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A Multiplicity of Stories: Reading Feminist Orientalism in Scheherazade.2 – CORRIGENDUM

Published online by Cambridge University Press:  24 May 2022

Rebecca Anna Schreiber
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Abstract

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Type
Corrigendum
Information
Journal of the Society for American Music , Volume 16 , Issue 2 , May 2022 , pp. 250 - 251
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-ShareAlike licence (https://creativecommons.org/licenses/by-nc-sa/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the same Creative Commons licence is included and the original work is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use.
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of the Society for American Music

In the original online version of the article by SchreiberFootnote 1 in the May 2022 issue of Journal of the Society for American Music, the copyright credit for Examples 4 and 5 were omitted. The copyright credit has been added to the revised online version. The examples, with the credits are as follows:

Example 4. John Adams, Scheherazade.2, first movement, solo violin's initial appearance suggestive of Scheherazade's persona, mm. 14–22. “Scheherazade.2” by John Adams © 2014 by Hendon Music, Inc. A Boosey & Hawkes Company. Copyright for All Countries. All Rights Reserved. Reprinted by Permission.

Example 5. Adams, Scheherazade.2, fourth movement, Scheherazade's final monologue, mm. 252–63. “Scheherazade.2” by John Adams © 2014 by Hendon Music, Inc. A Boosey & Hawkes Company. Copyright for All Countries. All Rights Reserved. Reprinted by Permission.

Footnotes

1 Rebecca Anna Schreiber. “A Multiplicity of Stories: Reading Feminist Orientalism in Scheherazade.2,” Journal of the Society for American Music 16, no. 2 (2022): https://doi.org/10.1017/S1752196322000037.

References

Schreiber, Rebecca Anna. “A Multiplicity of Stories: Reading Feminist Orientalism in Scheherazade.2,” Journal of the Society for American Music 16, no. 2 (2022): https://doi.org/10.1017/S1752196322000037.Google Scholar
Figure 0

Example 4. John Adams, Scheherazade.2, first movement, solo violin's initial appearance suggestive of Scheherazade's persona, mm. 14–22. “Scheherazade.2” by John Adams © 2014 by Hendon Music, Inc. A Boosey & Hawkes Company. Copyright for All Countries. All Rights Reserved. Reprinted by Permission.

Figure 1

Example 5. Adams, Scheherazade.2, fourth movement, Scheherazade's final monologue, mm. 252–63. “Scheherazade.2” by John Adams © 2014 by Hendon Music, Inc. A Boosey & Hawkes Company. Copyright for All Countries. All Rights Reserved. Reprinted by Permission.