Theatre Survey: Volume 47 - Issue 2

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Theatre Survey
ISSN: 0040-5574

EISSN: 1475-4533

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Volume 47 - Issue 2 - November 2006

Contents

Page 2 of 3

Book Reviews: Edited by Edward Ziter

Looking into the Abyss: Essays on Scenography
Stephen Di Benedetto
Published online by Cambridge University Press:

12 September 2006, pp. 315-317
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Defining Acts: Drama and the Politics of Interpretation in Late Medieval England
Carolyn D. Roark
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12 September 2006, pp. 317-319
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Gender and Medieval Drama
Elina Gertsman
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12 September 2006, pp. 319-321
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Actresses and Whores: On Stage and in Society
Barbara Lewis
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12 September 2006, pp. 321-323
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Harlequin Britain: Pantomime and Entertainment, 1690–1760
Katherine West Scheil
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12 September 2006, pp. 323-325
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Revolutionary Acts: Theater, Democracy, and the French Revolution
Marvin Carlson
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12 September 2006, pp. 325-327
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Thomas Abthorpe Cooper: Father of the American Stage, 1775–1849
Odai Johnson
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12 September 2006, pp. 327-329
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Susan Glaspell: Her Life and Times
Ellen Donkin
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12 September 2006, pp. 329-331
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Expressionism and Modernism in the American Theatre: Bodies, Voices, Words
Edmund Lingan
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12 September 2006, pp. 331-334
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Clifford Odets and American Political Theatre
Garrett Eisler
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12 September 2006, pp. 334-336
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Arthur Miller: A Critical Study
Alan Ackerman
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12 September 2006, pp. 336-337
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Bertolt Brecht's Dramatic Theory
David Krasner
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12 September 2006, pp. 337-341
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All Theater Is Revolutionary Theater
Andrew Sofer
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12 September 2006, pp. 341-342
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Blackface Cuba, 1840–1895
Jean Graham-Jones
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12 September 2006, pp. 343-345
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Theatres of Independence: Drama, Theory and Urban Performance in India since 1947
Cobina Gillitt
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12 September 2006, pp. 345-347
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Shashibiya: Staging Shakespeare in China
Sudipto Chatterjee
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12 September 2006, pp. 347-349
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Staging the UK
Joanne Zerdy
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12 September 2006, pp. 349-351
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Spiked: Church—State Intrigue and “The Rose Tattoo.”
Karin Maresh
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12 September 2006, pp. 351-353
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The Art of the American Musical: Conversations with the Creators
Greg White
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12 September 2006, pp. 353-355
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No Applause—Just Throw Money: The Book That Made Vaudeville Famous
Thomas S. Hischak
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12 September 2006, pp. 355-357
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Page 2 of 3

Theatre Survey

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Volume 47 - Issue 2 - November 2006

Book Reviews: Edited by Edward Ziter

Looking into the Abyss: Essays on Scenography

Defining Acts: Drama and the Politics of Interpretation in Late Medieval England

Gender and Medieval Drama

Actresses and Whores: On Stage and in Society

Harlequin Britain: Pantomime and Entertainment, 1690–1760

Revolutionary Acts: Theater, Democracy, and the French Revolution

Thomas Abthorpe Cooper: Father of the American Stage, 1775–1849

Susan Glaspell: Her Life and Times

Expressionism and Modernism in the American Theatre: Bodies, Voices, Words

Clifford Odets and American Political Theatre

Arthur Miller: A Critical Study

Bertolt Brecht's Dramatic Theory

All Theater Is Revolutionary Theater

Blackface Cuba, 1840–1895

Theatres of Independence: Drama, Theory and Urban Performance in India since 1947

Shashibiya: Staging Shakespeare in China

Staging the UK

Spiked: Church—State Intrigue and “The Rose Tattoo.”

The Art of the American Musical: Conversations with the Creators

No Applause—Just Throw Money: The Book That Made Vaudeville Famous

Theatre Survey

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Volume 47 - Issue 2 - November 2006

Book Reviews: Edited by Edward Ziter