Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-25T00:25:00.431Z Has data issue: false hasContentIssue false
  • English
  • Français

Contemporary Practices of Extending Traditional Asian Instruments Using Technology

Published online by Cambridge University Press:  30 June 2014

Jingyin He ,
Ajay Kapur  and
Dale A. Carnegie
Jingyin He*
Affiliation:
Victoria University of Wellington, Wellington, New Zealand
Ajay Kapur*
Affiliation:
California Institute of the Arts, Valenica, California, United States; Victoria University of Wellington, Wellington, New Zealand
Dale A. Carnegie*
Affiliation:
Victoria University of Wellington, Wellington, New Zealand
*
E-mails: [email protected]; [email protected]; [email protected]
E-mails: [email protected]; [email protected]; [email protected]
E-mails: [email protected]; [email protected]; [email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

Ongoing development of audio and informational technology has had an impact on almost every aspect of the musical arts. Cultures and subcultures have cross-pollinated through the rapid exchange of information and have metamorphosed into new fields of technology-based art forms, one of which is the integration of technology in Asian ethnic musics. This article specifically focuses on the integration of technology with the traditional music of India, Indonesia, China, Japan and Korea. By reviewing the history of this metier, we explore the various applications of technology in traditional Asian music and its future.

Type
Articles
Information
Organised Sound , Volume 19 , Special Issue 2: The Sound of Cultures , August 2014 , pp. 136 - 145
Copyright
Copyright © Cambridge University Press 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

B, S. 2010. 1982–2010. In Simar Puneet (ed.) HUB: Indian Electronica. New Delhi: Goethe-Institut New Delhi Max Mueller Bhavan, pp. 4–5.Google Scholar
Beilharz, K., Jakovich, J., Ferguson, S. 2006. Hyper-Shaku (Border-Crossing): Towards the Multi-Modal Gesture-Controlled Hyper-Instrument. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression, pp. 352–7.Google Scholar
Bellur, A., Ishwar, V., Murthy, H.A. 2012. Motivic Analysis and Its Relevance to Raga Identification in Carnatic Music. Proceedings of the 2nd CompMusic Workshop, pp. 153–157.Google Scholar
Benning, M.S., Kapur, A., Till, B., Tzanetakis, G., Driessen, P. 2007. A Comparative Study on Wearable Sensors for Signal Processing on the North Indian Tabla. Proceedings of the 2007 IEEE Pacific Rim Conference on Communications, Computers and Signal Processing, pp. 621–4.Google Scholar
Bonvini, L. 2009. Spiritual. WAM.Google Scholar
Bryd, D., Fingerhut, M. 2002. The History of ISMIR. D-Lib Magazine 8(11).Google Scholar
Chia, M. 2010. From Aleatoric Machines to the Future Sounds of Folk. Proceedings of the 2010 International Symposium of Electronic Art, pp. 139–41.Google Scholar
Chordia, P. 2004. Automatic Rag Classification Using Spectrally Derived Tone Profiles. Proceedings of the 2004 International Computer Music Conference, pp. 83–7.Google Scholar
Chordia, P. 2005. Segmentation and Recognition of Tabla Strokes. Proceedings of the 2005 International Conference on Music Information Retrieval, pp. 107–14.Google Scholar
Chordia, P. 2006. Automatic Transcription of Tabla Music (PhD dissertation, Stanford University).Google Scholar
Chordia, P., Godfrey, M., Rae, A. 2008. Extending Content-Based Recommendation: The Case of Indian Classical Music. Proceedings of the 2008 International Conference on Music Information Retrieval, pp. 571–6.Google Scholar
Chordia, P., Rae, A. 2010. Tabla Gyan: An Artificial Tabla Improviser. Proceedings of the 2010 International Conference on Computational Creativity, pp. 155–64.Google Scholar
Christopher, K., He, J., Kapur, R., Kapur, A. 2013. Kontrol: Hand Gesture Recognition for Music and Dance Interaction. Proceedings of the 2013 International Conference on New Interfaces for Musical Expression, pp. 267–70.Google Scholar
Cipriani, A. 2002. Al Nur. Compagnia Nuove Indye.Google Scholar
Cornelis, O., Moelants, D., Leman, M. 2009. Global Access to Ethnic Music: The Next Big Challenge? Proceedings of the 2009 Conference of the International Society of Music Information Retrieval.Google Scholar
Erskine, J., Kapur, A. 2011. E-Suling: Extended Techniques FOR Indonesian Performance. Proceedings of the 2011 Australasian Computer Music Conference.Google Scholar
Gluck, B. 2009a. Electronic Music in China. CEC: eContact! 11.3. http://cec.sonus.ca/econtact/11_3/china_gluck.html Google Scholar
Gluck, B. 2009b. Electronic Music in Indonesia. CEC: eContact! 11.3. http://cec.sonus.ca/econtact/11_3/indonesia_gluck.html Google Scholar
Gluck, B. 2009c. Electronic Music in South Korea. CEC: eContact! 11.3. http://cec.sonus.ca/econtact/11_3/southkorea_gluck.html Google Scholar
Gluck, R. 2005. Free Sound Within Culturally Specific Practice. Proceedings of the 2005 International Computer Music Conference.Google Scholar
Gluck, R. 2008. Between, Within and Across Cultures. Organised Sound 13(2): 141–152.CrossRefGoogle Scholar
Henbing, L., Leman, M. 2007. A Gesture-Based Typology of Sliding-Tones in Guqin Music. Journal of New Music Research 36(2): 61–82.CrossRefGoogle Scholar
Ho, E. 2007. Slow Qin. http://www.echoho.net/211647/2258179/selected-works/slow-qin Google Scholar
Hochenbaum, J., Kapur, A. 2013. Towards the Future Practice Room: Empowering Musical Pedagogy through Hyperinstruments. Proceedings of the 2013 International Conference on New Interfaces for Musical Expression, pp. 307–12.Google Scholar
Kapur, A. 2005. A History of Robotic Musical Instruments. Proceedings of the International Computer Music Conference, pp. 21–8.Google Scholar
Kapur, A., Darling, M. 2010. A Pedagogical Paradigm for Musical Robotics. In Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 162–5.Google Scholar
Kapur, A., Essel, G., Davidson, P., Cook, P.R. 2002. The Electronic Tabla Controller. Proceedings of the 2002 International Conference on New Interfaces for Musical Expression, pp. 77–81.Google Scholar
Kapur, A., Davidson, P., Cook, P.R., Schloss, W.A., Driessen, P.F. 2005. Preservation and Extension of Traditional Techniques: Digitizing North Indian Performance. Journal of New Music Research 34(3): 227–236.Google Scholar
Kapur, A., Wang, G., Davidson, P., Cook, P.R. 2005. Networked Performance: A Dream Worth Dreaming? Organised Sound 10(3): 209–219.Google Scholar
Kapur, A., Tzanetakis, G., Schloss, A., Driessen, P., Singer, E. 2006. Towards the One-Man Indian Computer Music Performance System. Proceedings of the 2006 International Computer Music Conference.Google Scholar
Kapur, A., Percival, G., Lagrange, M., Tzanetakis, G. 2007. Pedagogical Transcription for Multimodal Sitar Performance. Proceedings of the 2007 International Conference on Music Information Retrieval, pp. 351–2.Google Scholar
Kapur, A., Darling, M., Diakopoulos, D., Murphy, J.W., Hochenbaum, J., Vallis, O., Bahn, C. 2011. The Machine Orchestra: An Ensemble of Human Laptop Performers and Robotic Musical Instruments Music. Computer Music Journal 35(4): 49–63.Google Scholar
Kapur, A., Murphy, J., Carnegie, D. 2012. Kritaanjli: A Robotic Harmonium for Performance, Pedogogy and Research. Proceedings of the 2012 International Conference on New Interfaces for Musical Expression.Google Scholar
Kapur, A., Kim, D.H., Kapur, R., Eom, K. 2013. New Interfaces for Korean Music and Dance. Proceedings of the 2013 International Conference on New Interfaces for Musical Expression, pp. 45–8.Google Scholar
Keyes, C. J. 2005. Recent Technology and the Hybridisation of Western and Chinese Musics. Organised Sound 10(1): 51–56.Google Scholar
Kikukawa, F., Ishihara, S., Soga, M., Taki, H. 2013. Development of a Learning Environment for Playing Erhu by Diagnosis and Advice Regarding Finger Position on Strings. Proceedings of the 2013 International Conference on New Interfaces for Musical Expression, pp. 271–6.Google Scholar
Koduri, G.K., Miron, M., Serra, J., Serra, X. 2011. Computational Approaches for the Understanding of Melody in Carnatic Music. Proceedings of the 2011 International Conference on Music Information Retrieval, pp. 263–8.Google Scholar
Koduri, G.K., Gulati, S., Rao, P., Serra, X. 2012. Rāga Recognition Based on Pitch Distribution Methods. Journal of New Music Research 41(4): 337–350.Google Scholar
Lee, J.H., Downie, J.S., Renear, A. 2002. Representing Korean Traditional Musical Notation in XML. Proceedings of the 2002 International Conference on Music Information Retrieval, pp. 263–4.Google Scholar
The Li Jiang Etudes . 2004. Capstone Records.Google Scholar
Machover, T., Chung, J. 1989. Hyperinstruments: Musically Intelligent and Interactive Performance and Creativity Systems. Proceedings of the 1989 International Computer Music Conference.Google Scholar
Murphy, J., Kapur, A., Carnegie, D. 2012. Musical Robotics in a Loudspeaker World: Developments in Alternative Approaches to Localization and Spatialization. Leonardo Music Journal 22: 41–48.Google Scholar
Nagashima, Y. 1999. Art & Science Laboratory. http://nagasm.org Google Scholar
Nagashima, Y. 2007. GHI project and Cyber Kendang. Proceedings of the 2007 International Conference on New Interfaces for Musical Expression, pp. 250–3.Google Scholar
Nagashima, Y., Ito, T.T. 1999. ‘It's SHO time’: An Interactive Environment for SHO (Sheng) Performance. Proceedings of the 1999 International Computer Music Conference, pp. 32–5.Google Scholar
Oramas, S., Cornelis, O. 2012. Past, Present and Future in Ethnomusicology: The Computational Challenge. Proceedings of the 2012 International Society for Music Information Retrieval.Google Scholar
Pardue, L., Boch, A., Boch, M. 2011. Gamelan Elektrika: An Electronic Balinese Gamelan. Proceedings of the 2011 International Conference on New Interfaces for Musical Expression, pp. 18–23.Google Scholar
Rosenboom, D. 2010. Rain Coloring Forest. http://davidrosenboom.com/media/rain-coloring-forest Google Scholar
Ross, J.C., Vinutha, T.P., Rao, P. 2012. Detecting Melodic Motifs from Audio for Hindustani Classical Music. Proceedings of the 2012 International Conference on Music Information Retrieval, pp. 193–8.Google Scholar
Salamon, J., Gulati, S., Serra, X. 2012. A Multipitch Approach to Tonic Identification in Indian Classical Music. Proceedings of the 2012 International Conference on Music Information Retrieval, pp. 499–504.Google Scholar
Serra, J., Koduri, G.K., Miron, M., Serra, X. 2011. Assessing the Tuning of Sung Indian Classical Music. Proceedings of the 2011 International Conference on Music Information Retrieval, pp. 157–62.Google Scholar
Serra, X. 2011. A Multicultural Approach in Music Information Research. Proceedings of the 2011 International Conference on Music Information Retrieval, pp. 151–6.Google Scholar
Serra, X. 2012a. Data Gathering for a Culture Specific Approach in MIR. Proceedings of the 2012 International Conference Companion on World Wide Web, pp. 867–8.Google Scholar
Serra, X. 2012b. Opportunities for a Cultural Specific Approach in the Computational Description of Music. Proceedings of the 2nd CompMusic Workshop.Google Scholar
Sordo, M., Serrà, J., Koduri, G.K., Serra, X. 2012. Extracting Semantic Information from an Online Carnatic Music Forum. Proceedings of the 2012 International Conference on Music Information Retrieval, pp. 355–60.Google Scholar
Suryadi, W. 2009. Bambu Wukir. http://www.bambuwukir.blogspot.com Google Scholar
Tanaka, A., Knapp, R.B. 2002. Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing. Proceedings of the 2002 International Conference on New Interfaces for Musical Expression, pp. 1–6.Google Scholar
Vidwans, A., Ganguli, K.K., Rao, P. 2012. Classification of Indian Classical Vocal Styles from Melodic Contours. Proceedings of the 2nd CompMusic Workshop, pp. 139–46.Google Scholar
UN (United Nations). 2012. World Population Prospects: The 2012 Revision. http://esa.un.org/unpd/wpp/Excel-Data/population.htm Google Scholar
Xenakis, I. 1970. Iannis Xenakis: Electro-Acoustic Music Nonesuch.Google Scholar
Young, D., Essl, G. 2003. Hyperpuja: A Tibetan Singing Bowl Controller. Proceedings of the 2003 International Conference on New Interfaces for Musical Expression, pp. 9–14.Google Scholar
Young, D., Fujinaga, I. 2004. Aobachi: A New Interface for Japanese Drumming. Proceedings of the 2004 International Conference on New Interfaces for Musical Expression, pp. 23–6.Google Scholar