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I. A Dance Director's Investigation into Selected Constitutive Properties of Antony Tudor's Dark Elegies

Published online by Cambridge University Press:  22 July 2014

John Giffin
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Extract

The question of what constitutes the essential elements of a choreographer's work is an important one for the dance director. This study concentrates on identifying some of the constitutive properties of Antony Tudor's 1937 masterpiece Dark Elegies. I will present some aspects of the work's compositional form and some details of its movement vocabulary. I will also compare these with traditional classical ballet usages of these elements.

The Labanotation score of Dark Elegies was written by Airi Hynninen in 1980 during a revival of the ballet under Tudor's personal supervision. I believe it provides a complete and detailed record of the work's essential structural and stylistic properties. This score is the primary source for my choreographic investigation.

Type
Articles
Information
Dance Research Journal , Volume 24 , Issue 2 , Fall 1992 , pp. 19 - 24
Copyright
Copyright © Congress on Research in Dance 1992

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References

WORKS CONSULTED

Giffin, John. “Von Schicksal Abgeschlagen: The Story of a Reconstruction.” Unpublished Master's Project Report. The Ohio State University, 1983.Google Scholar
Hall, Fernau. Modern English Ballet. London: AndrewMelrose, 1950.Google Scholar
Richardson, Rachel. “Dark Elegies,” in Choreography: Principles and Practice. Report of the Fourth Study of Dance Conference, University of Surrey, 1986.Google Scholar
Topaz, Muriel. “Specifics of Style in the Works of Balanchine and Tudor,” Choreography and Dance, Vol. 1, United Kingdom: Harwood Academic Publishers, 1988, pp. 1–36.Google Scholar
Tudor, Antony. Dark Elegies. Labanotation score by Hynninen, Airi. New York: Dance Notation Bureau, 1980.Google Scholar
Tudor, Antony. Letter to John Giffin, dated April 28, 1982.Google Scholar