Theatre Research International: Volume 8 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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< Back to all issues

Volume 8 - Spring 1983

Contents

Page 2 of 4

Reviews

David Garrick: A Critical Biography. By George Winchester StoneJr and George M. Kahrl. Carbondale: Southern Illinois University Press, 1979.
O. M. Brack, Jr
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23 January 2009, pp. 66-68
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Bohemians And Critics: American Theatre Criticism in the Nineteenth Century. By Tice L. Miller. Metuchen, New Jersey, and London: The Scarecrow Press, 1981. Pp. x and 190. $12.00.
Russell Jackson
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23 January 2009, pp. 68-69
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The Third Globe: Symposium for the Reconstruction of the Globe Playhouse, Wayne State University, 1979, edited by C. Walter Hodges, S. Schoenbaum, and Leonard Leone. Detroit: Wayne State University Press, 1981, pp. 267 + illus. $16.95.
Robert K. Sarlós
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23 January 2009, pp. 160-161
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Puritanism and Theatre: Thomas Middleton and Opposition Drama Under the Early Stuarts. By Margot Heinemann. Past and Present Publications. Cambridge University Press, 1980, paperback, 1982. £6.95. Pp. ix + 300. (p/bk). - The Children of Paul's: The Story of a Theatre Company, 1553–1608. By Reavley Gair. Cambridge University Press, 1982. Pp. ix + 213.
Brean S. Hammond
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23 January 2009, pp. 253-255
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The Prologues and Epilogues of the Restoration (1660–1700). By Pierre Danchin. Nancy: Universite de Nancy II. Service des publications, 1981. Pp. 727 + 7 illus.
Jean Jacquot
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23 January 2009, pp. 162-163
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British Music Hall 1840–1923 – A Bibliography and Guide to Sources, with a Supplement on European Music Hall. By L. Senelick, D. F. Cheshire and U. Schneider. Hamden, Conn.: The Shoestring Press, 1981. Pp. 361. £23.15.
Clive Barker
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23 January 2009, pp. 70-71
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Shakespeare Survey 35 (1982): Shakespeare in the Nineteenth Century. Edited by Stanley Wells. Cambridge: Cambridge University Press, 1982. £19.50. Pp. ix+ 198 + illus.
Daniel Barrett
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23 January 2009, pp. 255-256
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Jean-Francois Regnard. By Gifford P. Orwen. Boston: Twayne Publishers, 1982. Pp. 131. $13.95.
W. D. Howarth
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23 January 2009, pp. 163-164
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Calderón: The Secular Plays. By Robert ter Horst. Lexington: The University Press of Kentucky. 1982. $21.50. Pp. 254.
Gwynne Edwards
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23 January 2009, pp. 256-258
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American Drama to 1900: A Guide to Information Sources. By Walter J. Meserve. Detroit: Gale Research, 1980. Pp. xviii + 254.
Philip Drew
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23 January 2009, p. 71
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The Actor's Right to Act. By Joseph Macleod. London: Lawrence and Wishart, 1981. Pp. 206 + illus. £5.95.
George Rowell
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23 January 2009, pp. 72-73
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The Tragic Drama of Corneille and Racine, an Old Parallel Revisited. By H. T. Barnwell. Oxford: Oxford University Press, 1982. £17.50. Pp. xxi + 275.
Jacques Scherer
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23 January 2009, pp. 258-260
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Vice Chamberlain Coke's Theatrical Papers 1706–1715. Edited from the Manuscripts in the Harvard Theatre Collection and Elsewhere by Judith Milhous and Robert D. Hume. Carbondale/Edwardsville: Southern Illinois University Press, 1982. Pp. xliv + 274. $20.
Anthony Toyne
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23 January 2009, pp. 164-165
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Georgian Scene Painters and Scene Painting. By Sybil Rosenfeld. Cambridge: Cambridge University Press, 1981. 206 pp. + 78 illus. £29.50.
Graham Barlow
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23 January 2009, pp. 165-166
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Georg Büchner by Julian Hilton. London: Macmillan Modern Dramatists, 1982. £10; £2.95. Pp. xi+ 167 + illus.
Lesley Sharpe
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23 January 2009, pp. 260-262
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The Festive Play of Fernando Arrabal. By Luis Oscar Arata. University Press of Kentucky, 1982. Pp. 90.
David Whitton
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23 January 2009, pp. 73-74
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Das Barocke im Kabuki – Das Kabukihafte im Barocktheater. By Toshio Kawatake. Vienna: Verlag der österreichischen Akademie der Wissenschaften, 1981. Pp. 127 + illus. DM 30.
George W. Brandt
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23 January 2009, pp. 166-168
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Gruppeteater i Norden. By Anton Fjeldstad, Aage Jørgensen, Margarete Wirmark and Clas Zilliacus. Copenhagen: Samlerens Forlag A/S, 1981. Pp. 304 + illus. D.kr. 130.70.
Janet Garton
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23 January 2009, pp. 74-75
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Gordon Craig's Moscow Hamlet. A Reconstruction. By Laurence Senelick. Westport and London, Greenwood Press, 1982. ($29.95). Pp. xviii + 238.
Arnold Rood
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23 January 2009, pp. 262-263
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The Director and the Stage, by Edward Braun. Methuen, £4.45 pbk. Pp. 218.
John McGrath
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23 January 2009, pp. 264-265
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Page 2 of 4

Theatre Research International

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Volume 8 - Spring 1983

Reviews

David Garrick: A Critical Biography. By George Winchester StoneJr and George M. Kahrl. Carbondale: Southern Illinois University Press, 1979.

Bohemians And Critics: American Theatre Criticism in the Nineteenth Century. By Tice L. Miller. Metuchen, New Jersey, and London: The Scarecrow Press, 1981. Pp. x and 190. $12.00.

The Third Globe: Symposium for the Reconstruction of the Globe Playhouse, Wayne State University, 1979, edited by C. Walter Hodges, S. Schoenbaum, and Leonard Leone. Detroit: Wayne State University Press, 1981, pp. 267 + illus. $16.95.

The Prologues and Epilogues of the Restoration (1660–1700). By Pierre Danchin. Nancy: Universite de Nancy II. Service des publications, 1981. Pp. 727 + 7 illus.

British Music Hall 1840–1923 – A Bibliography and Guide to Sources, with a Supplement on European Music Hall. By L. Senelick, D. F. Cheshire and U. Schneider. Hamden, Conn.: The Shoestring Press, 1981. Pp. 361. £23.15.

Shakespeare Survey 35 (1982): Shakespeare in the Nineteenth Century. Edited by Stanley Wells. Cambridge: Cambridge University Press, 1982. £19.50. Pp. ix+ 198 + illus.

Jean-Francois Regnard. By Gifford P. Orwen. Boston: Twayne Publishers, 1982. Pp. 131. $13.95.

Calderón: The Secular Plays. By Robert ter Horst. Lexington: The University Press of Kentucky. 1982. $21.50. Pp. 254.

American Drama to 1900: A Guide to Information Sources. By Walter J. Meserve. Detroit: Gale Research, 1980. Pp. xviii + 254.

The Actor's Right to Act. By Joseph Macleod. London: Lawrence and Wishart, 1981. Pp. 206 + illus. £5.95.

The Tragic Drama of Corneille and Racine, an Old Parallel Revisited. By H. T. Barnwell. Oxford: Oxford University Press, 1982. £17.50. Pp. xxi + 275.

Vice Chamberlain Coke's Theatrical Papers 1706–1715. Edited from the Manuscripts in the Harvard Theatre Collection and Elsewhere by Judith Milhous and Robert D. Hume. Carbondale/Edwardsville: Southern Illinois University Press, 1982. Pp. xliv + 274. $20.

Georgian Scene Painters and Scene Painting. By Sybil Rosenfeld. Cambridge: Cambridge University Press, 1981. 206 pp. + 78 illus. £29.50.

Georg Büchner by Julian Hilton. London: Macmillan Modern Dramatists, 1982. £10; £2.95. Pp. xi+ 167 + illus.

The Festive Play of Fernando Arrabal. By Luis Oscar Arata. University Press of Kentucky, 1982. Pp. 90.

Das Barocke im Kabuki – Das Kabukihafte im Barocktheater. By Toshio Kawatake. Vienna: Verlag der österreichischen Akademie der Wissenschaften, 1981. Pp. 127 + illus. DM 30.

Gruppeteater i Norden. By Anton Fjeldstad, Aage Jørgensen, Margarete Wirmark and Clas Zilliacus. Copenhagen: Samlerens Forlag A/S, 1981. Pp. 304 + illus. D.kr. 130.70.

Gordon Craig's Moscow Hamlet. A Reconstruction. By Laurence Senelick. Westport and London, Greenwood Press, 1982. ($29.95). Pp. xviii + 238.

The Director and the Stage, by Edward Braun. Methuen, £4.45 pbk. Pp. 218.

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Volume 8 - Spring 1983

Reviews