Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 2
Decentralising via Russia: Glinka’s A Life for the Tsar in Nice, 1890
-
- Published online by Cambridge University Press:
- 01 April 2015, pp. 35-62
-
- Article
- Export citation
- Cited by 2
The Staging of Salieri’s Les Danaïdes as Seen by a Cellist in the Orchestra
-
- Published online by Cambridge University Press:
- 19 February 2014, pp. 65-82
-
- Article
- Export citation
- Cited by 2
Mozart's Fiordiligi: Adriana Ferrarese del Bene
-
- Published online by Cambridge University Press:
- 27 August 2008, pp. 199-214
-
- Article
- Export citation
- Cited by 2
The ‘rival queans’ and the play of identity in Handel's Admeto
-
- Published online by Cambridge University Press:
- 19 January 2007, pp. 301-331
-
- Article
- Export citation
- Cited by 2
‘Poésie lyrique’ and ‘Chorégraphie’ at the Opéra in the July Monarchy
-
- Published online by Cambridge University Press:
- 27 August 2008, pp. 1-19
-
- Article
- Export citation
- Cited by 2
Reading and staging again
-
- Published online by Cambridge University Press:
- 27 August 2008, pp. 205-220
-
- Article
- Export citation
- Cited by 2
Between opera and reality: the Barcelona Parsifal
-
- Published online by Cambridge University Press:
- 27 August 2008, pp. 97-109
-
- Article
- Export citation
- Cited by 2
Maria Antonia of Saxony and the Emergence of Music Analysis in Opera Criticism
-
- Published online by Cambridge University Press:
- 14 March 2013, pp. 37-73
-
- Article
- Export citation
- Cited by 2
Verdi's Don Carlo as Monument
-
- Published online by Cambridge University Press:
- 14 March 2013, pp. 75-103
-
- Article
- Export citation
- Cited by 2
Frederick's Athens: crushing superstition and resuscitating the marvellous at the Königliches Opernhaus, Berlin
-
- Published online by Cambridge University Press:
- 03 September 2012, pp. 1-42
-
- Article
- Export citation
- Cited by 2
Back to the future: Shostakovich's revision of Leskov's ‘Lady Macbeth of Mtsensk District’
-
- Published online by Cambridge University Press:
- 27 August 2008, pp. 59-78
-
- Article
- Export citation
- Cited by 2
Salieri's Così fan tutte
-
- Published online by Cambridge University Press:
- 27 August 2008, pp. 17-43
-
- Article
- Export citation
- Cited by 2
‘… qualche cosa d’incredibile …': Hearing the invisible in Macbeth
-
- Published online by Cambridge University Press:
- 20 June 2003, pp. 11-29
-
- Article
- Export citation
- Cited by 2
Billy Budd and the fear of words
-
- Published online by Cambridge University Press:
- 27 August 2008, pp. 43-59
-
- Article
- Export citation
- Cited by 2
Memorialisation, Commemoration and Commodification: Massenet and Caricature
-
- Published online by Cambridge University Press:
- 04 June 2013, pp. 139-163
-
- Article
- Export citation
- Cited by 2
In response, a call
-
- Published online by Cambridge University Press:
- 01 March 2005, pp. 307-309
-
- Article
- Export citation
- Cited by 2
Smyth the anarchist: fin-de-siècle radicalism in The Wreckers
-
- Published online by Cambridge University Press:
- 01 May 2009, pp. 149-180
-
- Article
- Export citation
- Cited by 2
Church, State and an Operatic Outlaw: Jules Massenet's Hérodiade
-
- Published online by Cambridge University Press:
- 06 May 2020, pp. 211-236
-
- Article
- Export citation
- Cited by 2
Opera out of performance: Verdi's Macbeth at San Francisco Opera
-
- Published online by Cambridge University Press:
- 01 March 2005, pp. 249-267
-
- Article
- Export citation
- Cited by 2
The Passion of the Passacaille: Ravel, Wagner, Parsifal
-
- Published online by Cambridge University Press:
- 05 November 2013, pp. 285-318
-
- Article
- Export citation