New Theatre Quarterly: Volume 19 -

New Theatre Quarterly

Only show content I have access to (0)

Over 3 years (76)

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save this undefined to your undefined account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your undefined account. Find out more about saving content to .

To save this article to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
New Theatre Quarterly
ISSN: 0266-464X

EISSN: 1474-0613

URL: /core/journals/new-theatre-quarterly
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

New Theatre Quarterly

Refine listing

Actions for selected content:

Volume 19 - November 2003

NTQ Book Reviews

Dana E. Aspinall, ed.The Taming of the Shrew: Critical Essays New York: Routledge, 2002. 387 p. £65.00. ISBN: 0-8153-3515-6.

Reflecting the Audience: London Theatregoing, 1840–1880 by Jim Davis and Victor Emeljanow, Hatfield: University of Hertfordshire Press, 2001. 299 p. £14.99. ISBN: 1-902806-18-2.

Shakespeare Jungle Fever: National-Imperial Re-visions of Race, Rape, and Sacrifice by Arthur L. Little, Jr., Stanford: Stanford University Press, 2000. 261 p. $45.00. ISBN: 0-8047-4024-0.

Shakespeare and Feminist Performance: Ideology on Stage by Sarah Werner, London; New York: Routledge, 2001. 132 p. £16.99. ISBN 0-415-22730-5.

Body Blows: Six Performances by Tim Miller, Madison: University of Wisconsin Press, 2002. 242 p. £14.50. ISBN: 0-299-17684-3.

Shakespeare Criticism in the Twentieth Century by Michael Taylor, Oxford: Oxford University Press, 2001. 278 p. £30.00 (hbk), £12.99 (pbk). ISBN 0-19-871185-9 (hbk), 0-19-871184-0 (pbk).

Linda MackenneyThe Activities of Popular Dramatists and Drama Groups in Scotland, 1900–1952 Lewiston: Edward Mellen Press, 2001. 320 p. $119.95. ISBN: 0-77347-905-8.

Playing Companies and Commerce in Shakespeare's Time by Roslyn Lander Knutson, Cambridge: Cambridge University Press, 2001. 220 p. £37.50. ISBN: 0-521-77242-7.

The Adelphi Players by Cecil Davies, London: Routledge Harwood, 2002. 72 p. ISBN 0-415-27026-X. Theatres of Conscience, 1939–53 by Peter Billingham, London: Routledge Harwood, 2002. 163 p. ISBN 0-415-27028-6.

Shakespeare in South Africa: Stage Productions during the Apartheid Era by Rohan Quince, Studies in Shakespeare, Vol. 9. New York: Peter Lang, 2000. 164 p. £32.00. ISBN 0-8204-4061-2.

Dunbar OgdenThe Staging of Drama in the Medieval Church Newark: Delaware Press, 2002. 251 p. £33.00. ISBN: 0-87413-709-8.

The Cambridge Companion to Spenser by Andrew Hadfield, ed., Cambridge: Cambridge University Press, 2001. 278 p. £13.95. ISBN: 0-521-64570-0.

David Garrick and the Birth of Modern Theatre by Jean Benedetti, London: Methuen, 2001. 246 p. £20.00. ISBN: 0-413-70600-1.

Alan Ayckbourn: Grinning at the Edge by Paul Allen, London: Methuen, 2001. 337 p. £19.99. ISBN 0-413-73120-X.

John McGrath (Nadine Holdsworth, ed.) Naked Thoughts that Rove About: Wrestling with Theatre, 1959–2001 London: Nick Hern Books, 2002. 270 p. £14.99. ISBN: 1-85459-239-4.

The Actor and the Target by Declan Donnellan, London: Nick Hern Books, 2002. 276 p. £10.99. ISBN: 1-85459-127-4.

Theatre in a Cool Climate by Vera Gottlieb and Colin Chambers, ed., Oxford: Amber Lane Press, 1999. 222 p. £14.95. ISBN: 1-872868-26-6.

Convent Theatre in Early Modern Italy: Spiritual Fun and Learning for Women by Elissa B. Weaver, Cambridge: Cambridge University Press, 2002. 304 p. $65.00. ISBN: 0-521-55082-3.

Clive Barker and Maggie B. Gale, ed.British Theatre Between the Wars, 1918–1939 Cambridge: Cambridge University Press, 2000. 260 p. £45.00. ISBN: 0-521-62407-x.

Beckett: Waiting for Godot by David Bradby, Cambridge: Cambridge University Press, 2001. 247 p. £14.95. ISBN 0-521-59510-X.

New Theatre Quarterly

Refine listing

Actions for selected content:

Save Search

Volume 19 - November 2003

NTQ Book Reviews