Theatre Research International: Volume 39 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 39 - October 2014

Contents

Page 2 of 4

Book Review

African Theatre 11: Festivals. Edited by James Gibbs. Woodbridge and Rochester: James Currey, 2012. Pp. xv + 156. $34.95 Pb.
Christina S. McMahon
Published online by Cambridge University Press:

10 February 2014, pp. 58-59
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Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice. By Nicola Shaughnessy. Basingstoke: Palgrave Macmillan, 2012. Pp. xiii + 288. £58/$92 Hb.
Ola Johansson
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04 June 2014, pp. 151-152
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The Making of the West End Stage: Marriage, Management and the Mapping of Gender in London, 1830–1870. By Jacky Bratton. Cambridge: Cambridge University Press, 2011. Pp. 230. £60 Hb.
Kate Dorney
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16 September 2014, pp. 235-236
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The Making of Cabaret. By Keith Garebian. New York: Oxford University Press, 2011. Pp. 232. £13.99 Pb.
Arthur Pritchard
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10 February 2014, pp. 59-60
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Sounding Like a No-No: Queer Sounds and Eccentric Acts in the Post-soul Era. By Francesca Royster. Ann Arbor: University of Michigan Press, 2013. Pp. x + 256. $85 Hb; $32.50 Pb.
Shana L. Redmond
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10 February 2014, pp. 60-61
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Contemporary Mise en Scène: Staging Theatre Today. By Patrice Pavis. Translated by Joel Anderson. London and New York: Routledge, 2013. Pp. 384. £26.99/$45.95 Pb.
Christophe Collard
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16 September 2014, pp. 236-237
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Communities of Imagination: Contemporary Southeast Asian Theatres. By Catherine Diamond. Honolulu: University of Hawaii Press, 2012. Pp. ix + 392. $56 Hb.
Kim Nguyen Tran
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04 June 2014, pp. 152-153
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Mime, Music and Drama on the Eighteenth-Century Stage: The Ballet d’Action. By Edward Nye. Cambridge: Cambridge University Press, 2011. Pp. xi + 326. £60 Hb.
Kenneth Richards
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16 September 2014, pp. 237-238
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Lives in Play: Autobiography and Biography on the Feminist Stage. By Ryan Claycomb. Ann Arbor: University of Michigan Press, 2012. Pp. viii + 261. £35.40/$55 Hb.
Cindy Rosenthal
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04 June 2014, pp. 153-154
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Brecht and the GDR: Politics, Culture, Posterity. Edited by Laura Bradley and Karen Leeder (Edinburgh German Yearbook, Vol. V). New York: Camden House, 2011. Pp. 241. £40 Hb.
Anselm Heinrich
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10 February 2014, pp. 61-63
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French Theatre Today: The View from New York, Paris, and Avignon. By Edward Baron Turk. Iowa City: University of Iowa Press, 2011. Pp. xxix + 367. £30.50/$34.95 Pb. - Artaud and His Doubles. By Kimberly Jannarone. Ann Arbor: The University of Michigan Press, 2010. Pp. xiv + 235. £26.50/$30 Pb; £55/$48.95 Hb.
Carl Lavery
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10 February 2014, pp. 63-65
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The Plays of Samuel Beckett. By Katherine Weiss. London: Methuen Drama, 2013. Pp. 286. £14.99 Pb.
Nelson Barre
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16 September 2014, pp. 238-239
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Weill's Musical Theater: Stages of Reform. By Stephen Hinton. Berkeley, Los Angeles and London: University of California Press, 2012. Pp. xvi + 569 + 85 illus. £34.95/$49.95 Pb; $120 Hb; $31.95 ebook.
Peter Yang
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04 June 2014, pp. 154-155
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Theatre, Community, and Civic Engagement in Jacobean London. By Mark Bayer. Iowa City: University of Iowa Press, 2011. Pp. xiv + 258. £34.50/$39.95 Pb.
James J. Marino
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10 February 2014, pp. 65-66
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Heinrich von Kleist and Modernity. Edited by Bernd Fischer and Tim Mehigan. Woodbridge: Boydell and Brewer, 2012. Pp. vii + 305 + 22 illus. £45/$80 Hb.
Peter Yang
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04 June 2014, pp. 155-156
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Politics and Anti-realism in Athenian Old Comedy: The Art of the Impossible. By Ian Ruffell. Oxford: Oxford University Press, 2011. Pp. 499. £74 Hb.
Arthur Pritchard
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16 September 2014, pp. 240-241
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Destruction in the Performative. Edited and with an Introduction by Alice Lagaay and Michael Lorber. Critical Studies, Vol. 36. Series Editor Myriam Diocaretz. Amsterdam: Rodopi, 2012. Pp. 212. €42/$57 Pb.
Eero Laine
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04 June 2014, pp. 156-157
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Working Subjects in Early Modern English Drama. Edited by Michelle M. Dowd and Natasha Korda. Burlington and Farnham: Ashgate, 2011. Pp. xvii + 310 + 2 illus. £65/$119.95 Hb.
Brian Schneider
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10 February 2014, pp. 66-67
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Problem Fathers in Shakespeare and Renaissance Drama. By Tom McFaul. Cambridge: Cambridge University Press, 2012. Pp. viii + 239. £62 Hb.
Brian Schneider
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16 September 2014, pp. 241-242
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Performance, Politics, and the War on Terror: “Whatever It Takes”. By Sara Brady. Basingstoke: Palgrave Macmillan, 2012. Pp. 203 + 25 illus. £50/$85 Hb.
Eero Laine
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04 June 2014, pp. 157-158
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Page 2 of 4

Theatre Research International

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Volume 39 - October 2014

Book Review

African Theatre 11: Festivals. Edited by James Gibbs. Woodbridge and Rochester: James Currey, 2012. Pp. xv + 156. $34.95 Pb.

Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice. By Nicola Shaughnessy. Basingstoke: Palgrave Macmillan, 2012. Pp. xiii + 288. £58/$92 Hb.

The Making of the West End Stage: Marriage, Management and the Mapping of Gender in London, 1830–1870. By Jacky Bratton. Cambridge: Cambridge University Press, 2011. Pp. 230. £60 Hb.

The Making of Cabaret. By Keith Garebian. New York: Oxford University Press, 2011. Pp. 232. £13.99 Pb.

Sounding Like a No-No: Queer Sounds and Eccentric Acts in the Post-soul Era. By Francesca Royster. Ann Arbor: University of Michigan Press, 2013. Pp. x + 256. $85 Hb; $32.50 Pb.

Contemporary Mise en Scène: Staging Theatre Today. By Patrice Pavis. Translated by Joel Anderson. London and New York: Routledge, 2013. Pp. 384. £26.99/$45.95 Pb.

Communities of Imagination: Contemporary Southeast Asian Theatres. By Catherine Diamond. Honolulu: University of Hawaii Press, 2012. Pp. ix + 392. $56 Hb.

Mime, Music and Drama on the Eighteenth-Century Stage: The Ballet d’Action. By Edward Nye. Cambridge: Cambridge University Press, 2011. Pp. xi + 326. £60 Hb.

Lives in Play: Autobiography and Biography on the Feminist Stage. By Ryan Claycomb. Ann Arbor: University of Michigan Press, 2012. Pp. viii + 261. £35.40/$55 Hb.

Brecht and the GDR: Politics, Culture, Posterity. Edited by Laura Bradley and Karen Leeder (Edinburgh German Yearbook, Vol. V). New York: Camden House, 2011. Pp. 241. £40 Hb.

The Plays of Samuel Beckett. By Katherine Weiss. London: Methuen Drama, 2013. Pp. 286. £14.99 Pb.

Weill's Musical Theater: Stages of Reform. By Stephen Hinton. Berkeley, Los Angeles and London: University of California Press, 2012. Pp. xvi + 569 + 85 illus. £34.95/$49.95 Pb; $120 Hb; $31.95 ebook.

Theatre, Community, and Civic Engagement in Jacobean London. By Mark Bayer. Iowa City: University of Iowa Press, 2011. Pp. xiv + 258. £34.50/$39.95 Pb.

Heinrich von Kleist and Modernity. Edited by Bernd Fischer and Tim Mehigan. Woodbridge: Boydell and Brewer, 2012. Pp. vii + 305 + 22 illus. £45/$80 Hb.

Politics and Anti-realism in Athenian Old Comedy: The Art of the Impossible. By Ian Ruffell. Oxford: Oxford University Press, 2011. Pp. 499. £74 Hb.

Destruction in the Performative. Edited and with an Introduction by Alice Lagaay and Michael Lorber. Critical Studies, Vol. 36. Series Editor Myriam Diocaretz. Amsterdam: Rodopi, 2012. Pp. 212. €42/$57 Pb.

Working Subjects in Early Modern English Drama. Edited by Michelle M. Dowd and Natasha Korda. Burlington and Farnham: Ashgate, 2011. Pp. xvii + 310 + 2 illus. £65/$119.95 Hb.

Problem Fathers in Shakespeare and Renaissance Drama. By Tom McFaul. Cambridge: Cambridge University Press, 2012. Pp. viii + 239. £62 Hb.

Performance, Politics, and the War on Terror: “Whatever It Takes”. By Sara Brady. Basingstoke: Palgrave Macmillan, 2012. Pp. 203 + 25 illus. £50/$85 Hb.

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Volume 39 - October 2014

Book Review