Book contents
- Frontmatter
- Contents
- Acknowledgements
- Biographical Outline
- Abbreviations and References
- Note on Ellipses
- Introduction
- 1 Jean Rhys and Her Critics
- 2 Feminist Approaches to Jean Rhys
- 3 The Caribbean Question
- 4 Writing in the Margins
- 5 Autobiography and Ambivalence
- 6 ‘The Day They Burned the Books’
- 7 Fort Comme La Mort: the French Connection
- 8 The Politics of Good Morning, Midnight
- 9 The Huge Machine of Law, Order and Respectability
- 10 Resisting the Machine
- 11 The Enemy Within
- 12 Good night, Day
- 13 Intemperate and Unchaste
- 14 The Other Side
- 15 The Struggle for the Sign
- Notes
- Select Bibliography
- Index
- Miscellaneous Endmatter
Note on Ellipses
- Frontmatter
- Contents
- Acknowledgements
- Biographical Outline
- Abbreviations and References
- Note on Ellipses
- Introduction
- 1 Jean Rhys and Her Critics
- 2 Feminist Approaches to Jean Rhys
- 3 The Caribbean Question
- 4 Writing in the Margins
- 5 Autobiography and Ambivalence
- 6 ‘The Day They Burned the Books’
- 7 Fort Comme La Mort: the French Connection
- 8 The Politics of Good Morning, Midnight
- 9 The Huge Machine of Law, Order and Respectability
- 10 Resisting the Machine
- 11 The Enemy Within
- 12 Good night, Day
- 13 Intemperate and Unchaste
- 14 The Other Side
- 15 The Struggle for the Sign
- Notes
- Select Bibliography
- Index
- Miscellaneous Endmatter
Summary
- Type
- Chapter
- Information
- Jean Rhys , pp. xiiPublisher: Liverpool University PressPrint publication year: 2012