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Three moments of (mis)placed identity performance

Published online by Cambridge University Press:  19 June 2017

Tom Astley*
Affiliation:
Newcastle University E-mail: [email protected]

Abstract

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Type
Middle Eight
Copyright
Copyright © Cambridge University Press 2017 

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References

1 A third, and no less essentialised or unexpected, iteration of Latin nationality was performed by this same group later in the same event, as they led the audience in a Salsa dancing class. Quite what national symbols were incorporated in this performance is left unclear here, as this writer suffers from a morbid aversion to audience participation and had relocated to a quieter, and safer, distance by the time the dancing began.

2 Three French players were also substitutes on ‘French day’. For an exhaustive, and humorous, account of the match and celebrations, see: http://www.nufc.com/html/2012-13html/2013-02-24southampton-h.html. Photos from NUFC's official website can be found here: http://www.nufc.co.uk/page/News/Gallery/0,,10278~3088946,00.html

3 ‘The Blaydon Races’, originally a musical hall song, has become an unofficial terrace anthem for the club's fans, and can be heard as a chant at all NUFC games.