The pamphlet Kenya: Twendapi? (Kenya: Where are we heading?) is a text often referred to but rarely read or analysed. Abdilatif Abdalla wrote it as a twenty-two-year-old political activist of the KPU opposition as a critique of the dictatorial tendencies of Jomo Kenyatta and his KANU government in 1968, and consequently suffered three years of isolation in prison. Many (at least on the East African political and literary scene) know about Kenya: Twendapi? but few seem to have read it – indeed, it seems almost unavailable to read. This contribution to Africa's Local Intellectuals series provides a summary reconstruction of its main points and arguments, and a contextual discussion of the text. This is combined with the first published English translation (overseen by Abdalla himself) and a reprint of the original Swahili text, an important but almost inaccessible document. The article proceeds with a perspective first on the political context in Kenya at the time – an early turning point in postcolonial politics – and second on the work and life of its author, Abdilatif Abdalla who had been trained as a Swahili poet by elder family members who were poets. As most students of Swahili literature know, Abdalla's collection of poetry Sauti ya Dhiki (1973) originated in the prison cell but they know little about the pamphlet Kenya: Twendapi?, nor the circumstances of its authorship. Part of my wider point for discussion is that Abdalla, as an engaged poet and political activist, can be usefully understood as a local intellectual who transcended the local from early on – topically and through global references and comparisons, but also through his experience in prison and exile. Concerns about Kenyan politics and Swahili literature have remained central to his life. This reflects Abdalla's continued and overarching connectedness to the Swahili-speaking region. Abdalla wrote in Swahili and was deeply familar with local Swahili genres and discursive conventions, language and verbal specifications (of critique, of emotions, of reflections) that use the whole range and depth of Kimvita, the Mombasan dialect of Kiswahili, as a reservoir of expression.

In recent decades, Kinshasa and Brazzaville have given rise to movements of prophecy, messianic fervour and revival (Pentecostalist in nature) in the field of religion. The patterns of liberation and deliverance that can be discerned here reflect forms of identity politics in which Africanity, in the ethnic and national sense, is not only a major issue, but a component that is increasingly associated with armed conflict. These processes express a radical paradigm shift that we place within the context of the relationship between Africanity and religious pluralism that has become evident in these two religious areas in recent years. The term ‘Mboka Mundele’ (the village or country of the Whites) points to an experience of ‘colonial modernity’, and allows us to describe in objective terms the current urban context in which these ‘businessmen of God’ emerge. Fernando Kutino, Ntoumi, Yaucat Guendi and Ne Muanda Nsemi are four major politico-religious figures who embody an ideology of Africanity related to complex types of ‘magic’ and processes of pluralization.

The article draws on the life story of Musa, a Soninke man from a Gambian village, to shed light on the experience and subjective dimension of slave descent in West Africa. After spending most of his life abroad as a migrant, Musa retired to his home village and came to terms with his status identity as a slave descendant. Rather than by status hierarchies alone, however, Musa's social position was modulated by other aspirations and obligations, particularly those inherent in becoming an elder and a returnee. These predicaments of the self, constructed on the basis of age, masculinity and cosmopolitan knowledge, shaped his life and delineated the space in which he variously interpreted and navigated the legacy of slavery. By foregrounding the ways in which slave descent is dynamically refracted by this broader process of self-making, this article thus goes beyond a framework centred primarily on fixed status identities and on the dynamics of resistance/submission, highlighting instead the multifaceted, even contradictory, positioning of slave descendants in post-slavery Senegambia.

From the colonial period onwards, there has been a marked expansion in the range of formal and informal institutions enforcing regimes of law and social order across Africa. At the same time, practices and ideas about law, justice, policing and professionalism have proliferated, drawing on a diverse range of influences. This themed part issue explores the lived realities of law and social order in colonial and postcolonial Africa. Building on a rich and growing literature, the articles examine how diverse actors such as ‘ordinary’ citizens, the police and legal professionals understand, enact and contest ideas about law and social order. The articles that follow adopt different disciplinary perspectives and draw on fieldwork from Nigeria, South Africa and Zimbabwe. The papers also illustrate how thinking about law and social order can cast a light on important themes for Africanist scholars, such as processes of formal and informal institutionalization on the continent and the public's investment in such institutions.

This article examines contemporary discourses on and conceptions of utumwa or ‘slavery’ on the Indian Ocean island of Lamu. It discusses how residents of this Swahili town use historical understandings of servitude as moral rather than mere physical subjugation to formulate judgements on current processes of change within the town. Central to the discussion are ideologies of uungwana (civilization) and heshima (respectability) that historically shaped social stratification in Lamu, and particularly the enduring views that an embodiment of heshima and its visible mediation within material practices facilitate a distinction between nobleman and slave. By examining how these norms are currently incorporated within everyday assessments of young people's public behaviour, I argue that the moral ideologies that shaped social structure during the era of slavery meaningfully influence ascriptions of social standing within contemporary Lamu. Specifically, the article explores how discourses about utumwa are grafted onto contemporary moral assessments of ‘beach boys’ or Lamu youth working in the local tourism industry. I suggest that the ideologies of utumwa, and the moral values that accompany it, motivate and facilitate the discursive constructions of beach boys’ work as idleness rather than gainful employment.

The position I critique in this paper is really a complex of closely overlapping positions, some more theoretically sophisticated or better grounded empirically than others.1 Their central thrust is to emphasize the similarities rather than the differences between current movements in the world religions, particularly Christianity and Islam, but also to a lesser extent in Buddhism, Hinduism and Judaism. It appeals more to social scientists than to those working in religious studies, particularly scholars of specific religious traditions. It also taps into a common lay attitude to what might be called a ‘secular common sense’, which feels impatience or distaste for all forms of what it considers religious extremism, while at the same time shying away from regarding any one religion as more prone to extremism than others. This is the kind of interlocutor who will counter an observation about violent militancy in contemporary Islam – in the context, let us say, of a discussion about Boko Haram – with ‘But what about the Crusades’?

The most popular music among youths in Sierra Leone's capital Freetown is music dealing with love. While the music, which is mainly of foreign origin, evokes idealized images of ‘real love’, the real-life relationships of its young audiences are characterized by chronic states of emotional uncertainty and dissatisfaction. Economic disparities lead to an increasing monetization of young people's relationships, driving them either into a fragile flux of multiple partners or out of intimate engagements altogether. Taking this ‘dissonance’ between sonic representations and social relations as a point of departure, in this article I explore the ways in which young Freetonians position themselves at the juncture of desire and reality. After an introduction to Freetown's contemporary music scene, I juxtapose various life and love stories of youths with the fantasies they invest in ‘love music’. In so doing, I discuss the complex relationships between affect, exchange, deprivation and the strictures involved in attaining social adulthood. Drawing on the notion of utopia – denoting a desired yet unattainable state – I argue that it is within the experiential gap between the consumption of a representation and the desire to live (up to) that representation that Freetown's youths rework their horizons of possibilities.

The main point of John Peel's intriguing critical intervention is to warn against what he sees as an overemphasis on similarities between Christianity and Islam. Making these religions look all too similar, he argues, may come at the expense of paying due attention to the distinctiveness of each of these religious traditions and hence to their intrinsic differences. He suggests an analogy between the stance taken by ‘somewhat left-wing and anti-establishment discourse’ to equalize Islam and Christianity under the label of fundamentalism on the one hand, and a strand of Africanist work on West Africa that pleads for the close similarities between these two religions to be acknowledged on the other. For the latter, he takes the article ‘Pentecostalism, Islam and culture: new religious movements in West Africa’ by Brian Larkin and myself (2006) as paradigmatic. For my part, it is difficult to see how the use of the notion of fundamentalism in current debates and the position ventured by us converge. I would certainly refrain from using the notion of fundamentalism (even if invoked to balance Huntington's equally problematic notion of the clash of civilizations) as a category that serves to draw out similarities between certain radical movements in Christianity and Islam both past and present – a use I view as highly problematic. The fact that Peel converges the levels of general public debate about political Islam and research regarding Christianity and Islam in African studies makes it quite difficult for me to grasp what his main concern is. Is it a worry about a – in his view – problematic, broader trend of denying actual intrinsic differences between Christianity and Islam, a trend that spills over from critical opinion into current Africanist scholarship, or vice versa? Is it the problem that foregrounding certain formal – and to him ultimately superficial – similarities favours an ahistorical stance with regard to these traditions? Or is it a concern – albeit not explicitly articulated – that the insistence on similarities with regard to Christianity might draw a too positive picture of Islam, pre-empting it from the critique that he considers necessary?

The nativist ideology of ivoirité of the 1990s generated brutal discriminatory policies against those labelled as ‘strangers’, especially Muslims. Reversing that perspective, this article focuses on the interface between religion and national identity in twentieth-century Côte d'Ivoire from within Muslim society. The argument is divided into two parts. The first puts forward the counter-hegemonic, patriotic-cum-cosmopolitan narratives that a new Muslim leadership formulated in order to write Islam into national history. The second focuses on grass-roots, demotic, day-to-day realities. It explores Muslim takes on belonging and alienation in practice, paying careful attention to the community's internal diversity. It shows how, over time, Ivorian Muslims have showcased varying degrees of cosmopolitan patriotism but also of their own, local xenophobia. The concluding section returns to the new Muslim leadership and its multifaceted endeavours to reconcile Muslim lived experiences with their cosmopolitan patriotic aspirations. The article ends with a short epilogue surveying the violent armed conflicts of the period 2002 to 2011 and how Muslims were a part of them.

This article looks at the relationships between Nigerian police officers and the Nigeria Police Force (NPF) in which they serve. Against simplistic portraits of police institutions as mechanistic agents of governmental power, the article looks inside one such institution to examine how it exercises power over its own personnel, in a totalizing institutional project which combines duty and identity within a hierarchical and paramilitarized structure. Police officers are caught between their embodying of state authority and their lack of authority within their own institution. At the same time, it depicts individual officers' attempts to navigate this structure to their own advantage, creating a counter-current within the institutional world. Both ultimately affect the way in which the NPF exercises its powers within wider society. According to this perspective, the violence and corruption, negligence and evasion that often typify interactions with the police may be less signs of police officers' power than of their attempts to cope with the lack of it.

This article complicates internationally circulating origin myths that alternately link hip hop to West African griot traditions or highlight the global resonance of its roots in the US inner city. I argue that such generalizing narratives potentially obscure how complex understandings of traditional cultural production inform local engagements with hip hop in Africa, and advocate instead for ethnographically generated interpretive frameworks that enable alternative, locally grounded analyses of hip hop cultures. In doing so, I examine the particularity of Senegalese invocations of origin myths to ask how local and global histories are reimagined through discourse about musical practice. Based on their understandings of tradition as something that precedes, is transformed in, and remains integral to contemporary urban life in Senegal, underground hip hoppers conflate the local popular genre mbalax with griot practice, contrasting it with hip hop as a modern music born from experiences of urban struggle that resonate with their own realities. I demonstrate that Senegalese hip hop practice is defined not only through political engagement or social action but also through and against local musical practices that performatively re-inscribe the political and social systems that limit and contain youth.

This article explores the politics of decentralization and state–peasant encounters in rural Oromiya, Ethiopia. Breaking with a centralized past, the incumbent government of the Ethiopian People's Revolutionary Democratic Front (EPRDF) committed itself to a decentralization policy in the early 1990s and has since then created a number of new sites for state–citizen interactions. In the context of electoral authoritarianism, however, decentralization has been interpreted as a means for the expansion of the party-state at the grass-roots level. Against this backdrop, this article attempts a more nuanced understanding of the complex entanglements between the closure of political space and faith in progress in local arenas. Hence, it follows sub-kebele institutions at the community level in a rural district and analyses their significance for state-led development and peasant mobilization between the 2005 and 2010 elections. Based on ethnographic field research, the empirical case presented discloses that decentralization and state-led development serve the expansion of state power into rural areas, but that state authority is simultaneously constituted and undermined in the course of this process. On that basis, this article aims to contribute to an inherently political understanding of decentralization, development and their entanglement in local and national politics in rural African societies.

In 1952, the African National Congress (ANC) initiated its Defiance Campaign, opposing apartheid laws through organized civil disobedience and African nationalism. On Sunday 9 November, the city of East London became a site of political mobilization when 1,500 Xhosa-speaking ANC sympathizers peacefully protested in Bantu Square, the hub of a township named Duncan Village. Police arrived and fired on the crowd, igniting ‘spontaneous riots’. An Afrikaner salesman and an Irish nun were killed in the ensuing unrest. Rumours circulated that a mob ate the white woman; troop reinforcements then fanned into the township to wage a retaliatory war, shooting and bayoneting their victims. Upwards of 200 Africans may have died but only nine fatalities were recorded. If the revised toll is credible, the bloodshed exceeds that of Sharpeville, the worst one-day massacre in apartheid South Africa. Oral sources explain why the slaughter in Duncan Village is not widely known. Township residents secretly carted the dead to rural graves, fearing to report their losses as people mourned the tragic slaying of the nun named Sister Aidan. Today, ANC rulers of East London seem content to silence the memory of a mass killing reputedly spawned by chaos and cannibalism. At the centre of this incident is Sr Aidan's mutilation for the purpose of making muthi, a shocking incident that dominates the story of violence on Black Sunday. Using archival documents and oral histories, and incorporating the methodologies of Jennifer Cole, Donald Donham and Veena Das, this article reconstructs a narrative of ‘critical events’ surrounding the nun's muthi murder. The scrutinized witness testimonies relay how township residents framed their fierce encounters with a symbolic (white person) and ubiquitous (militarized police) enemy. Oral sources reject the notion that an aimless ‘riot’ occurred on 9 November. Instead, they reflect on cultural enactments of purposeful violence through scripted assaults and muthi ritual. Ultimately, they view the fatal attack on Sr Aidan as an evolving customary act of defensive retribution and symbolic warning, submerging truths in apartheid and hindering reconciliations in democracy.

When Meyer and I (Larkin and Meyer 2006) wrote our article on the shared similarities between Islam and Christianity, it was intended to interrupt what seemed to us then, and still seems to me now, the tendency for studies of Christian movements to be written as if Muslims did not exist in the same polity and vice versa. Difference has been the normative grounds upon which the scholarly literature on religion in Africa has been based, usually organized around a set of binary distinctions: animist movements are opposed to mission Christianity; traditional (often Sufi) Muslims are opposed to Salafis; mainline churches to the Born-Again movement; Islam to Christianity; both of them to animism; and, finally, religion to secularism. While the particular content changes, the structural ordering does not. It is undoubtedly important, as Peel argues, to understand the theological traditions that orient the attitudes and regulate the practice of adherents, but there are other dynamics that are also important and which the emphasis on difference occludes.

Given the important role played by lawyers in formal legal systems, the study of legal professionals can help us understand the efforts to maintain law and social order in Africa. This article examines the narratives of two Zimbabwean lawyers, Kennedy Sibanda and Honour Mkushi, about their experiences as legal professionals between 1970 and 1990, and makes three main arguments. Firstly, these narratives reveal the complex interplay between individual agency, politics and law across the two decades. Secondly, lawyers' participation in the social and political struggles of the period were informed by a set of personal and professional ethics that were grounded in concerns about the welfare of the wider communities to which they belonged. This highlights the need to avoid a default cynicism with regard to African elites and move instead towards a more nuanced understanding of the motives of such individuals and their contribution to the social, economic and political struggles of which they are a part. Lastly, these lawyers were cross-cultural brokers who were constantly involved in a two-way translation. On the one hand, they translated the concepts and stipulations of state law for their African clients; on the other, they translated their clients' grievances into the language of the law. This process of translation acted as a catalyst in the reshaping of African subjectivities and their conceptions of their relationship with the state, and enabled Africans to assert themselves as rights-bearing citizens.

In the immediate aftermath of ‘9/11’, it took very little for the axiom that adherents of evangelical Christianity and reformist Islam inhabit discrepant, permanently warring publics to solidify. With the very air laden with ‘the clash of civilizations’, the dominant narrative quickly became one of mutual antagonism, in which both religions were positioned as irreconcilably foundational in major global conflicts. As is often the case in such moments of heated contention, it was easy to overlook the counterintuitive fact that, in various parts of the world, especially in those communities where adherents of both faiths have lived in close proximity, there has always been a direct sharing and transfer of experiences in religious practices and evangelizing stratagems. Such ‘spiritual economies’ (cf. Rudnyckyj 2010) do not imply that theological differences are erased; they suggest, rather, that competing faiths, in their attempts to expand and preserve themselves, frequently cross boundaries to appropriate the other's devotional and conversionary strategies.

Employing a theoretical framework developed by ecologist Paul Shepard, I explore here the ways in which Harari people's representations of spotted hyenas develop in tandem with their ontogenesis. The Harari word for hyena, waraba, takes on different meanings depending on the socialization of Harari individuals and the particular life stages of these persons. In early childhood, waraba is a terrifying beast of the imagination. As children mature, their initial conceptions are overturned as they learn that local hyenas are in fact peaceful; it is the hyenas from beyond Harar's borders whom they learn to fear. Throughout and beyond middle childhood, representations of hyenas are employed in folktales, songs, chants and idioms to represent other humans while at the same time reflecting an engagement with the local hyenas. The representations culminate in the conception of Derma Sheikh: the reliable, protective, religious hyena who shares the same interest in peace and security as the Hararis. In Harar, representations of hyenas reflect an attention to what hyenas do ‘out there’ in the streets and in the surrounding farmland. They speak of a level of engagement with hyenas as persons: one that is atypical of an ‘urbanized, industrialized’ society.

This article explores conflicts over local administrative boundaries in South Sudan and what these reveal about relationships between pastoralist communities and the state. Drawing on research in the Gogrial region of South Sudan, it argues that conflicts over local boundaries are rooted in the existence of different border paradigms and in subsequent attempts to resolve, sometimes violently, competing moral claims on the landscape. It draws a contrast between a Dinka concept of the border as a point that is owned and the state's concept of the border as a neutral dividing line. These concepts are based on different cultural logics, but there has been a century of interpenetration as well as conflict between them. The state has tried to lay its lines over Dinka points and local people have sought to tap the power of the state by claiming authority at administrative boundaries. These complex processes of interpenetration show how rural populations negotiate with violent state power: both in the past and in the process of forming the new state of South Sudan. They also reveal how some pastoralist populations have played an active role in shaping the geography of the state.

In this article, I focus on the narratives of two men, Patrick and Father Marko Mkandla. I ask whether their continued interactions with, and appeals to, Zimbabwe's politicized legal system were ‘foolish’. The two men inhabited different geographic regions and diverged in their economic positions, political engagement, and ties to Zimbabwe's human rights networks. They nonetheless both started their accounts by recollecting that they persisted in reporting cases of political violence to the Zimbabwe Republic Police. Their accounts show us that imagining, invoking and interacting with the law in Zimbabwe was often an ambiguous, occasionally dangerous, and very contradictory exercise. Under ZANU-PF's rule, judicial institutions were increasingly politicized as instruments for repression. The men nevertheless continued to interact with the state and its officials as if these were bound by rules. This allowed Patrick and Father Mkandla to perform their rights-based citizenship, to experience occasional ‘successes’, and to differentiate themselves from the ‘unprofessional’ politicized civil servants they encountered during their appeals. Rather than ‘foolishly’ invoking the law, some Zimbabwean citizens engaged it as a shared language through which they could articulate their imagination of, hopes for, and belonging to a rule-bound state in the future.