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MATTHEW ARNOLD'S DIET
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- 28 January 2016, pp. 1-18
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FALLIBLE INFALLIBILITY? GLADSTONE'S ANTI-VATICAN PAMPHLETS IN THE LIGHT OF MILL'S ON LIBERTY
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- 10 May 2016, pp. 223-237
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JANE EYRE'S PURSE: WOMEN'S QUEER ECONOMIC DESIRE IN THE VICTORIAN NOVEL
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- 04 November 2016, pp. 741-759
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SILKWORMS AND SHIPWRECKS: SUSTAINABILITY IN DOMBEY AND SON
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- 30 August 2016, pp. 455-471
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DICKENS, DINOSAURS, AND DESIGN
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- 04 November 2016, pp. 761-778
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TENNYSON'S THE PRINCESS AND THE CULTURE OF COLLECTION
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- 10 May 2016, pp. 239-263
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PICKWICK'S OTHER PAPERS: CONTINUALLY READING DICKENS
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- 28 January 2016, pp. 19-41
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THE DOLLS’ DRESSMAKER RE(AD)DRESSED: JENNY WREN'S CRITIQUE OF CHILDHOOD, FEMININITY, AND APPEARANCE
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- 30 August 2016, pp. 473-490
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“BRIGHT GLANCES” OR “CLEVER HANDS”? THE DOMESTIC IMAGE OF WORKING-CLASS WOMEN IN ELIZA COOK'S JOURNAL
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- 04 November 2016, pp. 779-799
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“A THIN DISGUISE”: ON ROBERT BROWNING'S FERISHTAH'S FANCIES
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- 10 May 2016, pp. 265-278
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“THE DEVIL'S CODE OF HONOR”: FRENCH INVASION AND THE RETURN OF HISTORY IN VANITY FAIR
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- 28 January 2016, pp. 43-57
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BROAD-CHURCH HOMILETICS, KINGSLEY'S HYPATIA, AND THE CULTIVATED READER IN THE PEW
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- 30 August 2016, pp. 491-509
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“YOU, GUESS”: THE ENIGMAS OF CHRISTINA ROSSETTI
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- 30 August 2016, pp. 511-533
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POSSESSING DRESSES: FASHION AND FEMALE COMMUNITY IN THE WOMAN IN WHITE
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- 04 November 2016, pp. 801-816
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“THE BLOOD OF OUR POOR PEOPLE”: 1848, INCIPIENT NATIONAL IDENTITY, AND THE FRENCH REVOLUTION IN ANTHONY TROLLOPE'S LA VENDÉE
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- 28 January 2016, pp. 59-76
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SUSPENSEFUL SPECULATION AND THE PLEASURE OF WAITING IN LITTLE DORRIT
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- 10 May 2016, pp. 279-296
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THE NAUTICAL MELODRAMA OF MARY BARTON
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- 28 January 2016, pp. 77-95
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FASHION AND THE “INDIAN MUTINY”: THE “RED PAISLEY SHAWL” IN WILKIE COLLINS'S ARMADALE
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- 04 November 2016, pp. 817-832
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“HOSPITABLE INFINITY”: IMAGINING NEW PROSPECTS AND OTHER WORLDS IN VICTORIAN COSMIC VOYAGE LITERATURE
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- 30 August 2016, pp. 535-555
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“THESE VERBAL PUZZLES”: WILKIE COLLINS, NEWSPAPER ENIGMAS, AND THE VICTORIAN READER AS SOLVER
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- 10 May 2016, pp. 297-314
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