There has been much controversy over the completeness and unity of Euripides᾽ Heraclidae in the last two centuries. Hermann᾽s characterization of the play as a heavily mutilated piece, which was adopted by Kirchhoff, Wilamowitz, Nauck and Murray, prevailed for a long time. Wilamowitz's thesis that the Heraclidae was revised by the ancient director found its adherents. It was Günther Zuntz who led the general offensive against this widely accepted opinion and whose critical scrutiny reversed the view of the play. According to Zuntz, the play has come down to us substantially as it was written. The alleged mutilation, as well as the specific dramatic technique, shortness and swiftness of the Heraclidae, also influenced the general evaluation of the play as a minor or odd piece. It was Günter Zuntz again and also Franz Stoessl who reconstituted the reputation of the Heraclidae. Today Euripides᾽ Heraclidae is studied and recognized as a classical Hikesiedrama, a play deeply rooted in Athenian ideology and in the social and religious context of fifth-century Athens, and representing various aspects of communal life. Since the play has been interpreted and scrutinized from a very wide range of perspectives, I do not aim at a radically new general interpretation of the Heraclidae, but I would like to make a short remark on an aspect of it which has, as far as I know, been neglected or only briefly referred to: the term ἀμηχανία in crucial passages of the play, which signifies, or rather describes, a situation which is desperate, hopeless, and with no way out. I would like to show that for the characters in the Heraclidae who follow the ideal of justice (τὸ δίκαιον), in contrast to those who prefer profit (κέρδος), no situation is hopeless, even as it was not for Heracles, who managed to do things which could be evaluated as impossible (defeating the Hydra of Lerna and the Nemean lion, gaining the apples of the Hesperides, etc.). On the other hand, those who opt for the Heraclean ideal have to prepare to face the ultimate challenges.

The phrase ἐγχέλυές τε καὶ ἰχθύες (‘eels and fish’) appears twice in Iliad Book 21, in descriptions of actions involving the river Xanthus:

τὸν μὲν ἄρ’ ἐγχέλυές τε καὶ ἰχθύες ἀμφεπένοντο (203)
the eels and fish dealt with him [sc. Asteropaeus].

τείροντ᾽ ἐγχέλυές τε καὶ ἰχθύες οἱ κατὰ δίνας (353)
distressed were the eels and fish beneath the eddies.

Towards the end of Plutarch's treatise de Pytkiae oraculis (409 b 29) Theon quotes a short passage of verse but does not identify its author. The fragment is now customarily printed among the remains of Pindar's Parthenea, most recently by Snell:

Hiller vonGaertringen says of this inscription: ‘Lapis in obscuro loco collocatus est. In ectypis nihil fere dispeximus … Lectio e Koehlero et Velseno componenda est.’ I did not find the stone till my last morning in Athens: it is E.M. 6600; it is extremely illegible, and I had not time to move it to a really good light. But there are a few things to add, and the length of line can, I believe, be determined.

Herodotus’ fateful tale of the seven Persian emissaries sent to seek Earth and Water from the Macedonian king Amyntes has been the subject of increasingly rich discussion in recent years. Generations of commentators have cumulatively revealed the ironies of Herodotus’ account: its repeated hints, for example, of the Persians’ eventual end; and, crowning all other ironies, the story's ending: that, after resisting the indignity of his female relatives being molested at a banquet, and disposing of all trace of the Persian ambassadors and their party, Alexander of Macedon then arranges his sister's marriage to the leader of the search party sent to investigate his disappeared compatriots (Hdt. 5.21.2). More recent readings have gone further in uncovering the mythological archetypes for the logos, or in tracing its exploration of a number of themes: revenge, guest-friendship, the equation of sexual and military conquest, or the ‘explosion of violence resulting from the contact of two different cultures’. Most fruitful perhaps have been those readings that have seen the logos no longer as a detached ‘short story’ but in its wider context in the Histories: David Fearn, for example, has stressed the need to understand the presentation of Alexander I in the light of what the reader knows of his subsequent history.

This passage has occasioned, if not proelia, at least divergent interpretations, not to mention instances of tergiversation. In 1910 Cyril Bailey modelled his first rendering of the lines closely on that of H. A. J. Munro: ‘But unless the breast is cleared, what battles and dangers must enter into us in our own despite’; ‘but unless the heart is cleansed, what battles and dangers must then find their way into us in our own despite’. But a reprint of Bailey's translation in 1921 produced the following change: ‘…what battles and perils must we then enter into despite our will’. What changed Bailey's mind?

The explanation appeared years later in Bailey's great edition and commentary of 1947. In his note on the passage (p. 1328), he cites objections to Munro's interpretation that had been raised by C. N. Cole and W. R. Hardie. In this paper I will examine these objections and present my own interpretation of the passage, which amounts to a qualified vindication of Munro.

In consulatu sexto et septimo postquam bella civilia exstinxeram per consensum universorum [potitus rerum own]ium rem publicam ex mea potestate in senat[us populique Romani a]rbitrium transtuli.

There is very little doubt about the reading of the Latin text, except that the Greek has suggested to Schönbauer that ‘compos’ should be read for ‘potitus’. He urges that ‘compos’ has a ‘milder meaning’ than ‘potitus’ and has no connotation of the use of force. The change to ‘compos’ is worthy of consideration, but suggests that the Latin ran ‘compos factus’ if ‘compos’ was used, and the phrase ‘compos factus’, though good Augustan Latin, is perhaps too retarding in rhythm to fit this place, though to that stylistic feeling too much weight should not be assigned.