Galdos's four-part Fortunata and Jacinta (1886–7), the masterpiece among his almost 80 novels, tells the turbulent story of two women, their husbands and their lovers, set against the intricate web of dynastic alliances and class contrasts of Madrid in the 1870s. In this new critical introduction Professor Turner provides information on the history and social life of the times, and analyzes Galdos's theory of realism, his powerful use of imagery and metaphor to express the reality of social, mental and moral conditions, and the artistic merits of his narrative style. The book contains tables illustrating the complex family relationships fundamental to the structure of the work, and a chronological summary of the plot, as well as a detailed guide to further reading.

This textbook series is ambitious in scope. It provides concise and lucid introductions to major works of world literature from classical antiquity to the twentieth century. It is not confined to any single literary tradition or genre, and will cumulatively form a substantial library of textbooks on some of the most important and widely read literary masterpieces. Each book is devoted to a single work and provides a close reading of that text, as well as a full account of its historical, cultural, and intellectual background, a discussion of its influence, and a guide to further reading. The contributors to the series give full consideration to the linguistic issues raised by each text, and, within the overall framework of the series, are given complete freedom in the choice of their critical method. Where the text is written in a language other than English, full account is taken of readers studying the text in English translation. While critical jargon is avoided, important technical terminology is fully explained and thus this series will be genuinely accessible to students at all levels and to general readers.

The tradition of the German novel, before the emergence of its 'classic' writers in the first half of the twentieth century (Thomas Mann, Kafka, Hesse, Musil), does not have an assured place in the canon of European literature. Not that it has wanted for spirited advocates; but, despite all efforts, it has remained firmly on the periphery. The one signal exception is Goethe's novel Die Leiden des jungen Werthers usually rendered as 'The Sorrows of Young Werther'. Werther was an extraordinary and immediate bestseller both in Germany and abroad.

Eric Warner places The Waves in the context of Virginia Woolf's career and of the 'modern' age in which it was written. He examines how she came to write the novel, what her concerns were at the time, and how it is linked both in style and theme with her earlier, more accessible works. A final chapter explores the problematic relation of the book to the genre of the novel.