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Continuing the exploration of categories related to the attitudinal ones, yet going beyond them, this chapter focuses primarily on the concept of subjectivity, and secondarily on the related concept of mirativity. It revisits the distinction between subjective and objective modality as it is traditionally made in the literature. It offers an alternative analysis in terms of the concept of subjectivity vs. intersubjectivity. It also considers the relationship between (inter)subjectivity, as relevant for the attitudinal categories, and two other major notions of subjectivity, notably Traugott’s and Langacker’s. It argues that these different concepts concern different phenomena, although all of them are relevant for the domain of the attitudinal categories. The chapter moreover explores the status of (inter)subjectivity relative to the qualificational hierarchy. It thereby draws in mirativity, as a semantically similar dimension. And it reconsiders the status of experienced, hearsay and memory, as dimensions that share some relevant characteristics with (inter)subjectivity and mirativity.
Within bioethics, two issues dominate the discourse on suffering: its nature (who can suffer and how) and whether suffering is ever grounds for providing, withholding, or discontinuing interventions. The discussion has focused on the subjective experience of suffering in acute settings or persistent suffering that is the result of terminal, chronic illness. The bioethics literature on suffering, then, is silent about a crucial piece of the moral picture: agents’ intersubjectivity. This paper argues that an account of the intersubjective effects of suffering on caregivers could enrich theories of suffering in two ways: first, by clarifying the scope of suffering beyond the individual at the epicenter, i.e., by providing a fuller account of the effects of suffering (good or bad). Second, by drawing attention to how and why, in clinical contexts, the intersubjective dimensions of suffering are sometimes as important, if not more important, than whether an individual is suffering or not.
Animal agriculture employs approximately one-eighth of world’s human population and results in the slaughter of over 160 billion animals annually, representing perhaps the most extensive intertwining of human and animal lives on the planet. In principle, close, intersubjective relationships (involving shared attention and mental states) between humans and the animals in agriculture are possible, though these are infrequently studied and are unlikely to be achieved in farming, given systemic constraints (e.g. housing and management). Much scientific research on human-animal relationships within agriculture has focused upon a fairly restricted range of states (e.g. reducing aversive human-animal interactions within standard systems, toward improving productivity and reducing injuries to workers). Considering human-animal relations along a continuum, we review scholarship supporting the rationale for expanding the range of relationships under consideration in animal welfare research, given the impacts these relationships can have on both animals and stockpersons, increasing consumer demand for humane food products, and the goal of providing animals under our care with good lives. Looking toward traditions that encourage taking the perspective of, and learning from non-humans, we provide entry points to approaches that can enable animal welfare research to expand to investigate a broader range of human-animal relationship states. By showing the potential for close mutually beneficial human-animal relationships, this line of research highlights pathways for understanding and improving the welfare of animals used in agriculture.
Chapter 1 presents my “alternative fieldwork,” how I make sense of my predecessors’ fieldwork and fieldnotes. I introduce Xia Xizhou in its historical cultural context, including its colonial history and changing kinship, economy, and schooling system. I contextualize the multiple boundaries, identities, and relationships between the researched and the researchers and highlight children's agency. I recover the experience of native research assistants, not just as mediators between anthropologists and children, but as lively characters participating in children’s moral development journey. I expose the challenges of reconstructing this ethnography and the puzzles I encountered. I reveal the inherent ethical dimension of actions and interactions that made ethnographic knowledge possible. I also draw from my own experience and expertise to discern the voices, silences and voids in this archive. Throughout this chapter, I connect my discussion of reinterpreting historical fieldnotes to children's developing social cognition and moral sensibilities, which provides the foundation for intersubjectivity and communication in the original fieldwork and in the making of fieldnotes.
This chapter discusses the poetics of familiarity embodied in the Romantic essay. It locates the origins of that poetics in Wordsworth’s ‘Preface’ of 1800 and 1802 to Lyrical Ballads. Responding in turn to the famous preface, the three most notable ‘familiar’ essayists of the era, Charles Lamb, William Hazlitt, and Leigh Hunt, revise a manifesto for poetry into one for prose, a celebration of nature into a proclamation of the city. In their practice, the familiar essay becomes the exemplary form of urban expression in the Romantic era. The characteristic procedure of the essay is the slide from the familiar to the ideal and back again, by directly articulating the ideal bearing of the familiar subject, or by a range of other idealising (and essayistic) strategies.
This chapter provides an analysis of present theories and conceptualizations of intersubjectivity as well as psychological processes that have conceptual overlaps with intersubjectivity. The analysis shows how what counts as “intersubjective” behavior reflects the assumptions and analytic frames of each theorization and disciplinary focus. For example, psycholinguistic and sociolinguistic approaches define intersubjectivity as tied to language, whereas psychodynamic and cognitive science theories define intersubjectivity as primarily affective or embodied. A cultural critique is bolstered by findings from both cross-culture and within-culture studies of children’s interactions with adults and peers that show the predominance of nonverbal modes of interaction, such as mutual observation. These findings support a theory of intersubjectivity that allows for multiple forms and dimensions of interactive behavior, considers the cultural and historical context of the interaction, and recognizes how tools and tasks mediate shared activity
This chapter describes the development and validation of an observational measure of collaborative competence that can be used in naturalistic settings. The measure was initially developed and validated through in situ observations within an urban bilingual Head Start classroom. The details of the methods chosen derive from 13 principles for assessing intersubjectivity and collaboration according to the findings and arguments outlined in the previous chapters. These chapters argued for a culturally expansive, emergent, activity-based, and developmentally informed approach to defining collaborative competence. Each principle is elaborated with specific procedures and measures. The chapter discusses ethnographic details of data collection within five urban Head Start preschool centers over the course of a year. The chapter reports on coding of observational measures along with their psychometric properties.
This chapter reports on the results of the coding scheme designed to assess collaborative learning activities during early elementary school described in Chapter 7. The scheme measures dialogic, activity-based, and nonverbal intersubjectivity and collaborative engagement. Three video-recorded, teacher-facilitated pedagogical activities are used for the analysis. These activities reflect findings from the play-based pedagogy literature in that they involve a mixture of teacher and child contributions. Teachers scaffold the engagement and understanding of a small group while following the children’s lead. Each activity includes open-ended exploration of a material by the children. The findings show that two different videos with the same teacher used similar forms of exploratory talk most often, whereas the other teacher used other forms of dialogue most often. In addition, intersubjectivity and collaborative engagement among all three groups peaked during active shared engagement with the materials. These periods coincided with less dialogue and occurred in the middle of the activity.
This chapter elaborates on why an exclusive focus on the individual within psychology cannot be culturally valid for all children. Contrasting Western individualistic goals for child-rearing and development with the more collectivistic goals and orientations of the majority world, this chapter shows that foundational assumptions regarding the nature of subjectivity differ by culture. Three specific components of the interdependent approach to child development as demonstrated by African, Latin American, Indigenous, and Asian societies are examined in depth. These themes include a holistic view of development, intelligence as a form of social responsibility, and children as apprentices. Together, these themes characterize child development processes within the majority world. Research shows that societies that consider a socially contingent self as the ideal outcome for development might be more likely to support collaborative competence. Overall, the literature reviewed suggests that Western conceptions of subjectivity and therefore intersubjectivity do not extend to all cultures. In addition, collaborative competence highlights the strengths of minoritized children in the US while supporting all children’s development.
Developing Together challenges systematic biases that have long plagued research with marginalized populations of children. It traces the unexamined assumptions guiding such research to definitions of subjectivity and the psyche based in Western cultural norms. The book provides alternative paradigms, applying a comprehensive methodology to two unique schooling contexts. Through this new approach children's development can be seen as an interactive, collaborative process. The chapters highlight how theoretical assumptions directly influence research methods and, in turn, affect educational practices. Unique in its provision of a detailed alternative method for conducting research with children, the book explains how the study of collaborative competence would influence education and applied fields. It is an essential resource for researchers in developmental psychology, educators, and policymakers alike.
Research in conversational hand gesturing shows an array of philosophical senses of intersubjectivity. Gesturing is interpersonally rational, as demonstrated in studies linking gesturing to common ground achievements and effects and to markings of communicative intent. Gesturing is an ecological and interactional activity through which copresent interlocutors codetermine their own social and environmental relatings, building as well as attending to a shared world. Gesturing is an intercorporeal experience central to what it means to live as linguistic bodies. Taken together, research indicates that hand gesturing even as a variegated phenomenon offers insight into how language works. The full story of intersubjectivity and attendant features of recognition, interpretation, normativity, conventionality, and reference begins and ends with actual bodies interacting. As these matters concern the core of pragmatic philosophy, gesture research has radical relevance for all language theorists. An enactive approach to intersubjectivity and language offers a framework for making this case.
Design, like any social activity, greatly depends on human relationships for efficiency and sustainability. Collaborative design (co-design) in particular relies on strong interactions between members, as ideas and concepts become shared, going from personal (creation) to interpersonal (co-creation). There is, then, a need to understand how interpersonal factors influence interactions in co-design, and this understanding can be achieved by using the insights gleaned from research on intersubjectivity, the field of social interactions. This literature study was conducted using a systematic literature review to identify and classify the different methods used to measure intersubjectivity and see how this knowledge could explain the influence of interpersonal factors on interactions in co-design. The review identified 66 methods, out of which 4 main categories were determined. Furthermore, 115 articles were analysed and systematized in an online database, leading to a new understanding of the role of interpersonal factors in measuring the interactive levels in co-design. They reveal a positive correlation, where a rising level of interactivity is made possible by the formation and maintenance of co-creation, leading to a state of resonance where the experiences of individuals are closely related. This paper presents a state-of-the-art report on trends in the study of intersubjectivity through interpersonal factors and proposes some directions for designers and researchers interested in taking these factors into consideration for their next co-design situation.
Various studies have been made on different aspects of the Turkish and Japanese languages, but comparative studies between the two languages are still limited. The aim of this study is to describe the politeness strategy of these two languages from a cultural perspective within the paradigm of cognitive linguistics. Both Turkish and Japanese are agglutinative languages, and speakers of both languages prefer the subjective construal. So, if the typology of a language might be related to its perception, the conceptualization of ‘polite’ and the perception of politeness in that language may be alike.
This chapter reviews recent developments that reflect a convergence of work in various branches of linguistics and psycholinguistics around the implications of the incremental sequencing of speech units for understanding grammar and the cognitive processing that underlies the production, comprehension, and interpretation of utterances. Notions from Functional Discourse Grammar are used to present a view of syntactic structure as arising from the incremental extension of holophrases, i.e. minimal utterances. By prioritizing the timecourse of language processing, the chapter interprets syntactic hierarchy as arising from chunk-and-pass operations supported by predictive processing. Spoken dialogue is identified as the primary arena for these processes, with grammaticality subordinated to situational appropriateness. Linguistic data are seen as protocols of joint action aimed at the incremental co-creation of meaning. All of these notions make essential reference to context as constantly active, prior to and during the utterance of the linguistic signal, and as a crucial component of the operations and processes that take place in verbal interaction.
I argue that “The Rotation of Crops” represents one of two culminations of the aesthete’s (i.e., “A’s”) position in Either/Or. Under the guise of his bantering remarks, A sketches a theory of the modern self as specifically constituted in relation to the problem of boredom: To be modern is to be bored and to be motivated by the desire not to be bored. A’s boredom is thus in some sense an experience of ultimate significance, a religious experience imminent within the terms of the secular life itself. A’s solution to the problem of boredom turns out therefore to require a wholesale conversion; the cure is nothing short of a totalizing spiritual practice that one must make the center of one’s life, if one hopes to keep things interesting. A’s position amounts at once to a transcendental critique and to a theology of boredom.
The Introduction argues that Faulkner discovered an epistemology for networked systems in the creation of his own imagined landscape. I present two major stages in which Faulkner’s discovery took place: (1) an earlier vision portraying how networks scale, circulate information, centralize, and produce potentially tyrannical paradigms of top-down vertical power; and (2) another view of dynamical networks that are constantly adapting to produce novel forms of movement and behavior. The Faulkner that this study evokes is at once the modernist developing a spatial narrative practice describing the emergence of complex social networks and the Romantic for whom the immanent life was paramount and even sacrosanct. That these two trajectories of inquiry and spiritual belief are not easily reconcilable gives philosophical and moral weight to the landscape and characters that Faulkner invented. They also provide a striking meditation on what it means for human beings to find themselves in systems so vast and ubiquitous that they can no longer remember what it was like to live outside them and, thus, to think outside of their ideological dicta.
This Element challenges prevailing views of boredom as a modern phenomenon and as an experience occurring inside our minds. It discusses the changing perspectives on boredom within psychology, psychiatry and psychoanalysis on both sides of the Atlantic in the last 100 years. It also analyzes visual and textual material from France, Germany, Britain, Argentina and Spain, which illustrates the kinds of social situations, people and interactions that have been considered tedious or boring in the past five centuries. Examining the multidirectional ways in which words like ennuyeux, 'tedious', langweilig, aburrido and 'boring' have been transferred between different cultural contexts (to denote a range of interrelated feelings that include displeasure, unease and annoyance), it demonstrates how the terms, concepts and categories through which individuals have experienced their states of mind are not simply culture-bound. They have also travelled across geographical and linguistic barriers, through translation, imitation and adaptation. This title is also available as Open Access on Cambridge Core.
The present chapter uses a mixed-methods analysis to examine if L2 learners associate their learning with developing intercultural competence, and if these associations vary according to individual differences. It compares how L2 learners view language proficiency and sophisticated language use, and explores how they associate global citizenship with multilingualism. Responses to a survey were collected from N=67 L2 learners enrolled in either Tier I (basic language) or II (linguistics or culture) courses. Quantitative analyses revealed that age and instructional tier had a main effect on their level of intercultural awareness. Qualitative data showed that learners do not conceptualize language proficiency differently than sophisticated language use. Their definitions of global citizenship showed that they see multilingualism as the gateway to being a global citizen and language learning as the means to network with and learn from a global community. Agency and their roles as global citizens were only minimally mentioned; they self-identified primarily as L2 learners, not as L2 users with the ability to be agents of change on a global stage.
This is the first comprehensive study of sympathy in the early modern period, providing a deeply researched and interdisciplinary examination of its development in Anglophone literature and culture. It argues that the term sympathy was used to refer to an active and imaginative sharing of affect considerably earlier than previous critical and historical accounts have suggested. Investigating a wide range of texts and genres, including prose fiction, sermons, poetic complaint, drama, political tracts, and scientific treatises, Richard Meek demonstrates the ways in which sympathy in the period is bound up with larger debates about society, religion, and identity. He also reveals the extent to which early modern emotions were not simply humoral or grounded in the body, but rather relational, comparative, and intertextual. This volume will be of particular interest to scholars and students of Renaissance literature and history, the history of emotions, and the history and philosophy of science.
The Introduction interrogates the current critical view of early modern sympathy as a physical or occult process. It proposes that literary critics and historians have neglected the coexistence of the emotional and physical senses of the word sympathy in the early modern period. Exploring a broader range of intellectual frameworks – including religious culture, literary theories of imitation, and humanist pedagogy – complicates the idea that sympathy was primarily an automatic or a humoral phenomenon. The Introduction also argues that translations of European vernacular texts, including Du Bartas’s The Historie of Judith (1584) and Montaigne’s Essais (1603), played a significant role in introducing the affective meaning of sympathy to English readers. This expanding emotional vocabulary – along with other material and social changes in the period – led to an increased theorization of pity and compassion, whereby individuals came to be regarded as a connected network of distinct selves rather than a homogenous social group. In this way, the emergence of sympathy as a term and concept prompted a reconsideration of the nature and boundaries of early modern selfhood.