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Bronislava Nijinska and the Polish Ballet, 1937-1938: Missing Chapter of the Legacy
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- 22 July 2014, pp. 1-16
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Studying Water Study
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- 22 July 2014, pp. 1-12
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What Constitutes a Dance?: Investigating the Constitutive Properties of Antony Tudor's Dark Elegies
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Preface
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- 22 July 2014, pp. 17-18
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José Limón's The Moor's Pavane: An Interview with Lucas Hoving
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- 22 July 2014, pp. 13-26
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What Constitutes a Dance?: Investigating the Constitutive Properties of Antony Tudor's Dark Elegies
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I. A Dance Director's Investigation into Selected Constitutive Properties of Antony Tudor's Dark Elegies
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- 22 July 2014, pp. 19-24
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Havelock Ellis's Essay “The Art of Dancing”: A Reconsideration
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- 22 July 2014, pp. 27-36
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Sharing the Dance. Contact Improvisation and American Culture, by Cynthia J. Novack. New Directions in Anthropological Writing. Madison, Wisconsin: University of Wisconsin Press, 1990. xvii + 258 pp., photographs, references, index. $14.95 paperbound.
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- 22 July 2014, pp. 37-38
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What Constitutes a Dance?: Investigating the Constitutive Properties of Antony Tudor's Dark Elegies
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II. The Identity of Tudor's Dark Elegies as Mediated by Two Dance Companies and Two Technologies
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- 22 July 2014, pp. 25-27
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Blood Memory: An Autobiography, by Martha Graham. New York: Doubleday, 1991. 279 pp., photographs. $25. - Martha: The Life and Work of Martha Graham, by Agnes de Mille. New York: Random House, 1991. 509 pp., photographs, selected bibliography, notes, index. $30. - Martha Graham: The Evolution of her Dance Theory and Training 1926–1991, comp. Marian Horosko. Chicago: Chicago Review Press, a cappella books, 1991. 185 pp., photographs. $14.95 paperbound, $29.95 clothbound.
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- 22 July 2014, pp. 39-40
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What Constitutes a Dance?: Investigating the Constitutive Properties of Antony Tudor's Dark Elegies
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III. Dark Elegies and Gender
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- 22 July 2014, pp. 28-30
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“Early Scottish Reel Steps and the Influence of the French Quadrille,” by Y. Guillard. In Dance Studies, Volume 13, 1989, ed. Roderyk Lange. Jersey, Channel Islands: Centre for Dance Studies, 1990. 114 pp., maps, Kinetography Laban examples, illustrations, bibliography. £5.00.
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- 22 July 2014, pp. 41-42
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What Constitutes a Dance?: Investigating the Constitutive Properties of Antony Tudor's Dark Elegies
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Afterword
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- 22 July 2014, pp. 31-32
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Barefoot to Balanchine: How to Watch Dance, by Mary Kerner. New York: Anchor Books, 1990. 208 pp., foreword by Ruth Page, illustrations by Delphine Louie, suggested reading, glossary, index. $18.95. - Dance Classics: A Viewer's Guide to the Best-Loved Ballets and Modern Dances, byNancy Reynolds and Susan Reimer-Torn. Pennington, New Jersey: a cappella books, 1991. 297pp., photographs, glossary, index. $14.95 paperbound. Originally published in differentform as In Performance (New York: Harmony Books, 1980).
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- 22 July 2014, pp. 42-45
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Critical Evaluation in the Choreography Class
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- 22 July 2014, pp. 33-40
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Beyond the Mask: Gordon Craig, Movement, and the Actor, by Irène Eynat-Confino. Carbondale and Edwardsville, Illinois: Southern Illinois University Press, 1987. xiii + 239 pp., illustrations, chronology, bibliography, index.
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- 22 July 2014, pp. 45-46
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Sight Lines, by Arlene Croce. New York: Alfred A. Knopf, 1987. 364 pp. $19.95. - Dance Writings, by Edwin Denby, edited by Robert Cornfield and William MacKay. New York: Alfred A. Knopf1986. xi + 608 pp. $18.95 paperbound. - The Tail of The Dragon: New Dance, 1976–1982, by Mania B. Siegel. Durham and London: Duke University Press, 1991. xvi + 204 pp., photographs. $14.95 paperbound.
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- 22 July 2014, pp. 41-44
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The Black Tradition in American Dance, by Richard A. Long. New York: Rizzoli Publishers, 1990. 192 pp., photographs, chronology. $29.95.
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- 22 July 2014, pp. 44-45
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Making Dances: Seven Post-Modern Choreographers, produced and directed by Michael Blackwood. Consultant Marcia B. Siegel. New York: Michael Blackwood Productions, 1980. VHS, 89 minutes, color. $350. ($975, 16 mm; rental—$150: 16 mm, 3/4” UMatic, VHS or BETA). - Retracing Steps: American Dance Since Postmodernism, produced and directed by Michael Blackwood. Consultant Sally Banes. New York: Michael Blackwood Productions, 1988. VHS, 89 minutes, color. $350. ($975, 16 mm; rental—$150: 16 mm, 3/4” UMatic, VHS or BETA).
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- 22 July 2014, pp. 47-49
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Serpent of the Nile: Women and Dance in the Arab World, by Wendy Buonaventura. New York: Interlink Books, 1990. 207 pp., illustrations, glossary, notes, bibliography, index. $49.95.
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- 22 July 2014, pp. 45-47
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Books Received
Books Received
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- 22 July 2014, p. 50
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