While in his major works – the Treatise, Enquiries, History of England, and writings on religion – Hume makes observations about ‘art’ and ‘the arts’ and refers to subjects that fall under the then nascent discipline of ‘aesthetics’, these appear tangentially, in the course of pursuing other matters; only in the Essays does he address these subjects directly and in sufficient detail to warrant his inclusion among figures who have made an original contribution to ‘philosophical aesthetics’ and its history. With these observations in mind, this chapter provides a systematic presentation of Hume’s views as he develops them in the ‘aesthetic essays’, where he engages in contemporary debates on various topics – ‘Of the Delicacy of Taste and Passion’, ‘Of Eloquence’, ‘Of Simplicity and Refinement in Writing’, ‘Of Tragedy’, and ‘Of the Standard of Taste’ – as well as in others where he either treats the arts historically (‘Of the Rise of the Arts and Sciences’) or as an element of political economy (‘Of Commerce’ and ‘Of Refinement in the Arts’). The discussion proceeds thematically, organizing his thought under the headings of ‘taste and its standard’, ‘literary style and artistic representation’, ‘the paradox of tragedy’, and, finally, ‘a history and political economy of the arts’.

This chapter explores meat-eating as an important way by which humans define themselves and explores it as part of a broader ‘anthropology’ of food and eating. It tells the story of a boastful consumption of a wild boar at a (fictional) Roman dinner party to show that in the ancient world (as in the modern), what you eat is who you are.

Fears do not simply reflect the reality of the underlying dangers. Fear is itself created by society’s debates about what count as risks and how these should be managed. Beck has argued that modernity’s uncertainties have arisen from technological developments themselves, in that these have generated self-destructive threats that they are incapable of controlling. This chapter argues that Rome’s social structure generated its own specific set of anxieties. Just as technology has today created anxieties about the downside of that innovation, in Rome, empire generated a set of fears concerning its perceived negative side-effects. These were focused on moral issues, and their anxieties were expressed in areas where they had their own expertise, in particular the law and rhetoric. Their fears were also often constructed in a backward-looking way, seeking to reduce future risk by returning to the traditions of the past.

This chapter builds on the discussion of product shipping from the previous chapter, but by introducing a different sort of product: commodity or semi-luxury goods (in the words of Lin Foxhall), things transported in ceramic amphoras that were also loaded onto ships. The distribution of pottery from across various sanctuaries and urban sites is considered to make the point that certain sites ‘specialised’ in various products, and that there might be evidence for Greeks selecting certain products for import or export. This element of choice is indicative of a wide amount of economic knowledge circulating in the Greek world that is not immediately materially visible. Spatial network modelling is conducted for this dataset too, revealing similar shapes to those from the previous chapter, and making the case for possible ‘piggy-backing’ of goods shipped from similar production sites to points of consumption.

This chapter assesses the cultural and broader symbolic significance of the symposium in Plutarch’s biographical and philosophical works. It begins by situating Plutarch’s references to the symposium in their cultural context, by examining the symposium/convivium as a key social institution in the Roman imperial period. Next, the chapter discusses the symbolic dimension of conviviality in Plutarch’s oeuvre, through characteristic examples from the Lives and Moralia. It underlines that, for Plutarch, the symposium serves as a tool for evaluating moral character, as well as for conducting cross-cultural comparison. In addition, Plutarch’s interest in philosophical dietetics turns consumption patterns and behaviour at symposia into an important point of focus and concern. The last two sections look closely at Plutarch’s two surviving sympotic works, the Banquet of the Seven Sages and Table Talk. It discusses their genre and literary techniques, their relationship to the philosophical tradition of sympotic writing initiated by Plato and Xenophon, and the central role they both assign to philosophical enquiry.

Plutarch’s various comments about wealth are usually recognizable as springing from the same personality, but the emphasis is different in different contexts. This chapter explores this variety within the Lives, and in particular the characteristic connection with moral decadence and decay. Two pairs are explored as test-cases, Agis–Cleomenes–Gracchi and Agesilaus–Pompey. Rome, with signs of luxury and decadence everywhere, might be expected to be particularly in focus, but talk of decadence is most frequent in the Spartan Lives. Is this an indirect way of passing comment on Rome without causing offense That may also explain his frequent reluctance to talk as openly about Roman corruption and bribery as one might expect, especially in connection with a Life’s central figure. He may also be sidestepping too great an emphasis on Roman luxury as this had traditionally been associated with the Greek East.

This chapter proposes a triadic framework that offers a fresh lens on recent advances in luxury consumption at three distinct levels. First, we review broad systemic forces shaping the contours of the “luxury space” which governs the extent to which certain types of items and practices become more (or less) tightly associated with status over time. Second, we discuss strategies and tactics that firms use to enter the luxury space and make their offerings more appealing within that space. Third, we turn to individual-level dynamics that guide how consumers engage in, internalize, and respond to luxury consumption. We then suggest that integrating these three levels of forces – systemic, firm-level, and individual-level – can inform future research on luxury consumption. While the bulk of research to date has examined how these forces influence individual consumers and their luxury consumption, we propose that focusing on how forces at different levels interact to shape one another may offer promising opportunities for future work in the area.

Enlightenment thinkers rarely used the word “consumption,” but they spoke incessantly of “luxury,” a multivalent term that became the principal idiom through which writers discussed the moral, social, and political implications of consumption. Controversy over luxury was a proxy for the first modern debate on consumption. The discussion of luxury shifted decisively at the turn of the eighteenth century, when two writers – François Fénelon and Bernard Mandeville – laid the foundations for a vigorous Enlightenment debate. Drawing on ancient and medieval critiques, Fénelon argued that luxury corrupted morals, scrambled the social order, and destroyed states. Mandeville countered by advancing a bold apology for luxury. Far from weakening states, he argued, luxury generated prosperous and powerful nations. Gender would play a key role in the debate that ensued. Whereas critics of luxury like Jean-Jacques Rousseau warned that excessive consumption effeminized men, rendering them unfit for public service, defenders of luxury like David Hume claimed that material well-being was the sign of a civilized society in which men and women frequently interacted. In the second half of the eighteenth century, certain thinkers sought to resolve the debate. Political economists argued that if consumption was directed toward productive ends, wealthy and powerful nations would avoid corruption and endure. Meanwhile, luxury producers incorporated critiques of luxury by designing natural and healthy products. Criticism of luxury did little to slow the pace of consumption.

The contemporary world seems obsessed with stuff: how to get it, what to do with it, how to get rid of it. Although historians long assumed that rising consumption began with industrialization, we now know that the pace of consumption accelerated in the early modern world well before the age of mass production. In seventeenth- and eighteenth-century Europe, women and men began to accumulate more clothing, carry more personal accessories, fill their households with more furnishings, and wear, smoke, snort, eat, and drink prodigious quantities of colonial products. Although scholars debate whether to call this growth in consumption “revolutionary” or “evolutionary,” they agree that is was transformational. It changed how people looked, ate, socialized, and thought, giving rise to debates about moral progress and ushering in new forms of revolutionary political activism. This book has offered a new interpretation of the consumer revolution by incorporating questions of empire, political economy, global trade, slavery, material culture, philosophy, politics, and revolution. One important theme that remains to be explored, however, is the relationship between consumption and the environment. Any solution to the climate crisis will require a revolution in how humans think about – and practice – consumption. Although today nothing seems more natural than relentless consumption, it, too, has a history. Heightening awareness of the fact that consumption in the contemporary world is a historical construct, an outcome of contingent historical factors, is an important first step toward resolving the climate crisis. For any invention of human society can be reinvented.

What should we make of the glaring absence of the emperor Nero from Seneca’s Epistulae morales – not mentioned once in 124, often lengthy, letters, written by a man who had been for many years one of his closest associates? Although Seneca does sometimes allude to the question of how frank advice may be offered to the powerful, the letters barely touch on imperial politics, beyond advising their addressee that he would be better off withdrawing from the public sphere. Yet if Nero is not present explicitly, there are a number of respects in which Nero’s domination of others as well as his failure to exercise control over himself are constructed as implicit and potent anti-models in the letters. When Seneca reflects on the dynamics of vice in its more florid and imaginative forms (the examples analyzed here are letters 90 and 114), his terms frequently resonate quite specifically with ancient accounts of Neronian Rome (notably those of Tacitus and Suetonius) and other works of Neronian literature (particularly Petronius and Persius). As it turns out, highly refined vices even play a notable role in Seneca’s model of the development of philosophy.

The chapter explores the styles of self-promotion available to elite Romans, ranging from frugal self-restraint and material sobriety to prodigial acts of civic generosity, and analyses the debates over and constraints on luxury and encouragement of frugality with respect to building projects and expensive heirlooms, not least those made of silver, from the late republic to the early imperial period. The chronologically and thematically wide-ranging investigation foregrounds in particular the enhanced social mobility that civil war and autocracy introduced into Roman society, including a discussion of why provincial newcomers such as Tacitus and Pliny the Younger affected particular enthusiasm for frugality and disapproved of luxury, as a way of positioning themselves as new arrivals within the ruling class of Rome.

This chapter explores the convergence of colonial political protests with the worlds of textile production and textile consumption. In the decades that preceded the American Revolution, Atlantic purchases of European-made silks and of Asian-made silks transported by European trading companies and merchants had reached new heights. But long-held sensibilities and systems were about to be thrown into disarray by the enveloping imperial crisis, with which the rapidly increasing American outlay on finished silks coincided. As fibres and fabrics accrued new moral and commercial values during the Age of Revolution, silk was initially selected as a salient, bellwether commodity inimical to republicanism. In the heated debates about dependency, representation, and identity that followed, the place of silk in American life and the potential of raw silk in an American economy would both be repositioned. Disrupted patterns of imperial consumption encouraged both the pursuit of new sites of raw silk production and the pursuit of new trade and manufacturing opportunities. These possessed a different character to the dutiful imperial projects that had preceded them, as once-separate colonies and colonists increasingly came together, and began to articulate homespun silken ambitions in new ways.

The Romans had a difficult relationship with the kind of luxury and excess that we think of as indicators of moral and social decadence. But in many ways they revelled in such luxury. Readily accepting the financial rewards of empire, they spent huge sums on their own benefits. Whether in the colossal public games in the amphitheatre and the circus, in the opulent imperial bath complexes, or in extravagant private villas, Romans of all social levels delighted in the very best that life was thought to offer. Chapter 1 examines how far the evidence supports this somewhat melodramatic view of Rome by looking at the ways in which luxury spread in the Roman world. It also looks at the ways this growth in luxury compelled the Romans to create new concepts to understand the phenomenon. Luxury was almost never seen as a simple index of increased wealth. Rather, it raised all manner of moral issues among Rome’s ruling classes, many of which long outlived the end of the Roman empire itself.

The Romans had a difficult relationship with the kind of luxury and excess that we think of as indicators of moral and social decadence. But in many ways they revelled in such luxury. Readily accepting the financial rewards of empire, they spent huge sums on their own benefits. Whether in the colossal public games in the amphitheatre and the circus, in the opulent imperial bath complexes, or in extravagant private villas, Romans of all social levels delighted in the very best that life was thought to offer. Chapter 1 examines how far the evidence supports this somewhat melodramatic view of Rome by looking at the ways in which luxury spread in the Roman world. It also looks at the ways this growth in luxury compelled the Romans to create new concepts to understand the phenomenon. Luxury was almost never seen as a simple index of increased wealth. Rather, it raised all manner of moral issues among Rome’s ruling classes, many of which long outlived the end of the Roman empire itself.