Editorial
Editorial
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- 30 June 2014, pp. 107-109
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Editorial
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- 13 November 2014, pp. 213-214
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Editorial
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- 26 February 2014, pp. 1-3
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Articles
Appropriation, Culture and Meaning in Electroacoustic Music: A composer's perspective
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- 30 June 2014, pp. 110-116
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The Limitations of Representing Sound and Notation on Screen
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- 13 November 2014, pp. 215-227
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Aftershock: A science–art collaboration through sonification
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- 26 February 2014, pp. 4-16
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Do Desenho e do Som: Harmonising screen scores and listening
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- 13 November 2014, pp. 228-238
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Socio-Sonic: An ethnographic methodology for electroacoustic composition
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- 30 June 2014, pp. 117-124
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Alvin Lucier's Music for Solo Performer: Experimental music beyond sonification
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- 26 February 2014, pp. 17-29
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Sonification, Science and Popular Music: In search of the ‘wow’
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- 26 February 2014, pp. 30-40
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Useful Scores: Multiple formats for electroacoustic performers to study, rehearse and perform
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- 13 November 2014, pp. 239-243
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In-Between Soundscapes of Vancouver: The newcomer's acoustic experience of a city with a sensory repertoire of another place
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- 30 June 2014, pp. 125-135
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Contemporary Practices of Extending Traditional Asian Instruments Using Technology
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- 30 June 2014, pp. 136-145
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GNMISS: A scoring system for Internet2 electroacoustic music
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- 13 November 2014, pp. 244-259
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Interactive Sonification for Data Exploration: How listening modes and display purposes define design guidelines
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- 26 February 2014, pp. 41-51
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Instruments INDIA: A sound archive for educational and compositional use
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- 30 June 2014, pp. 146-153
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Can Micro-Gestural Inflections Be Used to Improve the Soniculatory Effectiveness of Parameter Mapping Sonifications?
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- 26 February 2014, pp. 52-59
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A Real-Time Score for Collaborative Just-in-Time Composition
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- 13 November 2014, pp. 260-267
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Scoring with Code: Composing with algorithmic notation
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- 13 November 2014, pp. 268-275
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Awa Surfers: Riding the syncretic dynamics of sound art and traditional Japanese indigo
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- 30 June 2014, pp. 154-163
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