Research Article
‘The Artwork Judges Them’: the Theatre Critic in a Changing Landscape
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- 15 January 2009, pp. 307-314
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Animating Morecambe: Forkbeard Fantasy Goes to the Ball
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- 15 January 2009, pp. 3-16
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Ventriloquism: Kantor, Templeton, and the Voices of the Dead
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- 15 January 2009, pp. 203-210
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Staging and Storytelling, Theatre and Film: ‘Richard III’ at Stratford, 1910
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- 15 January 2009, pp. 107-121
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Characterization in Stand-up Comedy: from Ted Ray to Billy Connolly, via Bertolt Brecht
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- 15 January 2009, pp. 315-323
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‘Transforming’ Women's Lives: Bobby Baker's Performances of ‘Daily Life’
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- 15 January 2009, pp. 17-25
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The Theatrical Biosphere and Ecologies of Performance
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- 15 January 2009, pp. 122-130
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Bodies, Rest, and Motion: from Cosmic Dance to Biodance
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- 15 January 2009, pp. 211-218
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The African-Caribbean Identity and the English Stage
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- 15 January 2009, pp. 131-136
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Autopsy and the Savage Eye: Some Dramatic Practices
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- 15 January 2009, pp. 324-332
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Censoring the Uncensored: the Case of ‘Children in Uniform’
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- 15 January 2009, pp. 219-226
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Landscapes of Fact and Fiction: Asian Theatre Arts in Britain
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- 15 January 2009, pp. 26-33
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The Effervescent Carnival: Performance, Context, and Mediation at Notting Hill
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- 15 January 2009, pp. 34-49
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Burmese Nights: the Pagoda Festival Pwe in the Age of Hollywood's ‘Titanic’
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- 15 January 2009, pp. 227-248
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Theatre and Urban Space: the Case of Birmingham Rep
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- 15 January 2009, pp. 137-147
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Ways of Understanding the Culture: Re-examining the Performance Paradigm
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- 15 January 2009, pp. 333-346
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Form as Weapon: the Political Function of Song in Urban Zimbabwean Theatre
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- 15 January 2009, pp. 148-154
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Unlocking the Secret Soul: Mary Kelly, Pioneer of Village Theatre
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- 15 January 2009, pp. 347-358
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Mamet's Heresy and Common Sense: what's True and False in ‘True and False’
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- 15 January 2009, pp. 249-254
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‘What Counts is the Landscape’: the Making of Pino DiBuduo's ‘Invisible Cities’
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- 15 January 2009, pp. 50-64
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