Eighteenth-Century Music: Volume 13 - Issue 1

Eighteenth-Century Music

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Eighteenth-Century Music
ISSN: 1478-5706

EISSN: 1478-5714

URL: /core/journals/eighteenth-century-music
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Eighteenth-Century Music

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Volume 13 - Issue 1 - March 2016

Reviews: Recordings

MUZIO CLEMENTI (1752–1832) THE FATHER OF THE PIANOFORTE: TOCCATA OPUS 11, SONATAS OPUS 33 NO. 2, OPUS 40 NO. 3, OPUS 25 NO. 5, OPUS 50 NO. 1 Simon Conning (piano) Meridian CDE84629, 2014; one disc, 80 minutes

DANIEL PURCELL (c1670–1717) THE UNKNOWN PURCELL: SONATAS BY DANIEL PURCELL Hazel Brooks (violin), David Pollock (harpsichord) Chandos CHAN 0795, 2013; one disc, 76 minutes

Communications: Reports

HISTORICAL ACTION

A ‘HISTORICALLY INFORMED’ PYGMALION

FORTE/PIANO: A FESTIVAL CELEBRATING PIANOS IN HISTORY

BURNEY NEWS

JOSEPH BONNO

Communications: Conferences

ANNUAL MEETING OF THE AMERICAN SOCIETY FOR EIGHTEENTH-CENTURY STUDIES LOS ANGELES, 19–22 MARCH 2015

JOINT MEETING OF THE AMERICAN HANDEL SOCIETY AND THE SOCIETY FOR SEVENTEENTH-CENTURY MUSIC UNIVERSITY OF IOWA, 23–26 APRIL 2015

A GEOGRAPHY OF THE TRIO SONATA: NEW PERSPECTIVES UNIVERSITÉ DE FRIBOURG, 21–22 MAY 2015

FRENCH CONNECTIONS: NETWORKS OF INFLUENCE AND MODES OF TRANSMISSION OF FRENCH BAROQUE KEYBOARD MUSIC MCGILL UNIVERSITY, 21–24 MAY 2015

SONOROUS SUBLIMES: MUSIC AND SOUND 1670–1850 CENTRE FOR RESEARCH IN THE ARTS, SOCIAL SCIENCES AND HUMANITIES (CRASSH), UNIVERSITY OF CAMBRIDGE, 23–25 JUNE 2015

THE SERENATA AND THE FESTA TEATRALE IN EIGHTEENTH-CENTURY EUROPE QUELUZ NATIONAL PALACE, 26–27 JUNE 2015

MUSIC IN TRANSITION: CHANGING STYLES AND APPROACHES IN THE MID-BAROQUE (1650–1710) BIRMINGHAM CONSERVATOIRE, 2–3 JULY 2015

SEVENTH J. S. BACH DIALOGUE MEETING MADINGLEY HALL, CAMBRIDGE, 8–10 JULY 2015

Front Cover (OFC, IFC) and matter

ECM volume 13 issue 1 Cover and Front matter

Back Cover (IBC, OBC) and matter

ECM volume 13 issue 1 Cover and Back matter

Eighteenth-Century Music

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Volume 13 - Issue 1 - March 2016

Reviews: Recordings

Communications: Reports

Communications: Conferences

Front Cover (OFC, IFC) and matter

Back Cover (IBC, OBC) and matter