This article was written before Andrea Robin Skinner, daughter of Alice Munro, wrote an essay in the Toronto Star on July 7, 2024, describing her mother's silence in the face of her abuse at the hands of Munro's husband/Skinner's stepfather, Gerald Fremlin. I wish to honour Skinner's story and her courage in coming forward, as well as her wish that “… this story, my story, to become part of the stories people tell about my mother.” I, like so many others, will continue to grapple with Munro's writing and her reflections on intimate human relationships — as well as her literary legacy — following these revelations.

The articles in this volume celebrate the work of Steven Burns. Versions of the articles were presented originally at two sessions organized in Burns's honour at the 2022 meeting of the Atlantic Regional Philosophers’ Association (ARPA), held at Dalhousie University in Halifax. This introduction presents a brief academic biography and summarizes each of the contributions. The articles, by Michael Hymers, Robbie Moser and Darren Bifford, Alice MacLachlan, Jason Holt, and Warren Heiti, address perennial themes in philosophy, such as self-knowledge, attention, friendship, interpretation, and judgement. The collection concludes with some last words by Burns himself.

This article is an appreciative exegesis of Steven Burns's article “If a Lion Could Talk.” In his essay, Burns clarifies Ludwig Wittgenstein's enigmatic remark “If a lion could talk, we wouldn't be able to understand him” by locating it within the broader context of Wittgenstein's work in the philosophy of psychology. We read Burns's interpretation of the remark as opening core Wittgensteinian issues of meaning and (mis)understanding, and we situate it within the context of the work of Burns's teacher, Peter Winch. Our discussion is a close exegesis of the immediate content of the lion remark and it highlights connections to Wittgenstein's remarks on James George Frazer's The Golden Bough. We show how Burns and Winch employ Wittgenstein's methods of dissolving philosophical puzzles by drawing attention to intermediate familiar cases. We conclude with some impressionistic remarks about Socrates in a short discussion of the difficulty of the philosophical technique and activity Burns demonstrates and recommends.

Steven Burns argues that rich works of art tend to yield best readings rather than ambiguous interpretations. This is no mere statistical claim. Rather, Burns holds that such richness makes ambiguity less likely or sustainable. As a champion of multiple interpretability, I criticize Burns’s account. Adding detail to an ambiguous work may not disambiguate it and may in fact increase the range of equally rewarding interpretations. Ambiguous works are furthermore numerous and noteworthy, and range across various artforms. All else being equal, ambiguity appears to add to rather than detract from the richness of artworks.