Review: Book
LEONARDO J. WAISMAN UNA HISTORIA DE LA MÚSICA COLONIAL HISPANOAMERICANA Buenos Aires: Gourmet Musical Ediciones, 2019 pp. 478, isbn 978 9 873 82324 4
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- 17 August 2021, pp. 315-317
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GLENDA GOODMAN CULTIVATED BY HAND: AMATEUR MUSICIANS IN THE EARLY AMERICAN REPUBLIC New York: Oxford University Press, 2020 pp. xxv + 243, isbn 9 780 190 88492 5
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- 05 February 2021, pp. 187-189
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pieter hellendaal (1721–1799)‘CAMBRIDGE’ SONATAS Johannes Pramsohler (violin) / Gulrim Choï (cello) / Philippe Grisvard (harpsichord) Audax adx13720, 2020: one disc, 69 minutes
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- 17 August 2021, pp. 317-319
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EMILY H. GREEN DEDICATING MUSIC, 1785–1850 Rochester, NY: University of Rochester Press, 2019 pp. xii + 247, isbn 978 1 580 46949 4
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- 05 February 2021, pp. 189-191
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NICCOLÒ JOMMELLI (1714–1774) REQUIEM & MISERERE MISSA PRO DEFUNCTIS IN E FLAT MAJOR (HOCJ A1.3) FOR FOUR VOICES, STRINGS AND BASSO CONTINUO Il Gardellino Vocal Ensemble & Baroque Orchestra / Peter Van Heyghen Passacaille PAS 1076, 2020; one disc, 64 minutes
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- 17 August 2021, pp. 320-321
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LAURA LOHMAN HAIL COLUMBIA! AMERICAN MUSIC AND POLITICS IN THE EARLY NATION New York: Oxford University Press, 2020 pp. xiv + 326, isbn 978 0 190 93061 5
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- 05 February 2021, pp. 191-194
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Communication: Report
DISSONANCE AND HARMONY: RESPONSE TO DANIEL R. MELAMED
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- 17 August 2021, pp. 323-325
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MARK A. PETERS AND REGINALD L. SANDERS, EDS COMPOSITIONAL CHOICES AND MEANING IN THE VOCAL MUSIC OF J. S. BACH Lanham, MD: Lexington Books, 2018 pp. xxv + 328, isbn 978 1 498 55495 4
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- 05 February 2021, pp. 194-196
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RESPONSE TO RUTH TATLOW
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- 17 August 2021, pp. 325-326
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AYANA O. SMITH DREAMING WITH OPEN EYES: OPERA, AESTHETICS, AND PERCEPTION IN ARCADIAN ROME Oakland: University of California Press, 2019 pp. xiii + 311, isbn 978 0 520 29815 6
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- 05 February 2021, pp. 197-199
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DAVID YEARSLEY SEX, DEATH, AND MINUETS: ANNA MAGDALENA BACH AND HER MUSICAL NOTEBOOKS Chicago: University of Chicago Press, 2019 pp. xxxv + 324, isbn 978 0 226 61770 1
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- 05 February 2021, pp. 199-201
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FIRST BOUNTY OF THE NEW WAṄHAL CATALOGUE
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- 17 August 2021, pp. 326-327
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BEETHOVEN AND THE PIANO: PHILOLOGY, CONTEXT AND PERFORMANCE PRACTICE LUGANO, 4–7 NOVEMBER 2020
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- 17 August 2021, pp. 327-329
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JEREMY YUDKIN FROM SILENCE TO SOUND: BEETHOVEN'S BEGINNINGS Woodbridge: Boydell, 2020 pp. xxi + 424, isbn 978 1 78327 479 6
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- 05 February 2021, pp. 202-204
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IN SEARCH OF PERFECT HARMONY: GIUSEPPE TARTINI'S MUSIC AND MUSIC THEORY IN LOCAL AND EUROPEAN CONTEXTS LJUBLJANA, 16–17 NOVEMBER 2020
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- 17 August 2021, pp. 329-331
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John Eccles (c1668–1735), ED. MICHAEL BURDEN EUROPE'S REVELS FOR THE PEACE OF RYSWICK Middleton, WI: A-R Editions, 2019 pp. xxvii + 97, isbn 978 1 978 20306 6
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- 05 February 2021, pp. 204-206
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BACH E L'ITALIA TURIN, 26–28 NOVEMBER 2020
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- 17 August 2021, pp. 332-334
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JOHANN JOSEPH RÖSLER (1771–1812), ED. ALENA HÖNIGOVÁ CONCERTO FOR PIANOFORTE AND ORCHESTRA NO. 2 IN E-FLAT MAJOR Kassel: Bärenreiter, 2018 pp. x + 105, ismn 979 0 260 10860 8
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- 05 February 2021, pp. 206-208
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BEETHOVEN THE EUROPEAN LUCCA, 4–6 DECEMBER 2020
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- 17 August 2021, pp. 334-341
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AGOSTINO STEFFANI (1654–1728), ED. WALTRAUT ANNA LACH DIE OPERNEINAKTER LA LOTTA D'HERCOLE CON ACHELOO UND BACCANALI VON AGOSTINO STEFFANI MIT EINER EINFÜHRUNG ZUR FORM DES OPERNEINAKTERS IM ZEITGENÖSSISCHEN KONTEXT UND EINER HISTORISCH-KRITISCHEN EDITION VON BACCANALI Vienna: Hollitzer, 2020 pp. 336, isbn 978 3 990 12599 1
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- 05 February 2021, pp. 208-210
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