The numerous remains of Greek and Roman sculpture now extant, afford incontestable proofs that, in early times, a strong passion prevailed amongst the civilized states of Asia and Europe, for perpetuating and transmitting to posterity, durable and faithful representations of their most memorable transactions, as well as of their customs, civil and religious rites, ceremonies, and triumphs. The like inclination afterward spread itself throughout the west, where the people had no sooner rubbed off the rust of barbarism, then they adopted the ideas, customs, manners, and practice of the more polished nations. Our northern ancestors followed the example; and we find, that it was not unusual with them to represent and perpetuate, either in sculpture, painting, or arras, such transactions, pomps, solemnities, and remarkable events, more especially those which happened in their own times, as they conceived to be either redounding to the national honour and the glory of their monarch; or tending to add a lustre to their own characters and the reputation of their families, from the feveral parts they had respectively acted in those affairs.