This chapter provides the historical background necessary to understand the book’s empirical analysis. It discusses the political decisions that led to the displacement of Germans and Poles at the end of WWII and challenges the assumption that uprooted communities were internally homogeneous. It then zooms in on the process of uprooting and resettlement and introduces data on the size and heterogeneity of the migrant population in postwar Poland and West Germany.

This concluding chapter considers the dynamics of music and place, issues of diversity, and the impact of Indigenous artists on building bridges to a whole history of music in this place. Reflecting on the four interlinked themes guiding this Cambridge Companion to Music in Australia: Continuities, Encounters, Diversities, and Institutions, it takes up musical threads not covered elsewhere in the volume, discussing pub rock and hip hop to consider dynamics of exclusion, inclusion, and identity. In advocating for a move away from anthropocentrism toward ecocentrism in considering the relationships between music and the place now known as Australia, it simultaneously foregrounds unresolved tensions associated with Indigeneity, settler-colonialism, and prejudice in music that are ultimately intertwined with concepts of place and belonging.

This chapter addresses the nexus between racism and return migration in the early 1980s, which marked the peak of anti-Turkish racism. As the call “Turks out!” (Türken raus!) grew louder, policymakers debated passing a law that would, in critics’ view, “kick out” the Turks and violate their human rights. During this “racial reckoning,” West Germans, Turkish migrants, and observers in Turkey grappled with the nature of racism itself. Although West Germans silenced the language of “race” (Rasse) and “racism” (Rassismus) after Hitler, there was an explosion of public discourse about those terms. Ordinary Germans, moreover, wrote to their president expressing their concerns about migration, revealing both biological and cultural racism. The simultaneous rise in Holocaust memory culture (Erinnerungskultur) is crucial for understanding this racial reckoning. While many Germans warned against the mistreatment of Turks as an unseemly continuity to Nazism, the emphasis on the singularity of the Holocaust offered Germans a way to dismiss anti-Turkish sentiment. Turkish migrants fought against this structural and everyday racism with various methods of activism. Turks at home, including the government and media following the 1980 military coup, viewed these debates with self-interest, lambasting German racism in the context of the 1983 remigration law.

Migration destabilized family life, gender, and sexuality. Whereas most Turkish guest workers traveled alone during the formal recruitment period (1961–1973), West Germany’s subsequent policy of family reunification sparked the increased migration of spouses and children. This chapter shows that, although migrants developed strategies to maintain connections to home, separation anxieties and fears of abandonment loomed. The departure of able-bodied young workers strained local economies, upended gender roles, and separated loved ones, sparking tensions at home: were guest workers sending enough money home, communicating enough, and remaining faithful to spouses? In Germany, reports about sex between male guest workers and German women fueled Orientalist tropes about “foreigners,” perpetuated stereotypes about Turkish men’s propensity toward violence, and stoked fears about the transgression of national and racial borders. Women left behind worried that their husbands would commit adultery while abroad. Guest workers’ children were viewed simultaneously as victims and threats: some stayed behind in Turkey, others were brought to Germany, and thousands of “suitcase children” (Kofferkinder) repeatedly moved back and forth between the two countries with their bags perpetually packed. As physical estrangement evolved into emotional estrangement, the perceived abandonment of the family came to represent the abandonment of the nation.

The book begins in the Turkish beach town of Şarköy, home to a community of first- and second-generation return migrants who were interviewed for this book. These returnees are just some of the millions of people who have journeyed back and forth between Turkey and Germany for over 60 years. The introduction lays out the book’s four core arguments, which together reveal that Turkish-German migration history is far more dynamic than typically told. First, return migration was not an illusion or unrealized dream but rather a core component of all migrants’ lives, and migration was not a one-directional event but rather a transnational process of reciprocal exchange that fundamentally reshaped both countries’ politics, societies, economies, and cultures. Second, migration introduced new ambivalence into European identities: although Germans assailed Turks’ alleged inability to integrate, they had integrated enough to be criticized in Turkey as “Germanized Turks” (Almancı). Third, examining West German efforts to “kick out” the Turks in the 1980s exposes the reality of racism in the liberal, democratic Federal Republic of Germany. Finally, including Muslims and Turks in European history expands our idea of what “Europe” is and who “Europeans” are.

This epilogue reexamines select themes – return migration and transnational lives, estrangement from “home,” racism, and the inclusion of Turks in European society – applying the arguments put forth in the previous chapters to more recent developments. After the fall of the Berlin Wall in 1989 and German reunification in 1990, there was an explosion of racist violence that recalled the racism of the 1980s and reverberated throughout Germany and Turkey. The 1983 remigration law had its own echoes in a 1990 GDR law that incentivized the departure of unemployed foreign contract workers. In the new millennium, paying unwanted foreigners to leave became standard practice for dealing with asylum seekers – in Germany and a united Europe. Over time, Germans transposed the call “Turks out!” onto a new Muslim enemy: Syrian asylum seekers. For its part, Turkey’s turn to authoritarianism under Recep Tayyip Erdoğan has strained Turkey’s relations with Germany and the diaspora. These developments come with profound implications – regarding citizenship, political participation, and national identity – for the approximately 3 million Turks who live in Germany today, and for the hundreds of thousands who have returned.

Historians have tended to view postwar labor migration, including the Turkish-German case, as a one-directional story whose consequences manifested within host country borders. This chapter complicates this narrative by arguing that Turkish migrants were mobile border crossers who traveled as tourists throughout Western Europe and took annual vacations to their homeland. These seasonal remigrations entailed a three-day car ride across Central Europe and the Balkans at the height of the Cold War. The drive traversed an international highway (Europastraße 5) extending from West Germany to Turkey through Austria, socialist Yugoslavia, and communist Bulgaria. Migrants’ unsavory travel experiences along the way underscored East/West divides, and they transmuted their disdain for the “East” onto their impoverished home villages. Moreover, the cars and “Western” consumer goods they transported reshaped their identities. Those in the homeland came to view the Almancı as superfluous spenders who were spending their money selfishly rather than for the good of their communities. Overall, the idea that a migrant could become German shows that those in the homeland could intervene from afar in debates about German identity amid rising racism: although many derided Turks as unable to integrate, they had integrated enough to face difficulties reintegrating into Turkey.

This chapter contextualises Australia’s involvement in major conflicts in light of the European invasion of Australia and the settler-colonial imaginary. It considers how poetry shaped the ANZAC myth extended settler masculinities and portrayed the soldier as both ordinary and extraordinary. The chapter considers divergent trajectories in World War II poetry, including the work of Kenneth Slessor, J. S. Manifold, James McAuley, and Douglas Stewart. It also considers responses to the Vietnam War, such as Bruce Dawe’s “Homecoming.” While the chapter investigates the dismantling of the soldier myth in late twentieth-century poetry, it also notes colonial presumptions persisting in works like Les Murray’s “Visiting Anzac in the Year of Metrification.” It then outlines the emergence of Indigenous counter-narratives to the violence of settler colonialism.

Values and gender are an increasingly established part of Australian foreign policy. This chapter explores their role in Australia’s engagement in the world from 2016 to 2020. We argue that gender equality continued to serve as a tangible expression of Australian identity and values in foreign policy, informing Australia’s key international alliances and relationships. First, we analyse the construction and expression of national identity through the values Australia projected in its foreign policy and international relations, and how these values evolved. Next, we focus on who represented Australia and how Australia was represented in foreign policy through its diplomacy, security and development relationships. We also analyse how Australia distinguished itself from other states, which we illustrate with reference to the Women, Peace and Security (WPS) agenda. Third, we critically examine the soft power aspect of Australian foreign policy, and how values and gender equality principles were used to enhance Australia’s reputation.

“The evil of the Argentine Republic is its extension”: Domingo Faustino Sarmiento´s famous admonition in Facundo (1845) was not only a program for the modernization of Argentina but a figurative horizon for the literary genre that was going to critically analyze that very modernization until the mid-twentieth century: the “national character essay.” This genre had analogous developments in many parts of Latin America, but did not establish the link between territory and national identity as strongly as it did in Argentina. In the century that leads from Sarmiento to Ezequiel Martínez Estrada the genre displays a series of literary resources that seek to take the geographical configuration of the country as a measure of its people’s soul. This can be seen both in the invention of a physical sphere of the nation to set the stage for his political drama (Sarmiento) and in the metaphorization of the map as the nation’s body (Martínez Estrada). This corpus is analyzed here in relation to real and imaginary geographies that produced it and were produced by it.

Following two centuries of white settlement and several ’waves’ of immigration, many Australians retain a sense of identification with European cultures and societies. This is despite understandable and fairly successful efforts to focus on cultivating a national identity and diminished support among political élites for the project of fostering cultural links with Europe. The Australian tendency to associate immigration with waves of European immigrants landing on Australian shores picks up on only part of the story. There has also been movement in the opposite direction, with many Australians migrating to Europe. This trend may well increase among those able to apply their skills in European labour markets. It reflects a degree of cosmopolitanism, and the capacity of many Australians to adapt to different cultures. For most Australians this adaptation appears to be easiest in English-speaking cultures, particularly the United Kingdom. There is also a strong resonance for Australians with aspects of North American culture, and powerful incentives to migrate to that continent among those with marketable knowledge-based skills.

This chapter explores the tensions produced by Vaughan Williams’s desire to make a significant contribution to English cultural life as a leading composer while also not discussing his compositions in any detail in a public forum. Vaughan Williams conceived a path for himself as a musical activist, leading practical amateur music-making, while creating new works that reflected his community. Yet the experience of his first large-scale premiere, A Sea Symphony, at the Leeds Musical Festival in 1910, revealed that public attention, while necessary, could also be discomforting.

In private, Vaughan Williams was more relaxed: he was the centre of attention at parties and enjoyed the company of younger women, with whom he sometimes flirted under the nickname of ‘Uncle Ralph’. He was also deeply committed to his composition pupils, supporting them in ways that went far beyond any contractual responsibility, and often enjoyed working with conductors preparing his new works. Yet public scrutiny was always a source of anxiety, even in his final years. Coping strategies, including avoidance and deflection, enabled Vaughan Williams to navigate the public demands of his role while focusing on the process of composition.

This chapter explores the diversity of theatre outside London in the post-war period with a particular emphasis on work produced in the four nations that make up the UK and in the regions of England. It argues that much of this work has been under-examined and undervalued, and that a persistent metropolitan bias has long distorted existing accounts of British theatre in the period. The recent re-animation of distinctive regional and national identities within the context of an increasingly fractured and unstable UK, makes the continuation of this critical approach untenable. The chapter aims to set the record straight, therefore but also to note that metropolitan bias has been similarly at work in cultural policy and the distribution of funding, with the result that audiences in some parts of the country have been much better served than others. My aim is to consider the impacts of this persistent unfairness in its multiple contexts.