Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-22T04:58:38.191Z Has data issue: false hasContentIssue false

Democracy and Deconstruction

Published online by Cambridge University Press:  15 January 2009

Abstract

In August 1995 I directed a studio production of an unfinished piece called Luna Park Eclipses for the National Theatre Studio. The production was non-public and experimental. We rehearsed for two weeks, and then put on a one-off show for an audience of about twenty-five. The cast comprised Peter Bayliss, Timothy Bateson, Dilys Laye, Diana Fairfax, Sheila Burrell, and David Neal.

The words ‘success’ and ‘failure’, mercifully, are not relevant in this context. If they were, the project could be called ‘sucessful’ if only because it threw up questions and I was encouraged to continue: the old mould had cracked open for a moment and I saw, briefly, drama in a new light again. A year later I decided to write about what I am trying to do in Luna Park Eclipses.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1996

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)