Volume 71 - Fall 2018
Contents
Reviews
Book Review
Paolo Veronese and the Practice of Painting in Late Renaissance Venice. Diana Gisolfi. New Haven: Yale University Press, 2017. xii + 340 pp. $75.
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- 14 January 2019, pp. 1459-1461
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L’art au service du prince: Paradigme italien, expériences européennes (vers 1250–vers 1500). Élisabeth Crouzet-Pavan and Jean-Claude Maire Vigueur, eds. Italia comunale e signorile 8. Rome: Viella, 2015. 396 pp. + 48 b/w pls. + 8 color pls. €55.
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- 20 November 2018, pp. 688-690
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Women Artists in Early Modern Italy: Careers, Fame, and Collectors. Sheila Barker, ed. The Medici Archive Project Series. Turnhout: Harvey Miller, 2016. 182 pp. €85.
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- 20 November 2018, pp. 248-250
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The Art of Painting in Colonial Bolivia / El arte de la pintura en la Bolivia colonial. Suzanne L. Stratton-Pruitt. ed. Early Modern Catholicism and the Visual Arts 15. Philadelphia: Saint Joseph’s University Press, 2017. ix + 530 pp. $120.
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- 20 November 2018, pp. 1075-1076
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Españoles en la corte de los Medici: Arquitectura y política en tiempos de Cosimo I. Carlos Plaza. Confluencias. Madrid: Centro de Estudios Europa Hispánica, 2016. 562 pp. €33.66.
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- 20 November 2018, pp. 1077-1078
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The Spanish Golden Age: Painting and Sculpture in the Time of Velázquez. Gemäldegalerie: Staatliche Museen zu Berlin, and Kunsthalle München. Exh. Cat. Munich: Hirmer Verlag, 2016. 336 pp. $49.95.
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- 20 November 2018, pp. 250-251
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Dialogo sul colorito. Roger de Piles. Ed. Giovanna Perini Folesani and Sandra Costa. Trans. Monique Gabbellini. Biblioteca del Curam 2. Florence: Olschki, 2017. 250 pp. €28.
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- 20 November 2018, pp. 685-687
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The Jewish Ghetto and the Visual Imagination of Early Modern Venice. Dana E. Katz. Cambridge: Cambridge University Press, 2017. xiv + 188 pp. $99.99.
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- 14 January 2019, pp. 1461-1462
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Anthonis Mor: Art and Authority. Joanna Woodall. Studies in Netherlandish Art and Cultural History 8. Leiden: Brill, 2017. 512 pp. $78.
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- 20 November 2018, p. 252
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Creative and Imaginative Powers in the Pictorial Art of El Greco. Livia Stoenescu, ed. Museums at the Crossroads 28. Turnhout: Brepols, 2016. 172 pp. €85.
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- 20 November 2018, pp. 687-688
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Lucas van Leyden 1489/94–1533: Meister der Druckgraphik. Susanne Wagini, ed. Exh. Cat. Munich: Deutscher Kunstverlag, 2017. 312 pp. €39.90.
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- 14 January 2019, pp. 1462-1463
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Saint-Étienne-du-Mont: Un chef-d’œuvre parisien de la Renaissance. Étienne Hamon and Françoise Gatouillat. With Henri de Rohan-Csermak. Paris: Picard, 2016. 240 pp. €44.
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- 20 November 2018, pp. 1078-1080
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The Church of Saint-Eustache in the Early French Renaissance. Anne-Marie Sankovitch. Architectura Moderna 12. Turnhout: Brepols, 2015. xxi + 240 pp. €99.
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- 20 November 2018, pp. 1080-1081
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Hans Memling: Portraiture, Piety, and a Reunited Altarpiece. John Marciari, ed. Exh. Cat. New York: Morgan Library and Museum; London: Paul Holberton, 2016. 112 pp. £20.
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- 14 January 2019, pp. 1464-1465
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Connecting Art Markets: Guilliam Forchondt’s Dealership in Antwerp (c.1632–78) and the Overseas Paintings Trade. Sandra van Ginhoven. Studies in the History of Collecting and Art Markets 1. Leiden: Brill, 2017. x + 288 pp. $149.
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- 20 November 2018, pp. 253-254
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The Medici’s Painter: Carlo Dolci and Seventeenth-Century Florence. Eve Straussman-Pflanzer, ed. With Francesca Baldassari. Exh. Cat. Wellesley: Davis Museum at Wellesley College, 2017. 136 pp. $35.
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- 20 November 2018, pp. 690-691
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Before Copernicus: The Cultures and Contexts of Scientific Learning in the Fifteenth Century. Rivka Feldhay and F. Jamil Ragep, eds. McGill-Queen’s Studies in the History of Ideas 71. Montreal and Kingston: McGill-Queen’s University Press, 2017. xx + 344 pp. $39.95.
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- 20 November 2018, pp. 1081-1083
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Rogier van der Weyden y España. Lorne Campbell and José Juan Pérez Preciado, eds. Publications of the Museo del Prado 5. Madrid: Museo Nacional del Prado, 2016. 200 pp. €60.
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- 14 January 2019, pp. 1465-1466
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Building for England: John Cosin’s Architecture in Renaissance Durham and Cambridge. Adrian Green. Durham Medieval and Renaissance Monographs and Essays 4. Toronto: Pontifical Institute of Mediaeval Studies, 2016. xvii + 152 pp. + 15 b/w pls. + 11 color pls. $85.
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- 20 November 2018, pp. 254-256
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Baroque Seville: Sacred Art in a Century of Crisis. Amanda Wunder. University Park: Pennsylvania State University Press, 2017. xviii + 210 pp. $84.95.
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- 20 November 2018, pp. 691-693
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