Articles
Fandom as a religious form: on the reception of pop music by Cliff Richard fans in Liverpool
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- 01 February 2012, pp. 125-141
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How the yodel became a joke: the vicissitudes of a musical sign
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- 12 October 2012, pp. 461-479
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The promotional state ‘after neo-liberalism’: ideologies of governance and New Zealand's pop renaissance
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- 01 February 2012, pp. 143-163
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Middle Eight
Memories of David Sanjek, 1952–2011
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- 23 April 2012, pp. 297-300
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Reconsidering popular music studies: a review of IASPM's thirtieth anniversary conference held in Grahamstown, South Africa, 27 June–1 July 2011
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- 12 October 2012, pp. 481-483
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Reviews
Cutting Across Media: Appropriation Art, Interventionist Collage and Copyright Law. Edited by Kembrew McLeod and Rudolf Kuenzli. Durham and London: Duke University Press, 2011. 361 pp. ISBN 978-0-8223-4822-1 - Creative License: The Law and Culture of Digital Sampling. By Kembrew McLeod and Peter DiCola with Jenny Toomey and Kristin Thomson. Durham and London: Duke University Press, 2011. 336 pp. ISBN 978-0-8223-4875-7
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- 23 April 2012, pp. 301-303
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Middle Eight
More than just music: the seven dimensions of the Eurovision Song Contest
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- 01 February 2012, pp. 165-171
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Why Pamper Life's Complexities?: Essays on The Smiths. Edited by Sean Campbell and Colin Coulter. Manchester: Manchester University Press, 2011. 256 pp. ISBN 978-0-7190-7841-5
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- 23 April 2012, pp. 303-305
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Middle Eight
Charles Edward Hamm (1925–2011)
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- 01 February 2012, pp. 173-174
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Obituary
Jan Fairley
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- 12 October 2012, pp. 485-487
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I Don't Sound Like Nobody: Remaking Music in 1950s America. By Albin J. Zak III. Ann Arbor: University of Michigan Press, 2010. x + 308 pp. ISBN 978-0-472-11637-9
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- 12 October 2012, pp. 489-491
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Björk. By Nicola Dibben. Bloomington and Indianapolis: Indiana University Press, 2009. 224 pp. ISBN 978-0-253-22065-3
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- 01 February 2012, pp. 175-177
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Big Ears: Listening for Gender in Jazz Studies. Edited by Nichole Rustin and Sherrie Tucker. Durham and London: Duke University Press, 2008. 474 pp. ISBN 978-0-8223-4320-2
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- 23 April 2012, pp. 305-307
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North of Empire: Essays on the Cultural Technologies of Space. By Jody Berland. Durham and London: Duke University Press, 2009. 386 pp. ISBN 978-0-8223-4306-6
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- 23 April 2012, pp. 307-309
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Britpop and the English Music Tradition. Edited by Andy Bennett and Jon Stratton. Farnham: Ashgate, 2010. 225 pp. ISBN: 978-0-7546-6805-3
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- 01 February 2012, pp. 177-179
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Musical Rhythm in the Age of Digital Reproduction. By Anne Danielsen. Farnham: Ashgate, 2010. 265 pp. ISBN 978-1409403401
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- 12 October 2012, pp. 491-492
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If Beale Street Could Talk: Music, Community, Culture. By Robert Cantwell. Urbana and Chicago: University of Illinois Press, 2008. 316 pp. ISBN: 978-0-252-07566-7
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- 12 October 2012, pp. 493-495
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Film Music. A Very Short Introduction. By Kathryn Kalinak. New York: Oxford University Press, 2010. 143 pp. ISBN 978-0-19-537087-4
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- 23 April 2012, pp. 309-311
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Learning, Teaching, and Musical Identity: Voices across Cultures. Edited by Lucy Green. Bloomington and Indianapolis: Indiana University Press, 2011. ISBN 978-0-253-22293-0
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- 01 February 2012, pp. 179-180
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The Cambridge Companion to the Beatles. Edited by Kenneth Womack. Cambridge: Cambridge University Press, 2009. 344 pp. ISBN 978-0-521-86965-2
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- 23 April 2012, pp. 312-314
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