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Portugal's Geraçao de 70: Drama influenced by a Changing World

Published online by Cambridge University Press:  23 January 2009

Colin M. Pierson
Affiliation:
Colin M. Pierson is Professor of Modern Languages at the University of Nebraska-Lincoln.

Extract

The ‘Generation of 1870’ produced some of Portugal's best writers. In the theatre, two plays effectively broke the mould of playwriting and ended an era of overly moralistic and simplistic drama. The two plays could not have been more different: Os Lazaristas was a virulent attack on the Church while Viagem à roda da Parvónia was a satire on the middle class.

Type
Articles
Copyright
Copyright © International Federation for Theatre Research 1995

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References

Notes

1 Simões, João Gaspar, Eça de Queirós, o Homem e o Artista (Lisbon: Edições Dois Mundos, 1945), p.65.Google Scholar

2 De Figueiredo, Fidelino, História da Literatura realista (Lisbon: Livraria Clássica Editora, 1924), p. 15Google Scholar

3 Manuel De Aguiar E Silva, Vitor, O Teatro de Actualidade no Romantismo Português 1849–1875 (Coimbra Editora, 1965), p.63.Google Scholar

4 Ferreira, Alberto, ‘Artes e Letras, Aspectos da Polêmica Literária de 1865’, Seara Nova, No. 1443 (January 1966) p.20.Google Scholar

5 Simões, p.63.

6 Figueiredo, op. cit,. p.227.

7 Ibid., pp.223–34.

8 Aguiar e Silva, p.74.

9 António Enes, Os Lazaristas (2nd ed.: Lisbon, 1875).

10 Aguiar e Silva, p.65–6.

11 Ibid.

12 Ibid., p.74.

13 De Azevedo And Guerra Junqueir, Guilherme, Viagem à roda da Parvónia (Lisbon: Portugal-Brasil Editora, 1931).Google Scholar