Research Article
Thatcher's Theatre — or, After ‘Equus’
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- 15 January 2009, pp. 99-104
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Resources for a Journey of Hope: the Work of Welfare State International
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- 15 January 2009, pp. 195-208
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The Common Imagination and the Individual Voice
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- 15 January 2009, pp. 3-16
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The Way of Refusal: the Theatre's Body-in-Life
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- 15 January 2009, pp. 291-299
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The Rediscovery of Queen Margaret: ‘The Wars of the Roses’, 1963
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- 15 January 2009, pp. 105-119
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Entertaining Mr. Loney: an Early Interview with Joe Orton
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- 15 January 2009, pp. 300-305
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The Politics, Packaging, and Potential of Performance Art
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- 15 January 2009, pp. 17-31
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From Resistance to Revelation: the Contemporary Theatre in Chile
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- 15 January 2009, pp. 209-221
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The Professional's Guilty Conscience: a Letter from Poland
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- 15 January 2009, pp. 222-225
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Spanish Political Theatre under Franco, Suarez, and Gonzalez
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- 15 January 2009, pp. 32-52
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The Third Manifesto: ‘We Shall Come to See’
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- 15 January 2009, pp. 120-121
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Catharsis and the Actor
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- 15 January 2009, pp. 306-314
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Lear's Terrible Journey: Charles Laughton at Stratford, 1959
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- 15 January 2009, pp. 315-320
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Situation Hopeless, Not Terminal: the Playwright in the Twenty-First Century
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- 15 January 2009, pp. 226-231
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British Bravery, or Tars Triumphant: Images of the British Navy in Nautical Melodrama
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- 15 January 2009, pp. 122-143
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Kroetz's ‘Request Concert’ in India, Part Three: Madras
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- 15 January 2009, pp. 53-63
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When the Kissing Stopped… and What Happened Next
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- 15 January 2009, pp. 144-151
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Rehearsal as a Subsystem: Transactional Analysis and Role Research
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- 15 January 2009, pp. 64-76
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Searching for a Satyr Play: the Significance of the ‘Parodos’
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- 15 January 2009, pp. 321-325
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David Jones Directs Chekhov's ‘Ivanov’
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- 15 January 2009, pp. 232-246
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