In Memoriam
Michael Quinn
-
- Published online by Cambridge University Press:
- 23 January 2009, p. 83
-
- Article
-
- You have access
- Export citation
Articles
The Three-Actor Rule
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 183-188
-
- Article
- Export citation
Portugal's Geraçao de 70: Drama influenced by a Changing World
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 1-6
-
- Article
- Export citation
The Law of Writ and the Liberty
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 189-199
-
- Article
- Export citation
John Galsworthy's Strife: Striving for Balance or the Audience as Jury
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 7-18
-
- Article
- Export citation
I — Theatricality Introduction: Theatricality: A Key Concept in Theatre and Cultural Studies
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 85-89
-
- Article
- Export citation
Actors as Activists: The Theatre Arts Committee Cabaret, 1938–1941
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 19-29
-
- Article
- Export citation
The Origin of Punch and Judy: A New Clue?
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 200-206
-
- Article
- Export citation
Theatre History, Methodology and Distinctive Features
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 90-96
-
- Article
- Export citation
From Theatre to Theatricality—How to Construct Reality
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 97-105
-
- Article
- Export citation
Shakespeare's Exploitation of a Two-Door Stage: Macbeth
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 207-230
-
- Article
- Export citation
Unnecessary Plays: European Drama and the British Censor in the 1920s
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 30-36
-
- Article
- Export citation
Jean-Paul Sartre, playwright and scriptwriter: Huis clos and Les Jeux sont faits.
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 37-41
-
- Article
- Export citation
The Impact of Working Conditions upon Acting Style
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 231-236
-
- Article
- Export citation
Concepts of Theatricality in Contemporary Art History
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 106-113
-
- Article
- Export citation
Macbeth Becomes Ma Pei: An Odyssey from Scotland to China
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 42-53
-
- Article
- Export citation
The Surveying of Hell. On Theatricality and Styles of Thinking
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 114-118
-
- Article
- Export citation
Cracks in the Arch of Illusion: Contemporary Experiments in Taiwan's Peking Opera
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 237-254
-
- Article
- Export citation
II — The Moscow Keynote Speeches Introduction
-
- Published online by Cambridge University Press:
- 23 January 2009, pp. 119-120
-
- Article
- Export citation
Reviews
The Cambridge Companion To Medieval English Theatre. Edited by Richard Beadle. Cambridge: Cambridge University Press, 1994. Pp. xxii + 372 + illus. £35/12.95; $59.95/16.95.
-
- Published online by Cambridge University Press:
- 23 January 2009, p. 54
-
- Article
- Export citation