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Rehearsal as a Subsystem: Transactional Analysis and Role Research

Published online by Cambridge University Press:  15 January 2009

Stratos E. Constantinidis
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Abstract

What happens during a rehearsal? How are actors' expectations and achievements affected by different directorial approaches, and how do the various ‘systems’ of acting fit with the responses of an audience? From Diderot through Stanislavski. Brecht. and Artaud to the work of such modern experimental directors as Brook, Grotowski, Chaikin, and Schechner, the theory may or may not be adequately tested against the practice. The author of two earlier, complementary studies in empirical theatre research – ‘Feedback as a Subsystem’ and ‘Prompt–Copy as a Subsystem’, both published in Kodikas/Code: Ars Semeiotica (1984 and 1987) – Stratos E. Constantinidis here checks several normative fallacies which have influenced theatre practice by relating the findings of empirical research in theatre to the experimental work of theatre artists. The author, who has previously worked in the Universities of Iowa and Arizona, presently teaches theory and criticism in the Department of Theatre at Ohio State University.

Type
Research Article
Information
New Theatre Quarterly , Volume 4 , Issue 13 , February 1988 , pp. 64 - 76
Copyright
Copyright © Cambridge University Press 1988

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References

Notes and References

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74. Ibid., p. 37.

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78. Ibid., p. 37.

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