This chapter introduces the main arguments of the book by exploring the case of Kizito Mihigo, a well-known popular singer who was imprisoned, was released, and later died while in police custody. It discusses the idiom of the heart – or, more particularly, the need to transform the heart – as key to understanding post-genocide social life and urban young people’s attempts to navigate a difficult political terrain. Instead of reproducing theoretical binaries – resistance–domination, sound–silence, past–present – this chapter proposes looking to popular culture and Pentecostalism in order to understand the different ways young people in Kigali attempt to assert agency and make ‘noise’ despite a wider context of silence.