Editorial
Foreword: After Afrofuturism
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- 01 May 2008, pp. 139-153
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Research Article
“I Wish I Knew How It Would Feel to Be Free”: Nina Simone and the Redefining of the Freedom Song of the 1960s
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- 18 July 2008, pp. 295-317
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Music and the Politics of Memory: Charles Ives's A Symphony: New England Holidays
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- 23 October 2008, pp. 459-475
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“You are in a place that is out of the world. . .”: Music in the Detention Camps of the “Global War on Terror”
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- 25 January 2008, pp. 1-26
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Competing Utopias? Musical Ideologies in the 1930s and Two Spanish Civil War Films
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- 18 July 2008, pp. 319-354
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“That Ill, Tight Sound”: Telepresence and Biopolitics in Post-Timbaland Rap Production
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- 01 May 2008, pp. 155-175
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Song, Genre, and Transatlantic Dialogue in Gosford Park
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- 23 October 2008, pp. 477-505
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Paul Robeson's Ballad for Americans: Race and the Cultural Politics of “People's Music”
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- 25 January 2008, pp. 27-70
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A Revisionist History of Twelve-Tone Serialism in American Music
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- 18 July 2008, pp. 355-395
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From the New World: Victor Herbert and His Second Cello Concerto
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- 25 January 2008, pp. 71-99
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History, An Exit Strategy: The RetroFuture Fabulations of kara lynch
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- 01 May 2008, pp. 177-201
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Bill Finegan's Gershwin Arrangements and the American Concept of Hybridity
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- 23 October 2008, pp. 507-530
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“O for a Thousand Tongues to Sing”: Anthony Braxton's Speculative Musics
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- 01 May 2008, pp. 203-233
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“I Dream of Her and Avalon”: 1930s Sweet Jazz, Race, and Nostalgia at the Casino Ballroom
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- 23 October 2008, pp. 531-567
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“Area by Area the Machine Unfolds”: The Improvisational Performance Practice of the Art Ensemble of Chicago
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- 18 July 2008, pp. 397-427
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Book Review
Peggy Glanville-Hicks: A Transposed Life. By James Murdoch. Hillsdale, N.Y.: Pendragon Press, 2002.
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- 25 January 2008, pp. 101-103
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Analyzing Popular Music. Edited by Allan F. Moore. Cambridge: Cambridge University Press, 2003.
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- 25 January 2008, pp. 103-107
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Monk's Music: Thelonious Monk and Jazz History in the Making. By Gabriel Solis. Berkeley: University of California Press, 2008.
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- 23 October 2008, pp. 569-572
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Research Article
The Avenging Angel of Creation/Destruction: Black Music and the Afro-technological in the Science Fiction of Henry Dumas and Samuel R. Delany
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- 01 May 2008, pp. 235-253
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Book Review
Selected Correspondence of Charles Ives. Edited by Tom C. Owens. Berkeley: University of California Press, 2007.
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- 18 July 2008, pp. 429-431
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