Chapter 7 examines representations of the afterlife: the heavens and purgatory. Venetian artists created some of the most spectacular visions of paradise of the century, works that pulse with vibrancy and life, deploying a series of artistic devices to insist on the veracity of the supernatural. Venice was also home to one of the earliest and most comprehensive purgatorial cycles in Italy, a theme that became an ever more popular one as the seventeenth century progressed.

This chapter begins by exploring the dramatic elements of the dialogue’s brief but rich opening scene, which introduces the bully Polemarchus and sets up the dialogue’s alliances: Glaucon–Socrates and Polemarchus–Adeimantus. It then examines Cephalus’ turn to justice in the nick of time – as death approaches – and his surprising belief that without wealth a man has no alternative but to be unjust. It analyzes the objections Socrates raises to Cephalus’ conception of justice as payment of debts to men and gods, and suggests that the examples Socrates uses in his challenge to Cephalus are not simple exceptions to the rule but rather shift the conception of justice away from mechanical rule-following to the responsibility one incurs – when circumstances place one in a position of responsibility – to protect others from harm. The relationship between Cephalus and Polemarchus, father and son, is described and assessed, as is the relationship between their distinct views of justice.

Chapter 7 examines changes in religious ideas about the soul and the afterlife among the aristocracy, elites, and non-elites. By reintegrating craft goods back into their tomb context, this chapter evaluates how, on the one hand, properly mourning the dead came to define a new moral vanguard, and on the other, also led to the creative manipulation of class boundaries through individual conspicuous displays of mourning.

Like religious leaders in any period, the prophets functioned within a religious world that was broader and more diverse than a surface reading might suggest. In “The Book of Isaiah in the History of Israelite Religion,” Christopher B. Hays analyzes various religiohistorical aspects of the book, such as the role of writing and symbolic action; the supernatural images of the divine throne room; the book’s role in developing ideas about death and afterlife; its central role in the formulation of biblical monotheism, including its polemics against idols; and its relationship to the Jerusalem Temple and its priests.

In the course of the 1960s, mathematical modeling gradually stabilized as the primary mode of academic economic research. The Epilogue sketches the fate of “the Solow model” as it consolidated as an epistemic standard for an intellectual practice that focused on refining mathematical artifacts and using them to estimate model-relationships in any given data sets. Building on the idea that it already developed a life of its own at Solow’s desk, the Epilogue inquires into the movements and transformations of the multifarious artifact. It was adapted, extended, and reduced in relation to specific local, institutional, and strategic arrangements in planning offices, universities, and research institutions. Sketching some of its trajectories in the field of growth accounting and macroeconomic management, I wonder how the model sedimented into knowledge infrastructures and how the model’s knowledge, as precarious as it might have been, was equipped with computability, prognostic potential, and policy effectiveness.

As prophetic texts were charged with new meanings by readers of the Bible in the eighteenth and nineteenth centuries, exegetes, philosophers, artists, and poets tried to define what made a prophet strong and successful, hoping to find new models for artistic inspiration and political and national leadership, as well as integrity, courage, and authenticity. Yet even as prophetic figures were idealized as powerful men who could stride with towering authority and speak with majestic resonance, they also served as emblems of exile, failure, and alienation. Modern representations of prophecy vacillate between emptiness and fullness, strength and weakness. This instability in the representation of prophets and prophecy originates in the biblical text itself. We can trace a countertradition of poets, who, rather than trying to find heroes, create hierarchies, and systematize the biblical text, using prophecy’s instability to enliven and enrich their own texts. They actively exploit the fissures of both ancient and modern prophecy to create stirring, innovative, and often radical literary works from prophetic weakness itself.

One of the most striking things about myth on Roman sarcophagi is that, after exiting the stage during the second half of the third century, it returns with a vengeance in the fourth – this time in Christian guise. How are we to conceive of the relation between the polytheistic myths that had long adorned Roman coffins and the Christian myths that succeeded them? What was their altered view of temporality, allegory, and the afterlife? And what is the relevance of sculptural technique and tooling to understanding this relationship? Such is the subject of this book’s closing chapter.

The Ghost of Clytemnestra is the first afterlife figure in extant Greek literature to call for vengeance instead of ritual burial. Speaking for the sake of her own soul (psychē), the Ghost cites the ethical wrongs done to her as a mother killed by her own son and as a queen dishonored in the afterlife. The Ghost’s claims, however, have never been seriously considered by scholars. By contrast, the Erinyes do take up her cause, chasing down Orestes and arguing a universal version of Clytemnestra’s case in the trial. This chapter delves into the specifics of the Ghost’s rhetoric, her metatheatrical self-awareness, and her first-person depiction of the afterlife. The living Clytemnestra has already proven manipulative, politically usurping, and murderous; she continues these behaviors after death. Further, the Ghost’s lack of substance (as image, soul, or dream of the Erinyes) distances her from the living world. How can a character so far outside of societal norms demand serious ethical consideration?

This chapter covers a large literary category which I call ‘hagiographical’: it includes miracle stories that involve the Virgin Mary, full-length Lives of the Virgin (which began to be produced from the late eighth or early ninth century onward) and two Apocalypses. Many of the texts studied here are composed in a colloquial style that may have appealed to wider audiences in non-liturgical settings. This genre thus contrasts with the liturgical texts that are studied in the first four chapters: according to hagiography, Mary assumes power and agency that goes beyond her theological role in giving birth to Christ. Christians appeal to this female holy figure as one who is able to appeal to Christ and who is willing to help sinners or supplicants who despair of God’s direct favour. Christological teaching persists in these texts, but the emphasis has shifted to Mary’s intercessory role among Christians.

The introduction provides necessary background on Ancient Greek religious and literary ideas about the afterlife, methods for analyzing ethics in literature that several of the chapters will challenge, a working definition of tragic poetics, and historical context and preliminary definitions relevant for political structures and themes in the Oresteia.

The chapter aims to show that Plato’s engagement with mystery cults – the Eleusinian mysteries and Orphic cults in particular – can illuminate centrally important topics of Plato’s philosophy, including his conception of the philosophical life, its relation to the human good, the role of memory in the knowledge of the Forms, and the soul’s kinship to the divine. It explores why and how Plato presents philosophy as the true initiation which can fulfil the promise of the mystery cults to offer the best human life and afterlife. It analyses why and how Plato describes the knowledge of the Forms on the model of the direct encounter with the divine at the culmination of a mystery ritual. It further suggests that the ‘birth’ announced at the highest point of the Eleusinian mysteries can shed new light on the role of ‘giving birth’ at the culmination of the philosophical life in the Symposium. Finally, it shows how Pythagorean and Orphic focus on memory offered Plato a framework to develop his account of the relationship between the soul and the divine Forms, reincarnation, and the fate of our soul in the afterlife.

The year 2020 provides evidence of the Crimea’s continued relevance in troubled times. In Britain, 2020 marks the moment that Brexit was finally done. Several critics found resonance in the Charge of the Light Brigade and the cult around it, which valorized heroic failure. Like the officers of the Light Brigade, the Tory leadership blundered as it led the nation into the abyss. In Britain and beyond, 2020 will be remembered as the beginning of the Coronavirus pandemic. Like the battle against the cholera in the Crimea, the British struggle against the virus was marred by mismanagement. In response, the names of Nightingale and Seacole found their ways onto makeshift hospitals and rehabilitation centers. And, as in the Crimea, military men – here, centenarians whose youths overlapped with the longest-lived of the Victorian generation – captured the hearts of the public. Most notable was Captain Tom Moore, whose compassion and particular variety of courage spurred him, at the age of 100, to raise money for the NHS before dying a celebrity in 2021. Even now, the Crimean War’s long afterlife provides touchstones for success, failure, and hope.

The Crimean War bequeathed to Great Britain the Charge of the Light Brigade, a military disaster, and Florence Nightingale, a long-adored heroine. These epitomes of the conflict are not static emblems of Victorian England. They are lodestones for writing the nation’s past, forging its future, and assessing its annals. Other innovations and personages to emerge from the War also continue to exert their hold on ordinary Britons. The War inspired the Victoria Cross, a military award for valor, which holds its allure even today. More recently, Mary Seacole, a Caribbean-born hotelier and healer, has come to the fore as a Crimean heroine. Beyond the names of battles, heroes, and institutions, the Crimean War offered immaterial legacies. It engendered forms of masculinity and models of femininity, as well as practices of burial and structures of feeling. The notion of afterlife allows us to apprehend the longstanding, varied, and elusive effects of this mid-Victorian conflict. The six chapters of this book trace facets of the war and its legacies as they demonstrate the persistence of an overlooked conflict in the making of modern Britain.