Reviews
Cultural Seeds: Essays on the Work of Nick Cave. Edited by Karen Welberry and Tanya Dalziell. Aldershot: Ashgate, 2009. ISBN 978-0-754-66395-9
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- 01 February 2012, pp. 181-183
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Pop Cults: Religion and Popular Music. By Rupert Till. New York: Continuum, 2010. 215 pp. ISBN: 978-0-826-43236-0
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- 12 October 2012, pp. 495-498
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Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain. Edited by Hugh Dauncey and Philippe Le Guern. Surrey, Ashgate, 2011. 281 pp. ISBN 978-1-4094-0568-9
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- 23 April 2012, pp. 315-316
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Bob Dylan. By Keith Negus. London: Equinox, 2008. 172 pp. ISBN 1-904768-25-8
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- 12 October 2012, pp. 498-500
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Black Sabbath and the Rise of Heavy Metal Music. By Andrew L. Cope. Farnham, Surrey: Ashgate, 2010. 172 pp. ISBN 978-0-7546-6881-7 - Faster for the Master! Exploring Issues of Religious Expression and Alternative Christian Identity Within the Finnish Christian Metal Music Scene. By Marcus Moberg. Turku: Åbo Akademi University Press, 2009. 320 pp. ISBN 978-951-765-492-0
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- 01 February 2012, pp. 183-186
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She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music. Edited by Laurie Stras. Burlington, VT: Ashgate, 2010. 284 pp. ISBN 978-1-409-40051-6
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- 23 April 2012, pp. 316-318
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Dub in Babylon. By Christopher Partridge. London and Oakville: Equinox Publishing, 2010. 319 pp. ISBN 918-1-84553-312-0 (pb)
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- 01 February 2012, pp. 186-188
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California Polyphony: Ethnic Voices, Musical Crossroads. By Mina Yang. Champaign-Urbana: University of Illinois Press, 2008. 208 pp. ISBN 978-0-252-03243-1
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- 12 October 2012, pp. 501-502
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Dark Side of the Tune. Popular Music and Violence. By Bruce Johnson and Martin Cloonan. Farnham: Ashgate, 2009. 238 pp. ISBN 0-754-65872-4 (pb); ISBN 978-0-754-65872-6 (hb)
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- 23 April 2012, pp. 318-321
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Cajun and Zydeco Dance Music in Northern California: Modern Pleasures in a Postmodern World. By Mark DeWitt. Jackson: University of Mississippi Press, 2008. ii + 280 pp., index, photos. ISBN 978-1604730906
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- 01 February 2012, pp. 188-190
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Music, Sound and Silence in Buffy the Vampire Slayer. Edited by Paul Attinello, Janet K. Halfyard and Vanessa Knights. Farnham: Ashgate, 2010. 278 pp. ISBN 978-0-7546-6041-2
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- 12 October 2012, pp. 502-504
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Buena Vista in the Club: Rap, Reggaetón, and Revolution in Havana. By Geoffrey Baker. Durham and London: Duke University Press, 2011. 410 pp. ISBN 978-0-822-34959-4
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- 23 April 2012, pp. 321-323
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Folk Music: A Very Short Introduction. By Mark Slobin. Oxford and New York: OUP, 2011. 176 pp. ISBN 978-0-19-539502-0
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- 12 October 2012, pp. 504-506
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The Republic of Love: Cultural Intimacy in Turkish Popular Music. By Martin Stokes. Chicago, IL and London: University of Chicago Press, 2010. 219 pp. ISBN 978-0-226-77505-0 (hb); 978-0-226-77506-7 (pb)
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- 01 February 2012, pp. 190-192
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Shakespeare and Popular Music. By Adam Hansen. London and New York: Continuum, 2010. 185 pp. ISBN: 978-1-4411-2698-6
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- 12 October 2012, pp. 506-508
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Brazilian Popular Music and Citizenship. Edited by Idelber Avellar and Christopher Dunn. Durham and London: Duke University Press, 2011. 364 pp. ISBN 978-0-8233-4906-8
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- 23 April 2012, pp. 323-325
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Front Cover (OFC, IFC) and matter
PMU volume 31 issue 1 Cover and Front matter
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- 01 February 2012, pp. f1-f6
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Reviews
Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion. By Kevin Fellezs. Durham and London: Duke University Press, 2011. 312 pp. ISBN 978-0-8223-5047-7
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- 23 April 2012, pp. 325-327
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The Oxford American Book of Great Music Writing. Edited by Marc Smirnoff. Fayetteville: The University of Arkansas Press, 2008. 421 pp. ISBN 1-55728-887-9 (hb)
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- 12 October 2012, pp. 508-510
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Back Cover (IBC, OBC) and matter
PMU volume 31 issue 1 Cover and Back matter
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- 01 February 2012, pp. b1-b2
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