Theatre Research International: Volume 10 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 10 - Autumn 1985

Contents

Page 3 of 4

Reviews

Shakespeare in Sable: A History of Black Shakespearean Actors. By Errol Hill. Massachusetts: University of Massachusetts Press, 1984. Pp. xxviii + 216 + illus. $20.
Margaret B. Wilkerson
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23 January 2009, pp. 241-242
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Federico Garcia Lorca. By Reed Anderson. London: Macmillan, 1984.
Felicia Hardison Londré
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23 January 2009, pp. 85-86
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Jahrbuch der Deutschen Shakespeare-Gesellschaft West (1984).
Daniel Meyer-Dinkgraefe
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23 January 2009, pp. 242-243
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The Performer-Audience Connection. By Judith Lynne Hanna. Texas: University of Texas Press, 1983. Pp. x + 273 + illus. $25; $9.95.
D. Keith Peacock
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23 January 2009, pp. 86-87
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English Theatre in Transition, 1881–1914. By James Woodfield. London and Sydney, Croom Helm; Totowa, New Jersey, Barnes and Noble. Pp. 213. £15.95.
Louis James
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23 January 2009, pp. 183-185
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Players and Painted Stage: the Theatre of W. B. Yeats. By Karen Dorn. Brighton: Harvester Press; Totowa, N.J.: Barnes and Noble, 1984. Pp. 143. £16.95.
Nicholas Grene
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23 January 2009, pp. 185-186
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Abstract

Résumés des Articles
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23 January 2009, pp. 88-90
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Reviews

Henry Purcell and the London Stage. By Curtis Alexander Price. Cambridge: Cambridge University Press, 1984. Pp. xiv + 380 + 8 illustrations. £30.
Arnold Hare
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23 January 2009, pp. 243-245
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Books Received

Books Received
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23 January 2009, p. 91
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Reviews

The Licensing Act of 1737. By Vincent J. Liesenfeld. Madison: The University of Wisconsin Press, 1984. Pp. xiv + 260. $27.50.
Anthony Toyne
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23 January 2009, pp. 245-246
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The Collected Letters of John Millington Synge. Edited by Ann Saddlemyer. 2 Vols, Oxford: Clarendon Press. Vol. 1. Pp. xxx + 385, 1983. Vol. 2. Pp. xvii + 270, 1984. £25.
Hugh Hunt
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23 January 2009, pp. 186-188
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Front matter

TRI volume 10 issue 1 Cover and Front matter
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23 January 2009, pp. f1-f5
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Reviews

Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth Century England. By Martin Meisel. Princeton, New Jersey: Princeton University Press, 1983. Pp. xix + 471 + 220 plates. £51.90.
David Mayer
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23 January 2009, pp. 246-249
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Eugene O'Neill's Critics: Voices from Abroad. Edited by Horst Frenz and Susan Tuck. Carbondale: Southern Illinois University Press, 1984. Pp. 247. $22.50.
Gary Jay Williams
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23 January 2009, pp. 188-190
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The Theater Duke: Georg II of Saxe-Meiningen and the German Stage. By Ann Marie Koller. Stanford: Stanford University Press, 1984. Pp. ix + 257 pp.
Simon Williams
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23 January 2009, pp. 249-251
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Back matter

TRI volume 10 issue 1 Back matter
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23 January 2009, pp. b1-b2
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Reviews

Modern French Drama 1940–1980. By David Bradby. Cambridge: Cambridge University Press, 1984. £24; £8.50.
David Jeffery
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23 January 2009, pp. 190-191
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Registres IV: Les Registres du Vieux Colombier II: America. By Jacques Copeau. Paris: Gallimard, 1984. Pp. 623. 190F.
Barry V. Daniels
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23 January 2009, pp. 251-253
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Abstract

Résumés des Articles
Published online by Cambridge University Press:

23 January 2009, pp. 192-194
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Reviews

L'Attore e lo Sciamano: Esempi D'Identita Nelle Tradizioni Dell'Estremo Oriente. By Gioia Ottaviani. Bulzoni: Roma, 1984. L.It. 14.000.
Laura Richards
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23 January 2009, pp. 253-254
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Page 3 of 4

Theatre Research International

Refine listing

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Volume 10 - Autumn 1985

Reviews

Shakespeare in Sable: A History of Black Shakespearean Actors. By Errol Hill. Massachusetts: University of Massachusetts Press, 1984. Pp. xxviii + 216 + illus. $20.

Federico Garcia Lorca. By Reed Anderson. London: Macmillan, 1984.

Jahrbuch der Deutschen Shakespeare-Gesellschaft West (1984).

The Performer-Audience Connection. By Judith Lynne Hanna. Texas: University of Texas Press, 1983. Pp. x + 273 + illus. $25; $9.95.

English Theatre in Transition, 1881–1914. By James Woodfield. London and Sydney, Croom Helm; Totowa, New Jersey, Barnes and Noble. Pp. 213. £15.95.

Players and Painted Stage: the Theatre of W. B. Yeats. By Karen Dorn. Brighton: Harvester Press; Totowa, N.J.: Barnes and Noble, 1984. Pp. 143. £16.95.

Abstract

Résumés des Articles

Reviews

Henry Purcell and the London Stage. By Curtis Alexander Price. Cambridge: Cambridge University Press, 1984. Pp. xiv + 380 + 8 illustrations. £30.

Books Received

Books Received

Reviews

The Licensing Act of 1737. By Vincent J. Liesenfeld. Madison: The University of Wisconsin Press, 1984. Pp. xiv + 260. $27.50.

The Collected Letters of John Millington Synge. Edited by Ann Saddlemyer. 2 Vols, Oxford: Clarendon Press. Vol. 1. Pp. xxx + 385, 1983. Vol. 2. Pp. xvii + 270, 1984. £25.

Front matter

TRI volume 10 issue 1 Cover and Front matter

Reviews

Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth Century England. By Martin Meisel. Princeton, New Jersey: Princeton University Press, 1983. Pp. xix + 471 + 220 plates. £51.90.

Eugene O'Neill's Critics: Voices from Abroad. Edited by Horst Frenz and Susan Tuck. Carbondale: Southern Illinois University Press, 1984. Pp. 247. $22.50.

The Theater Duke: Georg II of Saxe-Meiningen and the German Stage. By Ann Marie Koller. Stanford: Stanford University Press, 1984. Pp. ix + 257 pp.

Back matter

TRI volume 10 issue 1 Back matter

Reviews

Modern French Drama 1940–1980. By David Bradby. Cambridge: Cambridge University Press, 1984. £24; £8.50.

Registres IV: Les Registres du Vieux Colombier II: America. By Jacques Copeau. Paris: Gallimard, 1984. Pp. 623. 190F.

Abstract

Résumés des Articles

Reviews

L'Attore e lo Sciamano: Esempi D'Identita Nelle Tradizioni Dell'Estremo Oriente. By Gioia Ottaviani. Bulzoni: Roma, 1984. L.It. 14.000.

Theatre Research International

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Volume 10 - Autumn 1985

Reviews

Abstract

Reviews

Books Received

Reviews

Front matter

Reviews

Back matter

Reviews

Abstract

Reviews