One of the most striking things about myth on Roman sarcophagi is that, after exiting the stage during the second half of the third century, it returns with a vengeance in the fourth – this time in Christian guise. How are we to conceive of the relation between the polytheistic myths that had long adorned Roman coffins and the Christian myths that succeeded them? What was their altered view of temporality, allegory, and the afterlife? And what is the relevance of sculptural technique and tooling to understanding this relationship? Such is the subject of this book’s closing chapter.