Articles
Iran's daughter and mother Iran: Googoosh and diasporic nostalgia for the Pahlavi modern
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- 19 June 2017, pp. 157-177
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Beyond the playlist: commercial radio as music culture
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- 19 June 2017, pp. 178-195
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The politics of Flamenco: La leyenda del tiempo and ideology
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- 19 June 2017, pp. 196-215
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Slanted beats, enchanted communities: Pavement's early phrase rhythm as indie narrative
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- 19 June 2017, pp. 216-232
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‘My laptop is an extension of my memory and self’: Post-Internet identity, virtual intimacy and digital queering in online popular music
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- 19 June 2017, pp. 233-251
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‘Moving past the feeling’: emotion in Arcade Fire's Funeral
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- 19 June 2017, pp. 252-282
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Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk
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- 19 June 2017, pp. 283-301
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Middle Eight
Three moments of (mis)placed identity performance
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- 19 June 2017, pp. 302-307
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Reviews
French Music and Jazz in Conversation: From Debussy to Brubeck. By Deborah Mawer . Cambridge: Cambridge University Press, 2014. 304 pp. ISBN 978-1-107-03753-3 - After Django: Making Jazz in Postwar France. By Tom Perchard . Ann Arbor, MI: University of Michigan Press, 2015. 297 pp. ISBN 978-0-472-05242-4
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- 19 June 2017, pp. 308-313
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Popular Music and the Politics of Novelty. By Pete Dale . London: Bloomsbury, 2016. 225 pp. ISBN 978-1-5013-0703-4.
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- 19 June 2017, pp. 313-314
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Global Punk: Resistance and Rebellion in Everyday Life. By Kevin Dunn . London: Bloomsbury, 2016. 229 pp. ISBN 9781628926057
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- 19 June 2017, pp. 314-317
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The Production and Consumption of Music in the Digital Age. Edited by Brian J. Hracs , Michael Seman and Tarek E. Virani . Abingdon: Routledge, 2016. 277 pp. ISBN 978-1138851658
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- 19 June 2017, pp. 317-320
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Vinyl Records and Analog Culture in the Digital Age: Pressing Matters. By Paul E. Winters . Lexington Books, 2016. 208 pp. ISBN 978-1-4985-1007-3.
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- 19 June 2017, pp. 320-322
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Digital Signatures: The Impact of Digitization on Popular Music Sound. By Ragnhild Brøvig-Hanssen and Anne Danielsen . Cambridge, MA: The MIT Press, 2016. 188 pp. ISBN 978-0-2620-3414-2
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- 19 June 2017, pp. 322-324
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Groove: A Phenomenology of Rhythmic Nuance. By Tiger C. Roholt . New York: Bloomsbury Academic, 2014. 175 pp. ISBN 978-1-4411-04182-2
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- 19 June 2017, pp. 324-326
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Categorizing Sound: Genre and Twentieth-century Popular Music. By David Brackett . Oakland, CA: University of California Press, 2016. 368 pp. ISBN 9780520248717
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- 19 June 2017, pp. 326-328
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The Country Music Reader. By Travis D. Stimeling . Oxford: Oxford University Press, 2014. 382 pp. ISBN 9780199314928
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- 19 June 2017, p. 328
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Religion in Hip Hop: Mapping the New Terrain in the US. Edited by Monica R. Miller , Anthony B. Pinn and Bernard ‘Bun B’ Freeman . New York: Bloomsbury, 2015. 270 pp. ISBN 978-1-4725-0907-9
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- 19 June 2017, pp. 329-331
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It's Been Beautiful: Soul! and Black Power Television. By Gayle Wald , Photographs by Chester Higgins . Durham, NC: Duke University Press, 2015. ISBN 978-0-8223-5837-4. 278 pp.
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- 19 June 2017, pp. 331-333
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The Irish Dancing: Cultural Politics and Identities, 1900–2000. By Barbara O'Connor . Cork: Cork University Press, 2013. 192 pp. ISBN 9781782050414
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- 19 June 2017, pp. 334-335
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