Research Article
Democracy and Deconstruction
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- 15 January 2009, pp. 203-206
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Performance, Theatre Training, and Research
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- 15 January 2009, pp. 207-215
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Oscar Asche: an Edwardian in Transition
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- 15 January 2009, pp. 216-228
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Exploring Space at Play: the Making of the Theatrical Event
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- 15 January 2009, pp. 229-236
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Naturalism, Poetic Realism, Spectacle: Wesker's ‘The Kitchen’ in Performance
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- 15 January 2009, pp. 237-248
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Performing Shakespeare: Voice Training and the Feminist Actor
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- 15 January 2009, pp. 249-258
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Gramsci on Theatre
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- 15 January 2009, pp. 259-265
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Theatre of Witness: Passage into a New Millennium
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- 15 January 2009, pp. 266-278
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‘Folkism’: Towards a National Aesthetic Principle for Nigerian Dramaturgy
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- 15 January 2009, pp. 279-287
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NTQ Reports and Announcements
The Carnival Yearning
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- 15 January 2009, pp. 288-289
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NTQ Book Reviews
William D. Howarth Beaumarchais and the TheatreLondon; New York: Routledge, 1995. vii, 273 p. £40.00. ISBN 0-415-00751-8.
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- 15 January 2009, p. 290
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David L. Smith, Richard Strier, David Bevington, eds. The Theatrical City: Culture, Theatre and Politics in London, 1576–1649Cambridge: Cambridge University Press. £35.00. ISBN 0-521-44126-9
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- 15 January 2009, p. 290
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Lynette R. Muir The Biblical Drama of Medieval EuropeCambridge: Cambridge University Press, 1995. xxiv, 320 p. ISBN 0-521-41291-9.
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- 15 January 2009, pp. 290-291
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Ellen Donkin Getting into the Act: Women Playwrights in London 1776–1829London; New York: Routledge, 1995, 240 p. £12.99. ISBN 0-415-08249-8 (hbk), 0-415-08250-1 (pbk).
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- 15 January 2009, p. 291
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Joanne E. Gates Elizabeth Robins 1862–1952: Actress, Novelist, FeministTuscaloosa; London: University of Alabama Press, 1994. xi, 297 p. £35.95. ISBN 0-8173-0664-1.
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- 15 January 2009, p. 291
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James McFarlane, ed. The Cambridge Companion to IbsenCambridge: Cambridge University Press, 1994, 271 p. £11.95 (pbk). ISBN 0-521-42321-X.
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- 15 January 2009, pp. 291-292
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Susan Hollis Merritt Pinter in PlayDurham, North Carolina: Duke University Press, 1995, 343 p. £16.95. ISBN 0-8223-1674-9.
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- 15 January 2009, p. 292
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Enoch Brater, ed. The Theatrical Gamut: Notes for a Post-Beckettian StageAnn Arbor: University of Michigan Press, 1995. 304 p. ISBN 0-472-10583-3.
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- 15 January 2009, pp. 292-293
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Stephen Lacey British Realist Theatre: the New Wave in its Context, 1956–1965London: Routledge, 1995. 206 p. £11.99. ISBN 0-415-12311-9. - John Bull Stage Right: Crisis and Recovery in Contemporary British Mainstream TheatreLondon: Macmillan, 1994. 251 p. £11.99. ISBN 0-333-39597-2.
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- 15 January 2009, p. 293
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Albert Hunt and Geoffrey Reeves, Directors in Perspective: Peter BrookCambridge: Cambridge University Press, 1995. 288 p. £12.99. ISBN 0-521-29605-6.
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- 15 January 2009, pp. 293-294
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