Theatre Research International: Volume 39 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 39 - October 2014

Contents

Page 3 of 4

Book Review

The Methuen Guide to Contemporary British Playwrights. Edited by Martin Middeke, Peter Paul Schneirer and Aleks Sierz. London: Methuen Drama, 2011. Pp xxiv + 520. £18.99 Pb.
Garry Lyons
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16 September 2014, pp. 242-243
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Lives of Shakespearian Actors V, Vol. III: Ellen Terry. Edited by Katharine Cockin. London: Pickering & Chatto, 2012. Pp. xxix + 492.
Peter Thomson
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10 February 2014, pp. 67-68
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Performing Greek Comedy. By Alan Hughes. New York: Cambridge University Press, 2012. Pp. xvi + 311. £63/$99 Hb.
Scott Farrington
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10 February 2014, pp. 68-69
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The Comedia of Virginity: Mary and the Politics of Seventeenth-Century Spanish Theater. By Mirzam C. Pérez. Waco, TX: Baylor University Press, 2012. Pp. ix + 173. $39.95 Hb.
Rosilie Hernández
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04 June 2014, pp. 158-159
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Readings in Performance and Ecology. Edited by Wendy Arons and Theresa J. May. New York: Palgrave Macmillan, 2012. Pp. 256. $95 Hb.
Lisa Woynarski
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16 September 2014, pp. 243-244
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‘We’re People Who Do Shows’: Back to Back Theatre: Performance Politics Visibility. Edited by Helena Grehan and Peter Eckersall. Aberystwyth: Performance Research Books, 2013. Pp vii + 282. £28 Pb.
Ian Maxwell
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16 September 2014, pp. 244-245
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Telling Stories: Aboriginal Australian and Torres Strait Islander Performance. By Maryrose Casey. Melbourne: Australian Scholarly Publishing, 2012. Pp. xiii + 183 + 8 illus. AU$39.95 Pb.
David O’Donnell
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04 June 2014, pp. 159-160
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Stage Turns: Canadian Disability Theatre. By Kirsty Johnston. Montreal and Kingston: McGill-Queen's University Press, 2012. Pp. vii + 221 + 16 illus. £18.99/$29.95 Pb.
Cheryl L. Kaplan Zachariah
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10 February 2014, pp. 69-70
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Performing Early Modern Drama Today. Edited by Pascale Aebischer and Kathryn Prince. Cambridge: Cambridge University Press, 2012. Pp. xiii + 247 + 5 illus. £60/$99 Hb.
M. G. Aune
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16 September 2014, pp. 246-247
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Kinesthetic Empathy in Creative and Cultural Practices. Edited by Dee Reynolds and Matthew Reason. Bristol: Intellect Books, 2012. Pp. 224. £29.95/$50 Pb.
Ananda Breed
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10 February 2014, pp. 70-71
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Books Received

Books Received
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04 June 2014, pp. 161-163
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Book Review

Taking It to the Bridge: Music as Performance. Edited by Nicholas Cook and Richard Pettengill. Ann Arbor: University of Michigan Press, 2013. Pp. xvi + 381. $35 Pb; $95 Hb.
Sam Baltimore
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16 September 2014, pp. 247-248
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Feeling Theatre. By Martin Welton. Basingstoke and New York: Palgrave Macmillan, 2012, Pp. x + 184. £53 Hb.
Andrea P. Balogh
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10 February 2014, pp. 71-72
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Front Cover (OFC, IFC) and matter

TRI volume 39 issue 2 Cover and Front matter
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04 June 2014, pp. f1-f3
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Back Cover (IBC, OBC) and matter

TRI volume 39 issue 2 Cover and Back matter
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04 June 2014, pp. b1-b3
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Book Review

Theatre of the Real. By Carol Martin. New York: Palgrave Macmillan, 2013. Pp. xiii + 198 + 22 illus. £50/$80 Hb.
Ira S. Murfin
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10 February 2014, pp. 72-73
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South African Performance and Archives of Memory. By Yvette Hutchison. Manchester: Manchester University Press, 2013. Pp. 256. £65/$104 Hb.
Andrew J. Brown
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16 September 2014, pp. 248-249
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Burnt Cork: Traditions and Legacies of Blackface Minstrelsy. Edited by Stephen Johnson. Amherst and Boston: University of Massachusetts Press, 2012. Pp. xii + 266. $28.95 Pb; $80 Hb.
William F. Condee
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16 September 2014, pp. 249-250
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The Contemporary Ensemble: Interviews with Theatre-Makers. Edited by Duška Radosavljević. London: Routledge, 2013. Pp. xii + 284. $120 Hb; $36.95 Pb.
Scott Proudfit
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10 February 2014, pp. 73-74
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Books Received

Books Received
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10 February 2014, pp. 75-77
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Page 3 of 4

Theatre Research International

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Volume 39 - October 2014

Book Review

The Methuen Guide to Contemporary British Playwrights. Edited by Martin Middeke, Peter Paul Schneirer and Aleks Sierz. London: Methuen Drama, 2011. Pp xxiv + 520. £18.99 Pb.

Lives of Shakespearian Actors V, Vol. III: Ellen Terry. Edited by Katharine Cockin. London: Pickering & Chatto, 2012. Pp. xxix + 492.

Performing Greek Comedy. By Alan Hughes. New York: Cambridge University Press, 2012. Pp. xvi + 311. £63/$99 Hb.

The Comedia of Virginity: Mary and the Politics of Seventeenth-Century Spanish Theater. By Mirzam C. Pérez. Waco, TX: Baylor University Press, 2012. Pp. ix + 173. $39.95 Hb.

Readings in Performance and Ecology. Edited by Wendy Arons and Theresa J. May. New York: Palgrave Macmillan, 2012. Pp. 256. $95 Hb.

‘We’re People Who Do Shows’: Back to Back Theatre: Performance Politics Visibility. Edited by Helena Grehan and Peter Eckersall. Aberystwyth: Performance Research Books, 2013. Pp vii + 282. £28 Pb.

Telling Stories: Aboriginal Australian and Torres Strait Islander Performance. By Maryrose Casey. Melbourne: Australian Scholarly Publishing, 2012. Pp. xiii + 183 + 8 illus. AU$39.95 Pb.

Stage Turns: Canadian Disability Theatre. By Kirsty Johnston. Montreal and Kingston: McGill-Queen's University Press, 2012. Pp. vii + 221 + 16 illus. £18.99/$29.95 Pb.

Performing Early Modern Drama Today. Edited by Pascale Aebischer and Kathryn Prince. Cambridge: Cambridge University Press, 2012. Pp. xiii + 247 + 5 illus. £60/$99 Hb.

Kinesthetic Empathy in Creative and Cultural Practices. Edited by Dee Reynolds and Matthew Reason. Bristol: Intellect Books, 2012. Pp. 224. £29.95/$50 Pb.

Books Received

Books Received

Book Review

Taking It to the Bridge: Music as Performance. Edited by Nicholas Cook and Richard Pettengill. Ann Arbor: University of Michigan Press, 2013. Pp. xvi + 381. $35 Pb; $95 Hb.

Feeling Theatre. By Martin Welton. Basingstoke and New York: Palgrave Macmillan, 2012, Pp. x + 184. £53 Hb.

Front Cover (OFC, IFC) and matter

TRI volume 39 issue 2 Cover and Front matter

Back Cover (IBC, OBC) and matter

TRI volume 39 issue 2 Cover and Back matter

Book Review

Theatre of the Real. By Carol Martin. New York: Palgrave Macmillan, 2013. Pp. xiii + 198 + 22 illus. £50/$80 Hb.

South African Performance and Archives of Memory. By Yvette Hutchison. Manchester: Manchester University Press, 2013. Pp. 256. £65/$104 Hb.

Burnt Cork: Traditions and Legacies of Blackface Minstrelsy. Edited by Stephen Johnson. Amherst and Boston: University of Massachusetts Press, 2012. Pp. xii + 266. $28.95 Pb; $80 Hb.

The Contemporary Ensemble: Interviews with Theatre-Makers. Edited by Duška Radosavljević. London: Routledge, 2013. Pp. xii + 284. $120 Hb; $36.95 Pb.

Books Received

Books Received

Theatre Research International

Refine listing

Actions for selected content:

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Volume 39 - October 2014

Book Review

Books Received

Book Review

Front Cover (OFC, IFC) and matter

Back Cover (IBC, OBC) and matter

Book Review

Books Received