This chapter introduces the main arguments of the book by exploring the case of Kizito Mihigo, a well-known popular singer who was imprisoned, was released, and later died while in police custody. It discusses the idiom of the heart – or, more particularly, the need to transform the heart – as key to understanding post-genocide social life and urban young people’s attempts to navigate a difficult political terrain. Instead of reproducing theoretical binaries – resistance–domination, sound–silence, past–present – this chapter proposes looking to popular culture and Pentecostalism in order to understand the different ways young people in Kigali attempt to assert agency and make ‘noise’ despite a wider context of silence.

The Conclusion returns to the case of Kizito Mihigo and his tragic death in February 2020. It considers how his music reveals a certain politics of humanity, and the ways in which the RPF state tries to define who is and is not to be considered human. Returning to the theme of sound, noise, and silence, it sugggests the importance of taking sound seriously in Rwanda. Thinking more closely about sound – not only its discursive properities but its material ones as well – opens up new avenues for scholarship.