Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 2
Bourgeois opera: Death in Venice and the aesthetics of sublimation
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- Published online by Cambridge University Press:
- 24 October 2011, pp. 175-216
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- Cited by 2
Unintended consequences: Theatre deregulation and opera in France, 1864–1878
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- 25 January 2012, pp. 327-352
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- Cited by 2
Magnificence in motion: Stage musicians in Lully's ballets and operas
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- 27 August 2008, pp. 189-203
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- Cited by 2
The Opera and the Omnibus: Material Culture, Urbanism and Boieldieu's La dame blanche
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- 26 November 2020, pp. 90-114
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Castrati and impresarios in London: two mid-eighteenth-century lawsuits
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- 03 September 2012, pp. 43-65
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- Cited by 2
Twenty Years
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- 30 April 2010, pp. 101-103
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‘The New Woman’: Lady Macbeth and sexual politics in the Stalinist era
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- 10 July 2002, pp. 163-189
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A plan of the Pantheon Opera House (1790–92)
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- 27 August 2008, pp. 213-246
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Aspects of form in the Ottocento libretto
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- 27 August 2008, pp. 23-35
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Massenet and Wagner: Bridling the influence
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- 27 August 2008, pp. 223-238
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- Cited by 2
Of sounds and images
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- 27 August 2008, pp. 295-299
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Myths and realities about tonal planning in Mozart's operas
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- 27 August 2008, pp. 3-15
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Schumann's Manfred in the mental theatre
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- 28 January 2004, pp. 153-183
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Puccini, in the distance
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- 17 July 2012, pp. 167-189
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Caroline Carvalho and nineteenth-century coloratura
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- 03 May 2012, pp. 83-117
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- Cited by 1
Thoroughly Modern Middles
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- 11 November 2019, pp. 118-128
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- Cited by 1
An Operatic Locarno: The Paris Premiere of Smetana’s The Bartered Bride and Czechoslovak-French Cultural Diplomacy
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- 20 March 2017, pp. 283-312
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Singing Brecht vs. Brecht singing: Performance in theory and practice
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- 27 August 2008, pp. 55-78
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Philippe and Posa Act II: The shock of the new
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- 20 June 2003, pp. 133-147
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From Orpheus to Opera – Singing about Singing in Verdi’s Il trovatore Verdi, ‘Tacea la notte’ (Leonora), Il trovatore, Act I
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- 28 September 2016, pp. 179-182
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