In the 1910s and 1920s, when Indonesian communists first seriously engaged with Marxism, they faced the questions of how to translate Marx's concepts from Dutch, the language in which they generally encountered them, into Malay, the lingua franca of the Indonesian archipelago, and how to make these ideas relevant in an Asian and largely Islamic context. Focusing on three aspects of Marxism—the ‘scientific’ nature of communism, class conflict in feudal and capitalist society, and the relationship between communism and Islam—I argue that Indonesian communists alternated between transliteration and translation in their exposition of Marxism. Transliterating ‘universal’ Marxist categories such as proletarian (proletar) and capitalism (kapitalisme) allowed Indonesian communists to speak in global terms and strengthened their claim that Marxism was a science with a universal terminology. At the same time, there was a process of ‘localization’, whereby foreign Marxist materials were translated to bring them closer to local cultural norms. Malay substitutes were found for Marx's typology of classes and historical eras, while Arabic terms associated with Islam were used to add a moral dimension to the Marxist critique of capitalism. These translations grounded Marxism in Islam and Indonesian history, but also elevated vernacular terms to universal status by eliding them with Marx's categories. The resulting style of Indonesian Marxism was multilingual. From the 1930s, however, Indonesian nationalists consciously moved away from transliteration, devising a more thoroughly Indonesian political vocabulary to replace Marx's terms, though one still clearly influenced by Marxism.

In 1648, the Portuguese Estado da Índia found itself at a crossroads. After nearly five decades of attacks by a variety of adversaries—the Dutch East India Company, the Safavids, the Mughals, the Tokugawa shoguns, and the rulers of Kandy, among others—and in the context of the ‘Restoration’ of the Braganza dynasty in Portugal in 1640 and the separation of Portugal from Spain, a brief respite was offered. This article looks at how the situation was diagnosed by various contemporary authors, both outsiders and consummate insiders, such as the viceroy Dom Filipe de Mascarenhas. It suggests that the heavy constraints placed on the state by external forces as well as by forces of internal dissension compelled it to reinvent itself, a process that eventually began in the 1660s. However, this reinvention was not about simply imitating its great rival, the Dutch East India Company.

This article identifies a moment of conceptual innovation—the 1830s to the 1850s—in which everyday artists and writers in Siam were tasked with creating comparative representations of the peoples of the world. Although their compositions took a variety of formats, they departed from earlier representations of alterity by devoting equal attention to each ‘type’, including the Thai themselves. This approach is best exemplified in three mid-nineteenth-century works: (1) a set of archetypal portraits of about 20 peoples painted on the shutters of a major Buddhist monastery, (2) sculptures of 32 peoples at the same monastery with a short poem describing each one, and (3) entries defining terms for peoples in an early Thai–Thai dictionary. The systematic formatting of these works drew on similar compositions circulating across the nineteenth-century globe. Yet, despite the presence in Bangkok of foreign interlocutors and imported books and prints, the mid-nineteenth-century compositions preserve ethnic tropes and practices of expression specific to Siam. In addition, the agents of intellectual innovation were not restricted to the usual princely or missionary protagonists. It was a motley cast of anonymous artists, local scholars, and middling officials who tapped traditional genres of composition and local markers of differentiation to render the peoples of the world as comparable, generic, and fixed.

Examining cases of libel between 1780 and 1823, this article analyses how the theory and practice of press regulation and governmentality was initially articulated in colonial India, embodied in everyday transactions between the newly invented East India Company state and an emerging newspaper press. While Company officials recognized that scrutiny by a free press was central to establishing their fairly new claims to just governance and public legitimacy, they feared that public critique would destabilize the very sovereign authority that they sought to establish. Concerned with appearing arbitrary, officials developed strategies through which they could demand obedience without necessarily predicating it on censorship. Journalists derived much of their negotiating power from the early colonial state's vulnerability to public scrutiny, but they also knew that the state possessed extensive control over their livelihood. Cognizant of the power and constraints of colonial governmentality at this juncture, they produced their own mechanisms of permissible intransigence. This uneasy equilibrium generated the questions explored in this article: What rights of comment and critique practically accrued to newspapers? What was the legal authority of executive regulations censoring newspapers and how far were these enforceable? Why, in practice, did punishments remain strikingly similar across periods with and without formal censorship? The cases between 1780 and 1823 not only reveal the historical negotiations that structured this foundational—though somewhat marginalized—period of India's press history, but also explain the strategic shifts that followed as, in 1823, the fulcrum of crime and punishment turned away from press censorship and towards press licensing.

This article examines the implications of the growing presence of the Tablighi Jamaat in Joygram, a Muslim-majority village in rural West Bengal, India, drawing on fieldwork conducted between 2011 and 2013. The analysis of reformist Islam as a moral regeneration movement embedded in dharma and catalysing an alternative modernity contributes to the scholarship on lived experiences of Islam, modernity, and ethics. The Tablighi Jamaat in Joygram gains popularity in a political economic context of moral degradation and marginalization, which inspires engagements with globally resonant modern and anti-modern models of the self enveloped in the practice, discourse, and performance of Islamic reformism. These models mutually interact and conflict with locally particular practices and exclusionary categorizations. On the village level, the drive towards modernity ensues in conflicts over moral personhood and social exchanges. On the societal level, the modern aspirations of Joygrami Tablighis go beyond piety to ‘good culture’ and respected citizenship, and are embedded in anti-modern critiques of the hegemonic categorizations of the secular nation-state by which they are nevertheless confined. It is suggested that reformist Islam should not be misunderstood as pre-modern, anti-secular, or secular, but might better be called ‘post-secular’ because it encompasses those ideologies in vernacularized forms on the basis of a different ideal conception of society. Islamic reformism in Joygram may resonate with moral regeneration and reactionary movements elsewhere. This analysis of the Tablighi Jamaat demonstrates the potential challenges social movements face in the transition to alternative modernities.

Anger as an emotion is seldom attributed to Akbar (r. 1556–1605), the most admired of the Mughal emperors. Yet, on one notable day in 1578, he allegedly got so enraged that he almost lost his mind, according to Dalpat Vilas, an obscure chronicle composed in the vernacular. While the aftermath of Akbar's anger was reported in several Persian histories emanating from court circles, the royal rage itself was not. Why and how Dalpat Vilas ascribed anger, not only to the emperor but also to the local king, Raja Ray Singh of Bikaner, is the central issue addressed here. What little we know about the history of anger in precolonial India indicates it was an emotion that kings were advised to avoid, in both Sanskrit and Persian literature. But, from the more subaltern vantage point of Dalpat Vilas, written for a young Rajput warrior in a local dialect, rulers did act angrily and not always justly. This case illustrates the historiographic value of Indic-language texts sponsored by local subordinates of the Mughals, which can provide alternative perspectives on the empire. It also suggests the existence of multiple emotional communities in Mughal India, in which the significance of anger differed.

In the progression of stages toward unintended lives, the two stops on either side of abortion—contraception and infanticide—have been studied extensively by historians of South Asia. We know much less about abortion, particularly during the colonial period. Drawing upon published judgments, unpublished case records, forensic toxicology reports, and treatises on Indian medical jurisprudence, this article suggests that anti-abortion law was generally enforced in colonial India only when women died as a result of illegal abortions. This approach was contrary to the Indian Penal Code (IPC), which criminalized most abortions even when the women survived. The pattern was a continuation of the pre-IPC approach in India. This article explores possible explanations for the lax enforcement of anti-abortion law in South Asia during the late nineteenth and early twentieth centuries, considering abortion as experienced by South Asian and British women alike. It proposes as contributing factors: challenges in detection, the social movement for the protection of Hindu widows, colonial anxieties about false allegations of abortion among South Asians, the common phenomenon of imperial (British) husbands and wives living apart, and physicians’ desire to protect doctor–patient confidentiality. The article focuses on two key cases involving abortion: the Whittaker-Templeton case from Hyderabad (1896–1902) in which a British woman died following an abortion; and the Parsi matrimonial case of T. v. T. from Bombay (1927), in which a Zoroastrian woman alleged that her pharmacist husband had forced her to terminate three pregnancies by ingesting drugs.

What did women's bodies in pre-colonial South Asia have to do with the birth of capitalism? South Asia's pre-colonial integration into a globally emerging, early modern capitalist order reached deep into the hinterland to transform both state and society in eighteenth-century Marwar. Driving the change was an emergent elite, consisting largely of merchants, that channelled its energies towards reshaping caste. Merchants, in alliance with Brahmans, used their influence upon the state to adjudicate the boundary between the ‘illicit’ and the ‘licit,’ generating in the process a typology and an archive of deviant sex. In the legal framework that generated this archive, women were configured as passive recipients of sexual acts, lacking sexual personhood in law. Even as they escaped legal culpability for ‘illicit’ sex, women experienced, through this body of judgments, a strengthening of male proprietary controls over their bodies. Alongside, the criminalization of abortion served as a means of sexual disciplining. These findings suggest that post-Mughal, pre-colonial state formation in South Asia intersected with global economic transformations to generate new sex-caste orders and archival bodies.

This article discusses the Eurasia Film Company (hereafter Eurasia), which was established in Macau in 1954; the making of its film Long Way, released in 1955; and more generally the issue of film production in Macau in the 1950s. This was a period of crisis for Portugal: despite the beginning of decolonization in the post-war era, the regime's policy was to preserve the colonies. It appropriated ‘Luso-tropicalism’, a theory developed by Brazilian sociologist Gilberto Freyre, which argued that the Portuguese had created a harmonious hybrid civilization in the ‘tropics’ through biological and cultural miscegenation. Luso-tropicalism became a major propaganda tool used by Portugal to deflect decolonization. Eurasia, which had links to the colonial government, presented a Luso-tropical ideal not only in terms of the content of the film Long Way which celebrated interracial love but also by its very nature—it was a Sino-Portuguese enterprise that also had Eurasians as shareholders—and in its production method. Its main objective was to propagate a positive image of Macau, in response to its pervasive negative portrayal in the international press and films, which often characterized it as a centre of vice. Long Way specifically responded to Hollywood and French films set in Macau by using similar elements, plot, and characterization, but it transformed Orientalist tales of crime, smuggling, and sin into a Luso-tropical story of refuge, order, and interracial love. Eurasia aimed to cleanse Macau's image and thereby justify Portuguese sovereignty in the territory in a period of crisis and uncertainty marked by decolonization, the Cold War, and tense Sino-Portuguese relations.

This article examines the relationship between language shift and identity among diaspora Sindhis in India and Southeast Asia. It focuses on questions concerning how members of this community reproduce identity through language shift. The first part of the article describes identity and language shift among diaspora Sindhis in post-partition India. It argues that language shift facilitates the reproduction of core cultural modalities among diaspora Sindhis. The second part describes the history of diaspora Sindhis in Southeast Asia and analyses language shift. It contends that language shift enables diaspora Sindhis to suspend a connection between mother-tongue proficiency and identity. The article concludes by discussing how the diaspora Sindhi experience retunes the interval that conventionally connects language shift to cultural change.

In light of the current Rohingya crisis in Myanmar, this article investigates the emergence of Islamophobia in colonial Burma. Focusing on the under-examined Islamophobic riots that broke out countrywide in 1938, my research reveals that a nascent fascist movement used Muslims as a scapegoat for political and economic crisis. The colonial agribusiness economy had collapsed during the Great Depression, while the vast contract labour system of the Indian Ocean had brought millions of low-wage Indian migrants to Burma, causing a glut in the labour market. Burmese socialism provided a popular response to these issues. To compete, Burmese fascism emerged to appeal to a rising sense of nationalism, racially scapegoating Indians and the religion of Islam as the exploiters, colonizers, and invaders behind Burma's problems. Using the racialized term kala to conflate the ideas of colonizer, Indian, and Muslim, Burmese fascists inflamed hatred against Indian Muslims, Indian Hindus, and even indigenous Muslims, such as the Rohingya. By revealing the origins of this racialization, this article both deconstructs the lasting Burmese perception of the Rohingya as ‘Bengali immigrants’ and provides a generalizable case study into how races and racisms develop from specific historical factors and political movements. It also argues that the British amplified fascist ideas in Burma by focusing repression on movements that directly challenged their material control, such as socialism and communism. Therefore, it highlights how ruling classes often prefer nationalistic movements because they redirect popular unrest from the project of overthrowing structural factors to that of eliminating scapegoated minorities.

In the last 15 years, India has witnessed the expression of a variety of new non-conformist religious practices performed by Muslim women. A range of vibrant campaigns has been pioneered by Muslim women's associations, asserting women's claims to hold and lead congregational prayers, enter and manage mosques, visit shrines, officiate Muslim marriages, and issue shari‘ah-based legal decisions. This article explores the twin questions of why these experimental remodellings of women's Islamic observance and leadership have been so pronounced in the Indian context compared with much of the Islamic world, and furthermore, why Muslim women's rights activists have put such confessional matters at the centre of their work. Exploring a series of specific female-led assertions of religious agency centring upon mosques, shari‘ah councils, and a Sufi shrine, the article argues that India's variant of ‘secularism’, which has normalized the state's non-intervention in religious institutions and laws, has given women the freedom to embark upon overhauls of Islamic conventions denied to their counterparts elsewhere. Simultaneously, this same framework for handling religious questions has historically given intra-community and clerical voices particular influence in regulating Muslim community affairs and family laws, compelling activists to seek women's empowerment in individual and local community contexts to further their objectives, including through the assertion of experimental forms of religious conduct.

In 1845, the banker Damodar Dass of Srirangapatna loaned a large sum of money to Maharaja Krishnaraja Wodeyar III of Mysore. For the next seven decades, until the unpaid debt was turned into public charity, the multiple claims of Damodar Dass's heirs to this inheritance led the colonial state and the Mysore government (especially after 1881) to form a substantial archive. Occupying the foreground of this archive were the legal dilemmas posed by the transition from direct to indirect British rule in Mysore, involving the fate of kingship, debt, reciprocality, and masculine honour. Other legal dilemmas concerned the relationship between scriptural and customary law and, in particular, the portability of customary law between regions that were unevenly exposed to Anglo-Indian legal regimes. The claims also reveal the important ways in which a new moral order was being shaped as the relationship between the colonial regime and the princely state (or later its bureaucracy) was defined and the status of four female heirs was called into question. Additionally, the archive has the potential to disturb the univocality of this statist discourse. A third narrative may be uncovered that involves the ‘small voices of history’. What hopes did this era of profound transformation hold for women of the non-domestic sphere? What, moreover, can the women in these archives be heard to say about the truth of their times?

In 1922, a group of wealthy Parsis in Bombay founded an organization that they dubbed the Iran League. Originally designed to assist their fellow Zoroastrians in Iran, who had suffered from centuries of oppression, the League quickly expanded its objectives to include the promotion of broader Indo-Iranian cultural and economic relations. It became a major player in the flow of ideas, literature, business, and tourist traffic between the two countries. Parsi fervour for Iran stemmed from the brand of Iranian nationalism promoted by Reza Shah, which celebrated the country's Zoroastrian past. In response, the League's leaders argued that the Parsis of India could play a special role in the ‘regeneration’ of Iran under the shah's supposedly benign rule. By the 1930s, however, Parsis’ embrace of Iranian nationalism became a clear reflection of their deep concerns about Indian nationalist politics: they cast Iran as an idealized alternative to contemporary India, where the Indian National Congress had supposedly taken an ominously ‘anti-Parsi’ turn. The Iran League, therefore, was caught between two nationalisms. Worry about India's future even prompted some Parsis to argue that their community should ‘return’ to their ancestral homeland of Iran. The story of the Iran League thus demonstrates the complex position of minorities vis-à-vis the brands of nationalism in development during the interwar years. The Parsis, a wealthy but microscopic minority, responded to political anxieties at home by romanticizing a foreign country and taking part in a wholly foreign nationalist project.

This article argues that to gauge the significance of state planning in mid-twentieth century India, it is necessary to study the trajectory of what was called ‘Indian political economy’ during the late nineteenth century and first half of the twentieth. Through a close reading of selected texts, I demonstrate that the transmutation of Indian political economy into an abstract science of economics was a function of Indian nationalists’ inability to hold together the ‘social’, ‘economic’, and ‘ethical’ spheres within a single conceptual framework. The separation of these three spheres was the enabling factor behind the conceptualization of planning as a purely technical process of economic management. Further, the article contends that these conceptual developments cannot be adequately explained with reference to either ‘elite’ interests or the insidious effects of ‘colonial’ discourses. Rather, the narrative demonstrates that economic abstractions can—and must—be grounded in the historical development of capitalist social forms that transformed the internal fabric of Indian society. Drawing on a theory of capitalism as a historically specific form of social mediation, I argue that a Marxian social history of Indian state planning can overcome certain limitations inherent in extant approaches. Finally, the interpretation proposed here opens up the possibility of putting Indian history in conversation with a broader development during the first half of the twentieth century, namely the separation of political economy into economics and sociology.

In 1896, Sir Halliday Macartney, counsellor of the Qing London legation, detained the revolutionary Sun Yat-sen on legation grounds in an attempt to deport him back to China. Since then, the image of the legation as an ossified extension of a despotic government has dominated public imagination. This article proposes a new way of understanding the legation's action: it exemplifies the legal activism of Qing diplomats in recovering judicial sovereignty that had been compromised by the presence of extraterritoriality and colonialism. Legations represented a broad range of interests of China through diplomatic negotiations and legal mediations, and brought unresolved disputes between foreign ministers and the Zongli Yamen in Beijing to the attention of their home governments. This article analyses the mediation and collaboration performed by the London legation between the various levels of the Qing government and the British Foreign Office. It argues that Qing legations and their diplomatic representation abroad were essential to the construction and imagination of China as a sovereign state.

This article scrutinizes the negotiations with, and discursive refashioning of, Hong Kong identity during and after the Umbrella Movement (2014–16). I argue that these discursive experimentations borne out of the Umbrella Movement bring to light Hong Kong's uniquely cultural formulations of democratic self-determination that exceed the traditional analytic framework of Hong Kong cultural studies. The article analyses literary works as a hitherto neglected facet of the ‘Umbrella culture’ that, as a whole, acts as a discursive laboratory for multiple reflexive theorizations of Hong Kong identity and democratic subjectivity to be devised and debated. Cases studied here include the protesters’ on-site cultural expressions and two major Hong Kong literary authors: Dung Kai-cheung and Wong Bik-wan. This article examines social-movements artworks and literary works in terms of their performative and ethnographic dimensions, arguing that they are important intellectual and cultural-political processes to produce new knowledge about collective identity. This article first demonstrates how the Umbrella artworks repurpose the performative and the ethnographic strategies in Saisai's canonical novel, My City (1975), often cited as the ur-text of Hong Kong identity, to proclaim themselves as ‘we the Hong Kong people’. After reading Dung's and Wong's Umbrella-related works, I then show in this article that the performative and the ethnographic can open up spaces to reconfigure collective identity beyond its existent discourses. Putting theories of performativity into dialogue with critical ethnography, I consider the politics of negotiating and debating cultural identity in literature and protest arts as integral to postcolonial democratic action.

In the late nineteenth and early twentieth centuries, monumental Muslim tombs in India served as spaces for refashioning local religious and social identities. Elite patrons, technical overseers, and stoneworkers engaged with new technologies of construction at sites meant to reflect claims on the Muslim past. This article interrogates divergent class understandings of monumental Muslim tombs in colonial-era India. It compares the construction of monumental Islamic tombs in the states of Hyderabad, Bhopal, and Rampur—three Muslim-led ‘native states’, quasi-autonomous polities under colonial oversight. By the late nineteenth century, many native state patrons employed a new middle class of technical intermediary to oversee tomb construction. The rise of this class created new hierarchies within construction, with apprenticeship-trained master craftsmen increasingly marginalized from state narratives and aligned with stoneworkers and other labourers. While patrons and middle-class intermediaries argued that new technologies and materials should be used to ‘modernize’ construction, they portrayed technical change as divorced from the religious symbolism of tombs. In contrast, workers integrated the religious and the technical, positioning technologies of construction within narratives of Muslim practice. The article uses native state tombs to analyse how labourers adapted to technical demands, without necessarily adopting state ideologies.

In 1937, a spirit moved in the mountains of Northeast India. It presented local villagers with a visceral anticolonial vision, laicized religious practices, and offered alternative definitions of expertise and literacy that sidelined colonial and missionary authorities. Its message pulled together a complex range of clans, pilgrims, and roadworkers, and reconciled them according to contemporary local logics. This article uses the ‘Kelkang incident’ of the Lushai Hills District (today: Mizoram) to reverse the polarity of conventional writings on prophetic rebellion in two ways. First, it asks not how the colonial state dealt with a prophetic rebellion, but how a prophetic rebellion dealt with the state. Second, it asks not what the moving spirit of Kelkang symbolized, but what it did and how people interacted with it. Placing upland spirits, humans, terminology, and concepts at the centre of the analysis, the article argues that a more open-minded approach to the history of religion can better reveal processes of mediumship and rapidly indigenizing Christianities as well as the much broader malleability of concepts like ‘conversion’, ‘revival’, and ‘Christianity’.

In 1919, Afghanistan embarked on a series of reforms that led to the presence of Afghan students at various European universities, facilitating the circulation of peoples, ideas, and goods. Focusing on one of these cases, this article examines how an Afghan student engaged critically with ‘Western’ art and translated artistic ideas and technologies through the grid of Afghanistan's own history of the fine arts. Through an exploration of the work of Abdul Ghafur Brechna (1907–1974)—artist, music composer, poet, and writer—I argue that, despite his desire to train at German technical schools, Brechna translated, then connected, his Western training to restore Afghanistan's traditional visual and literary arts, making it problematic to define his oeuvre as purely ‘modern’ or ‘traditional’. The first aim is to situate Brechna within the intellectual milieu of Weimar Germany, placing emphasis on how he curated the course of his education to support his aims. By tracing out the evolution of his artistic knowledge to Afghanistan, the second part of this article connects his earlier training to the newly emerging scholars in Kabul who also grappled with national renewal and an ‘Aryan’ literary and cultural heritage. Lastly, I discuss his attempt to rewrite the history of the arts by closely analysing his visual and literary work, emphasizing in particular his attempt to reconnect to themes and genres that had previously been lost or neglected.