We review the scholarly contributions that utilise natural language processing (NLP) techniques to support the design process. Using a heuristic approach, we gathered 223 articles that are published in 32 journals within the period 1991–present. We present state-of-the-art NLP in-and-for design research by reviewing these articles according to the type of natural language text sources: internal reports, design concepts, discourse transcripts, technical publications, consumer opinions and others. Upon summarising and identifying the gaps in these contributions, we utilise an existing design innovation framework to identify the applications that are currently being supported by NLP. We then propose a few methodological and theoretical directions for future NLP in-and-for design research.

In the push for new vehicle designs, the distinctions between vehicle classes are quickly becoming blurred. We use shape grammars to quantify the differences between vehicle classes through the application of class-specific rules and the constraint of rule applications to within parametric ranges determined for each class. This allows for the development of new vehicle forms that clearly fall within a class or purposefully cross over the boundaries of classes and mix rules and ranges to create unique and interesting cross-over vehicles.

Language plays at least two roles in design. First, language serves as representations of ideas and concepts through linguistic behaviors that represent the structure of thought during the design process. Second, language also performs actions and creates states of affairs. Based on these two perspectives on language use in design, we apply the computational linguistics tools of latent semantic analysis and lexical chain analysis to characterize how design teams engage in concept formation as the accumulation of knowledge represented by lexicalized concepts. The accumulation is described in a data structure comprised by a set of links between elemental lexicalized concepts. The folding together of these two perspectives on language use in design with the information processing theories of the mind afforded by the computational linguistics tools applied creates a new means to evaluate concept formation in design teams. The method suggests that analysis at a linguistic level can characterize concept formation even where process-oriented critiques were limited in their ability to uncover a formal design method that could explain the phenomenon.

Computer Aided Design systems provide tools for building and manipulating models of solid objects. Some also provide access to programming languages so that parametrised designs can be expressed. There is a sharp distinction, therefore, between building models, a concrete graphical editing activity, and programming, an abstract, textual, algorithm-construction activity. The recently proposed Language for Structured Design (LSD) was motivated by a desire to combine the design and programming activities in one language. LSD achieves this by extending a visual logic programming language to incorporate the notions of solids and operations on solids. Here we investigate another aspect of the LSD approach, namely, that by using visual logic programming as the engine to drive the parametrised assembly of objects, we also gain the powerful symbolic problem-solving capability that is the forté of logic programming languages. This allows the designer/programmer to work at a higher level, giving declarative specifications of a design in order to obtain the design descriptions. Hence LSD integrates problem solving, design synthesis, and prototype assembly in a single homogeneous programming/design environment. We demonstrate this specification-to-final-assembly capability using the masterkeying problem for designing systems of locks and keys.