NTQ Book Reviews
British Theatre in the 1950s by Dominic Shellard, ed., Sheffield: Sheffield Academic Press, 2000. £14.95. ISBN: 1-84127-048-2.
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- 17 September 2003, p. 396
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Post-War British Drama: Looking Back in Gender by Michelene Wandor, London: Routledge, 2001. 288 p. £55.00 (hbk), £16.99 (pbk). ISBN: 0-415-13855-8 (hbk), 0-415-13856-6 (pbk).
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- 24 September 2003, p. 293
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Spectacvlvm Evropaevm: Theatre and Spectacle in Europe (Histoire du spectacle en Europe, 1580–1750) by Pierre Béhar and Helen Watanabe-O'Kelly, ed. Wiesbaden: Harrassowitz, 1999. 818 p. DM 298. ISBN: 3-447-04039-4.
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- 24 September 2003, p. 198
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Playing Commedia by Barry Grantham, London: Nick Hern Books, 2001. 272 p. £14.99. ISBN: 1-85459-466-4.
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- 24 September 2003, pp. 94-95
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Williams: A Streetcar Named Desire (Plays in Production Series) by Philip C. Kolin, Cambridge: Cambridge University Press, 2000. 229 p. £35.00 (hbk), £13.95 (pbk). ISBN: 0-521-62344-8 (hbk), 0-521-62610-2 (pbk).
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- 24 September 2003, p. 95
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The Culture of Playgoing in Shakespeare's England: a Collaborative Debate by Anthony B. Dawson and Paul Yachnin, Cambridge: Cambridge University Press, 2001. x, 215 p. £37.50. ISBN: 0-521-80016-1.
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- 17 September 2003, p. 396
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Albee: Who's Afraid of Virginia Woolf? by Stephen J. Bottoms, Cambridge: Cambridge University Press, 2000. 204 p. £12.95 (pbk), £35.00 (hbk). ISBN: 0-521-63560 (pbk), 0-521-63209-9 (hbk).
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- 24 September 2003, p. 199
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Modern American Drama, 1945–2000 by C. W. E. Bigsby, Cambridge: Cambridge University Press, 2000. 453 p. £40.00 (hbk), £15.95 (pbk). ISBN: 0-521-79089-1 (hbk), 0-521-79410-2 (pbk).
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- 24 September 2003, pp. 292-293
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Fashions of the Past by Anna Buruma, London: Collins and Brown, 1999. 128 p. £14.99. ISBN: 1-85585-727-8.
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- 24 September 2003, p. 96
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Screen Acting by Alan Lovell and Peter Krämer, ed., New York: Routledge, 1999. £13.99. ISBN: : 0-415-18294-8.
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- 17 September 2003, p. 397
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The Body Speaks: Performance and Expression by Lorna Marshall, London: Methuen, 2001. 218 p. £12.99 ISBN: 0-413-77114-8.
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- 24 September 2003, p. 294
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Performing America: Cultural Nationalism in American Theatre by Jeffrey D. Mason and J. Ellen Gainor, ed. Ann Arbor: University of Michigan Press, 1999. 250 p. £32.50. ISBN: 0-472-10985-5.
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- 24 September 2003, p. 199
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Thomas Durfey and Restoration Drama: the Work of a Forgotten Writer by John McVeagh, Aldershot: Ashgate Publishing, 2000. 228p. £45.00. ISBN: 0-7546-0253-2.
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- 24 September 2003, pp. 198-199
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39 Microlectures, in Proximity of Performance by Matthew Goulish, London; New York: Routledge, 2000. £12.99. ISBN: 0-415-21393-2.
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- 24 September 2003, pp. 95-96
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Beyond Stanislavsky: the Psycho-Physical Approach to Actor Training by Bella Merlin, London: Nick Hern Books, 2001. 256 p. £12.99. ISBN: 1-85459-613-6.
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- 24 September 2003, pp. 293-294
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‘Love Me or Kill Me’: Sarah Kane and the Theatre of Extremes by Graham Saunders, Manchester: Manchester University Press, 2002. 198 p. £14.00. ISBN: 0-7190-5956-9.
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- 17 September 2003, p. 397
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Race, Sex, and Gender in Contemporary Women's Theatre: the Construction of ‘Woman’ by Mary F. Brewer, Brighton: Sussex Academic Press, 1999. 218 p. £45 (hbk), £16.95 (pbk). ISBN: 1-902210-18-2 (hbk), 1-902210-19-0 (pbk).
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- 24 September 2003, p. 96
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A Pocket Guide to Twentieth-Century Drama by Stephen Unwin with Carole Woddis, London: Faber, 2001. 200 p. £7.99. ISBN: 0-571-20014-1.
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- 24 September 2003, pp. 199-200
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Rings of Desire: Circus History and Representation by Helen Stoddart, Manchester: Manchester University Press, 2000. £12.99. ISBN: 0-7190-5234-3.
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- 24 September 2003, pp. 294-295
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Through the Body: a Practical Guide to Physical Theatre by Dymphna Callery, London: Nick Hern Books; New York: Routledge, 2001. 238 p. £12.99. ISBN: 1-85459-630-6.
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- 17 September 2003, p. 398
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