The chapter examines how the radical Right’s counter-hegemonic struggle relates to other struggles for power in contemporary world politics and attacks on the so-called liberal international order (LIO). Drawing on recent literature on struggles for recognition, we show how the radical Right has built powerful transversal, global alliances based on a logic and discourse of difference and diversity rather than claims to Western superiority. We illustrate this through an analysis of an emerging global alliance in defence of the ‘natural family’. The radical Right’s civilisationalism and calls for multipolarity also enable complex, strategic convergences with illiberal states such as China and Russia, as well as states and people in the Global South. The multi-polar, civilisational world order envisioned by the radical Right is not anti-hierarchical and inclusive, but legitimises new differences and new forms of exclusion through its claims to cultural diversity. It is a more sovereigntist vision of the world in which exclusionary illiberal forces would be able to operate with fewer international constraints.

In Chapter 2, I focus on the acquisition of number concepts related to natural numbers. I review nativist views, as well as Dehaene’s early view that number concepts arise from estimations due to the approximate numbers system. I end up focusing in most detail on the bootstrapping account of Carey and Beck, according to which the object tracking system is the key cognitive resource used in number concept acquisition. However, I endorse a hybrid account that also includes an important role for the approximate numerosity system. I then review some of the criticism against the bootstrapping account, concluding that, while more empirical data is needed to establish its correctness and details, currently it provides the most plausible account of early number concept acquisition.

In Chapter 14 I review all the linguistic arguments in support of the Innateness Hypothesis that we have critically examined in this book. I first summarize these arguments. We will then have a number of imaginary speakers (any resemblance to actual people in the field is purely coincidental) reflecting on the Innateness Hypothesis, and on the force of the various arguments pro and con. In this chapter I also briefly preview the arguments that are discussed in a sequel book (Genes, Brains and Evolution: The Language Debate Continued), which critically examines arguments in potential support of the Innateness Hypothesis for language that are based on other disciplines than linguistics proper. In this sequel book, we review how the nature–nurture debate has played out in a number of other sciences, such as psychology, sociology, anthropology, computational science, and a variety of biological disciplines, such as ethology and evolutionary science.

Volume 2 of The Cambridge History of Global Migrations presents an authoritative overview of the various continuities and changes in migration and globalization from the 1800s to the present day. Despite revolutionary changes in communication technologies, the growing accessibility of long-distance travel, and globalization across major economies, the rise of nation-states empowered immigration regulation and bureaucratic capacities for enforcement that curtailed migration. One major theme worldwide across the post-1800 centuries was the differentiation between “skilled” and “unskilled” workers, often considered through a racialized lens; it emerged as the primary divide between greater rights of immigration and citizenship for the former, and confinement to temporary or unauthorized migrant status for the latter. Through thirty-one chapters, this volume further evaluates the long global history of migration; and it shows that despite the increased disciplinary systems, the primacy of migration remains and continues to shape political, economic, and social landscapes around the world.

After the US entered WWI, federal and state governments took action to suppress or even ban the use of languages other than English through the mails, in schools, and in various public settings. Moves to require English targeted nonanglophones, whether they were born in the US or had immigrated from elsewhere, and official English became a rallying cry for those bent on reducing or eliminating immigration. But such laws have little impact on the acquisition of English, as newcomers to the US continue to acquire English at rates equal to or better than those in previous generations. Without official language legislation at the federal level, the US manages to have more monolingual speakers of the majority language than many nations that do impose language bans on their residents.

This chapter is about the category of innateness, which is a feature often associated with a range of cognitive phenomena, including concepts, cognitive capacities, behavioral dispositions, and mental states. Arguing against a number of recent critiques of the notion, this chapter tries to show that innateness can be identified with a cluster of properties that are causally interrelated in various ways and proposes a tentative causal model of the kind. In individuating innateness, it is important to distinguish proximal from distal causation. Some of the causal properties associated with innateness are involved in individuating innate cognitive capacities synchronically, while others are etiological in nature, responsible for making those capacities innate in the first place. This complex causal network is robust enough to warrant considering innateness to be a real kind as used in contemporary cognitive science.

Conquered peoples are turned into sideshow exhibits at the St. Louis World’s Fair, with Filipinos singing “The Star-Spangled Banner” and Geronimo singing and dancing for spectators. Black composers fight against the deracialization of ragtime threatened by white popularizers like Irving Berlin and Lewis Muir, while Chinese opera singers work to challenge the orientalism and exoticism of a snowballing “Chinatown” craze in popular music. The walls of the Angel Island and Ellis Island detention centers are scrawled with anonymous songs of despair and outrage, and the corrido continues to challenge US hegemony with its portrayals of legendary outlaws like Gregorio Cortéz and Pancho Villa. George M. Cohan – “the man who owns Broadway” – emerges with his own muscular celebrations of US power. The cities are swelling with immigrants from Eastern and Southern Europe, and Tin Pan Alley tunesmiths warn them not to “Bite the Hand that Feeds You.” Immigrant performers like Adolf Philipp and Eduardo Migliaccio work to ease the path of assimilation for their fellow countrymen, and the Yiddish musical theater sinks its roots deeper into the foundations of US culture. Puccini’s US-themed operas – Madama Butterfly and The Girl of the Golden West – inspire Boston composer George Whitefield Chadwick to write The Padrone, his own operatic critique of immigrant exploitation.

The new century’s radical songwork takes in the victims of the Triangle Factory fire, Mother Jones, and the bards of the Industrial Workers of the World (with Joe Hill at their pinnacle). The IWW’s Italian songwriters – Arturo Giovannitti and Efrem Bartoletti – emerge as important voices, as do the Finnish songwriters of the Italian Hall Disaster in Calumet, Michigan, and the multinational corridistas of the Ludlow Massacre in Colorado. Other revolutionary arenas include the vaudeville stage and the drag club, where the cross-dressing of Julian Eltinge and Bothwell Browne challenges the tyranny of heterosexual norms. Charlotte Perkins Gilman emerges as a leading songwriter for women’s suffrage and joins the ranks of those opposing US entry into the coming European war. As the government clamps down on the proliferation of antiwar activism, Tin Pan Alley leads the shift from antiwar to prowar songwriting. With the US now at war, Black soldiers produce a powerful body of song reflecting the outrages of segregation in the ranks. Black composers James Reese Europe and Noble Sissle turn their wartime service into pioneering art-song, and Lakota warriors –formerly forbidden to sing – lend their voices to the war effort. The Armistice produces a wealth of song celebration, but a new musical menace arises in the form of the Ku Klux Klan and its vicious songs.

The chapter describes the unique benefits the Eisenhower through Nixon administrations extended to Cubans after their arrival, as refugees, even though they did not meet near-universally accepted criterion for refugee status. The chapter then addresses the impact the entitlements had on Cubans’ adaptation to the United States in the 1960s and 1970s, as well as Cuban American economic mobility relative to that of native-born people into whose midst they moved, and tensions the privileging of Cubans unleashed between Cuban newcomers and native-born people. Settling mainly in Miami, Cuban immigrants provoked a major nativist response, race riots, and White flight. While the entitlements were good for the Cuban immigrants, they generated inequities and resentments, and unintended consequences.

Chapter 1 explores how American settler colonialism in the nineteenth century utilized “nature” and the synonymous “native” in contradictory ways: celebrating the wilderness and then cutting it down, mourning lost “natives” (both people and species) while also seeing the succession of new Euro-American settlers as an expression of the natural order. The chapter traces the countervailing themes of “native” species in three sketch writers: John James Audubon, Susan Fenimore Cooper, and Simon Pokagon. Each one exposes an emergent sense of ecological relation that comes from their perception of being close to nature. Contextualizing these sketches within the American picturesque tradition as well as other popular visual technologies of the time, the chapter examines how what is called their “species of seeing” hews to both Enlightenment traditions of objectivity while also skewing toward more aesthetic senses of mediation between the “native” artist-scientist and wild “other.” In their writings, it becomes possible for the sketch to become an apparatus for constituting “species” as more mutable entities. Various species, whether the swallow, the passenger pigeon, or even the Native American, become figures through which biological life becomes understood as dispersed into its geographical migrations.

World Literature now knows itself as a corpus of peripatetic cultural texts held together by protocols “of circulation and of reading” (Damrosch 4–5), but some accounts of modern literary history in World Literature anthologies impoverish, rather than enrich, students’ understanding of Africa and the worldliness of African cultural texts. To change this, it is necessary to recalibrate the relationship between Africa and World Literature. Rethinking modern literary history, particularly literary modernism, is one way of doing so. Literary modernism was a global, rather than a regional, phenomenon. Globalizing its classics in World Literature anthologies would, therefore, encourage students to read them historically. In practice, this means reading African and Western modernism contrapuntally. Resisting the urge to subsume African cultural texts in pre-established generic categories is another way of doing so. That Son-Jara, Gilgamesh, and The Iliad are epics should not preclude acknowledging that how each produces epicality differs. Admitting that translation cannot overcome all obstacles to mutual intelligibility across languages is an additional way. Some words, some concepts, are simply untranslatable. Such recalibrations open World Literature up to the recognition that Africa and its cultural texts affirmatively intervene in, rather than merely augment, cultural texts of the West.

Under the Vargas regime, and especially the Estado Novo of 1937-1945, a concerted effort was made to determine national types and wed them to a conception of brasilidade as a distinctive raciality. The representation of a generic ‘Brazilian man’ was part of the effort undertaken by minister Gustavo Capanema to redefine national culture along lines that drew heavily on the eugenics and race science of preceding decades. At the same time, the Estado Novo was committed to suppressing regional differences and eradicating threats to subvert its authority, two facets readily discernible in the manhunt for bandit leader Lampião, culminating 1938 with the brutal execution and decapitatiom of his band of outlaws. The chapter considers these facts in light of the search for a Brazilian archetype, examined through the works of artists Candido Portinari and Dimitri Ismailovitch, among others. The convoluted relationships between artistic representations and anthropological research – especially in the work of Arthur Ramos, leading authority on Afro-Brazilian culture – demonstrate how the drive to suppress the archaic was ever present alongside the wish to profess the modern. The affirmation of mestiçagem (miscegenation) mirrors, in an inverted way, the use of violence as a means of coercion.