Beyond
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- 23 January 2009, pp. 284-294
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Exploring Contemporary Trends
Bulgarian Radio Drama: An Aural Workshop
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- 23 January 2009, pp. 164-167
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Stage and Practice
A Galaxy of Directors
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- 23 January 2009, pp. 168-174
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Reviews
Le Jeu théâtral, ses marges, ses frontières. Edited by Jean-Pierre Bordier. Paris: Honoré Champion, 1999. Pp. 202. 290 FrF Pb.
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- 23 January 2009, p. 295
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Spectacle Entertainments of Early Imperial Rome. By Richard Beacham. New Haven & London: Yale University Press, 1999. Pp. xii + 306. £22.50 Hb.
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- 23 January 2009, p. 87
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Stage and Practice
Bulgarian Theatre Companies in the Second Half of the Twentieth Century
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- 23 January 2009, pp. 175-182
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Reviews
Textual Intercourse: Collaboration, Authorship And Sexualities in Renaissance Drama. By Jeffrey Masten. Cambridge: Cambridge University Press, 1997. Pp. xiii + 223 + illus. $54.95 Hb; $18.95. Pb.
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- 23 January 2009, pp. 295-296
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English Court Theatre, 1558–1642. By John H. Astington. Cambridge: Cambridge University Press, 1999. Pp. xiv + 293 + illus. £37.50 Hb.
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- 23 January 2009, pp. 87-88
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Ben Jonson and Theatre. By Richard Cave, Elizabeth Shafer & Brian Woolland. London: Rout-ledge, 1999. Pp. xiv + 223 + illus. £14.99 Pb.
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- 23 January 2009, p. 88
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Stage and Practice
Bulgarian Puppetry: A Stylish Art Form
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- 23 January 2009, pp. 183-190
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Reviews
Othello and Interpretive Traditions. By Edward Pechter. Iowa City: University of Iowa Press, 1999. Pp. xii + 255. $32.95 Hb.
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- 23 January 2009, p. 296
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Re-Presenting Ben Jonson: Text, History, Performance. Edited by Martin Butler. Basingstoke: Macmillan, 1999. Pp. xii + 255 + illus. £45 Hb.
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- 23 January 2009, pp. 88-89
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Conclusion
Conclusion: Contemporary Perspectives
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- 23 January 2009, pp. 191-193
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Repositioning Shakespeare: National Formations, Postco-lonial Appropriations. By Thomas Cartelli. London & New York: Routledge, 1999. Pp. xi + 233. £15.99 Pb.
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- 23 January 2009, pp. 297-298
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New Sites for Shakespeare: Theatre, the Audience and Asia. By John Russell Brown. London & New York: Routledge, 1999. Pp. x + 211. £12.99 Pb.
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- 23 January 2009, pp. 298-299
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Our Moonlight Revels: A Midsummer Night's Dream in the Theatre. By Gary Jay Williams. Iowa City: Iowa University Press, 1997. Pp. xvi + 344. £39.95; $37.95 Hb. - A Midsummer Night's Dream (‘Writers and their Work’ series).By Helen Hackett. London: Northcote House & The British Council, 1997. Pp. viii + 88. £7.99 Pb. - A Midsummer Night's Dream: Critical Essays. Edited by Dorothea Kehler. New York & London: Garland Publishing Inc., 1997. Pp. xiv + 490. £77 Hb.
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- 23 January 2009, pp. 89-90
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Theatre, Court and City, 1595–1610: Drama and Social Space in London. By Janette Dillon. Cambridge: Cambridge University Press, 2000. Pp. x + 187 + illus. £35; $54.95 Hb.
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- 23 January 2009, p. 194
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Modern Games With Renaissance Forms: From Leonardo and Shakespeare to Warhol and Stoppard. By Peter Egri. Budapest: Akadémiai Kiadó, 1996. Pp. 114 + illus. $24.95 Pb.
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- 23 January 2009, p. 90
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